Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Art, Experimentation, and the Avant-Garde in East Germany
- 2 Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of the Senses
- 3 Lines of Communication: Mail Art and the Connectivity of Experimental Film
- 4 Herz Horn Haut Schrein: Film and the Autoperforating Body of/at Work
- 5 Film Experiments, Design Anthropology, and the Politics of Vision: Yana Milev's Theory of Practice
- Conclusion: Images of Moving Margins
- Notes
- Bibliography
- Index
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Art, Experimentation, and the Avant-Garde in East Germany
- 2 Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of the Senses
- 3 Lines of Communication: Mail Art and the Connectivity of Experimental Film
- 4 Herz Horn Haut Schrein: Film and the Autoperforating Body of/at Work
- 5 Film Experiments, Design Anthropology, and the Politics of Vision: Yana Milev's Theory of Practice
- Conclusion: Images of Moving Margins
- Notes
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Moving Images on the MarginsExperimental Film in Late Socialist East Germany, pp. 183 - 242Publisher: Boydell & BrewerPrint publication year: 2019