Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-lrf7s Total loading time: 0 Render date: 2024-07-27T22:26:29.529Z Has data issue: false hasContentIssue false

1 - An Odd Sort of Cli-Fi? Nathaniel Rich’s Odds Against Tomorrow

Published online by Cambridge University Press:  17 December 2022

Helen E. Mundler
Affiliation:
Université Paris-Est Créteil, France
Get access

Summary

“How vast a nightmare could he imagine?” Introducing Mitchell Zukor

Nathaniel Rich’s Odds Against Tomorrow, published in 2013, is, like all the novels discussed in this book, a loose and allusive rewriting of the Noah myth, in which a flood plays a central part. In the mode of black comedy, and ostensibly through the eyes of a fellow student, it tells the story of Mitchell Zukor, a “quant,” or geek, and recent university graduate. The undergraduate Mitchell is introduced as a person with widespread and intense fears, and indeed he lives in a world inclined to catastrophe: the novel opens on a severe earthquake in Puget Sound, Seattle which causes so much damage that it looks set to break the state’s insurers. Mitchell is also a hypochondriac, but his hypochondria is cured in a strange way: when he learns that a fellow student named Elsa Bruner is a “walking worst-case scenario” (Odds, 10) in that she suffers from Brugada syndrome, a condition which means she could die of heart failure at any moment, and yet that she does not seem to be afraid (Odds, 82), he finds that his fear of bodily ills disappears. Mitchell uses Elsa as a paradoxical beast of burden that unwittingly carries his own fear—the beginning of a relationship that becomes very important as the novel develops, in spite of the fact that the two characters never come to know each other well.

While Elsa drops out of university and starts “a co-operative farm in Maine” in a place called Camp Ticonderoga (Odds, 11), Mitchell moves to New York after graduation to work in the financial sector, a choice of which his father, Tibor, a Hungarian immigrant to the USA and “slumlord,” who is unashamed of his pursuit of money, approves (“The moral of the Hungarian Revolution: Greed is Good,” reflects Mitchell, Odds, 206). Elsa occasionally writes to Mitchell, and he imagines her existence as a bucolic idyll, in contrast with the frenetic, urban, money-driven life he himself pursues.

After graduation, Mitchell is first taken on by an insurance company called Fitzsimmons Sherman, which aims to create a fear of possible future disasters in order to increase its profits.

Type
Chapter
Information
The Noah Myth in Twenty-First-Century Cli-Fi Novels
Rewritings from a Drowning World
, pp. 13 - 36
Publisher: Boydell & Brewer
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×