Cinemas of the Mozambican Revolution Book contents
- Frontmatter
- Contents
- List of Images
- Acknowledgements
- Glossary
- Abbreviations
- Map of Mozambique
- Introduction
- 1 We Will Win! Filming the Armed Struggle in Mozambique, 1968–1973
- 2 From the Rovuma to the Maputo: Confluences of Independence, 1974–1975
- 3 Birth (of the Image) of a Nation: Delivering Cinema to the People, 1976–1978
- 4 Who Exactly is the Party? Didacticism, the Battle of Information and the Vanguard Party, 1977–1979
- 5 A New Symphony: Cinema and Television in the ‘Decade of Development’, 1980–1984
- 6 Let Them Come! Filmmaking on the Frontline against Apartheid, 1980–1989
- 7 The Time of the Leopards: The End of Socialist Fictions and the Beginnings of the Docu-Drama, 1985–1991
- Conclusion
- Bibliography
- Filmography
- Index
3 - Birth (of the Image) of a Nation: Delivering Cinema to the People, 1976–1978
Published online by Cambridge University Press: 16 July 2020
- Frontmatter
- Contents
- List of Images
- Acknowledgements
- Glossary
- Abbreviations
- Map of Mozambique
- Introduction
- 1 We Will Win! Filming the Armed Struggle in Mozambique, 1968–1973
- 2 From the Rovuma to the Maputo: Confluences of Independence, 1974–1975
- 3 Birth (of the Image) of a Nation: Delivering Cinema to the People, 1976–1978
- 4 Who Exactly is the Party? Didacticism, the Battle of Information and the Vanguard Party, 1977–1979
- 5 A New Symphony: Cinema and Television in the ‘Decade of Development’, 1980–1984
- 6 Let Them Come! Filmmaking on the Frontline against Apartheid, 1980–1989
- 7 The Time of the Leopards: The End of Socialist Fictions and the Beginnings of the Docu-Drama, 1985–1991
- Conclusion
- Bibliography
- Filmography
- Index
Summary
On 4 March 1976, the Instituto Nacional de Cinema (INC) opened on 946 Avenida Agostinho Neto. In an interview in 2005, Manuel Malo recounted to me the story of how it was that he came to work for the INC some weeks later. Malo had been employed at the colonial production house owned by Antonio Melo Pereira, whose output prior to independence included the newsreel Actualidades de Moçambique ‘news of Mozambique’ and pornographic films destined for the South African market. Malo recalled that:
In the company where I worked … everything stopped when the coup happened in Portugal on 25 April 1974… . During that time the ‘nationalisations’ happened, in which abandoned businesses were taken. But in the case of Melo Pereira's laboratory, it hadn't been abandoned. He had only made a trip to Portugal when his laboratory and equipment was seized. I was the only Mozambican working for Melo Pereira's company, up until 1976. Before there had been a few other Mozambicans, but they were older than me and had been conscripted into the military. From 25 April, the only Mozambican working there was me. The others were three Portuguese, and they soon went back to Portugal because Melo Pereira said he didn't have the money to continue paying them whereas I received much less money… . So from 1974 to 1976 I kept hold of the key to the studios, and every day I went there, opened the doors, cleaned the equipment, and stayed there waiting… . Then one Monday morning when I arrived there was a man in a suit standing at the door. I had no idea who he was. I took the keys from my bag, went to open the door, but the man told me to wait, saying: ‘Don't open the door.’ I was astonished and asked him who he was, to which he replied: ‘I have orders not to let anyone enter this building.’ Finally he identified himself, saying he was from the Polícia de Investigação Criminal (PIC)… . I collected the few personal things I had and he took the key, even though I was scared to hand it over to him… .
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- Cinemas of the Mozambican RevolutionAnti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991, pp. 113 - 148Publisher: Boydell & BrewerPrint publication year: 2020