Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Werewolves, Vampires, and the “Sacred Wo/men” of Soviet Discourse in Pravda and beyond in the 1930s and 1940s
- 2 Drawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press, Literature, and Film
- 3 Our Man in Chile, or Victor Jara’s Posthumous Life in Soviet Media and Popular Culture
- 4 Fathers, Sons, and the Imperial Spirit: The Wartime Homo Sacer’s Competitive Victimhood
- 5 Robber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of History
- Conclusion
- Notes
- Bibliography
- Index
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Werewolves, Vampires, and the “Sacred Wo/men” of Soviet Discourse in Pravda and beyond in the 1930s and 1940s
- 2 Drawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press, Literature, and Film
- 3 Our Man in Chile, or Victor Jara’s Posthumous Life in Soviet Media and Popular Culture
- 4 Fathers, Sons, and the Imperial Spirit: The Wartime Homo Sacer’s Competitive Victimhood
- 5 Robber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of History
- Conclusion
- Notes
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Making MartyrsThe Language of Sacrifice in Russian Culture from Stalin to Putin, pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2018