Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- Introduction
- 1 Commencements and Contexts
- 2 On the Reception of Schubert's Self-Quotations
- 3 Two Scores and Their Musical Relationships
- 4 Parents and Children: On the Background to “Ave Maria”
- 5 From “Ave Maria” to Trio
- 6 “Dedicated to Nobody, Save Those Who Find Pleasure in It”
- 7 Contexts and Conclusions
- Notes
- Selected Bibliography
- Index
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgments
- List of Abbreviations
- Introduction
- 1 Commencements and Contexts
- 2 On the Reception of Schubert's Self-Quotations
- 3 Two Scores and Their Musical Relationships
- 4 Parents and Children: On the Background to “Ave Maria”
- 5 From “Ave Maria” to Trio
- 6 “Dedicated to Nobody, Save Those Who Find Pleasure in It”
- 7 Contexts and Conclusions
- Notes
- Selected Bibliography
- Index
Summary
![Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'](https://static.cambridge.org/content/id/urn%3Acambridge.org%3Aid%3Abook%3A9781787448841/resource/name/firstPage-9781787448841not_p175-266_CBO.jpg)
- Type
- Chapter
- Information
- Self-Quotation in Schubert"Ave Maria," the Second Piano Trio, and Other Works, pp. 175 - 266Publisher: Boydell & BrewerPrint publication year: 2020