Baltimore, Walters Art Museum (37.750), triptych with Enthroned Virgin and Child, standing saints and Annunciation (tempera on panel), attributed to Lippo Vanni, c. 1350–9, 49.4 × 45.4 × 6.2 cm (open)

Baltimore, Walters Art Museum (37.1159), single-panel tabernacle with standing Virgin (tempera on panel), attributed to Naddo Ceccarelli, c. 1350, 62 × 43 × 9.4 cm

Boston, Museum of Fine Arts (60.536), double-sided single-panel tabernacle, with the Crucifixion and St Francis (tempera on panel), attributed to the Osservanza Master, c. 1450, 69.9 × 37.8 cm

Cleveland, Museum of Art (1978.26), double-sided single-panel tabernacle frame, once containing the gilded glass Virgin Enthroned now in Cambridge, Fitzwilliam Museum (currently mounted in a fifteenthcentury frame, M.56 & A-1904), 1347, 66.6 × 51.2 × 25.3 cm (overall)

London, Private Collection, triptych with Annunciation and a male saint (tempera on panel), attributed to Bartolo di Fredi, c. 1370, and with inserted ivory panels with the Adoration of the Magi and the Crucifixion, 35.5 × 46 × 3.4 cm (open)

Lyon, Musée des Beaux-Arts (1057-64), single-panel tabernacle with male saint (gilded glass), attributed to Lorenzo Monaco, c. 1400–10, 46 × 25.7 × 16.5 cm

Montepulciano, Museo Civico (71/131), single-panel tabernacle with Madonna of Humility and standing saints (tempera on panel), Sienese, attributed to Francesco di Vannuccio (or Cristoforo di Bindoccio?), c. 1380, 74 × 38 cm

Settignano, I Tatti, Berenson Collection, half of a once double-sided singlepanel tabernacle with standing Virgin (tempera on panel), and Milan, Private Collection, Enthroned Redeemer (tempera on panel), attributed to Pietro Lorenzetti, 1340s, 61.3 × 32.8 cm

Siena, Fondazione dei Monte dei Paschi (101551 (2642)), single-panel tabernacle with Madonna of Humility (tempera on panel), attributed to Francesco di Vannuccio, c. 1380, 54 × 37.5 cm

Vatican City, Musei Vaticani, Pinacoteca (224 (91)), triptych with standing Dominican saints Peter Martyr, Dominic and Thomas Aquinas (tempera on panel), attributed to Lippo Vanni, c. 1360, 45.5 × 52.2 cm

Washington, DC, National Gallery of Art (1939.1.20a & 1939.1.20b), double-sided single-panel tabernacle, with the Madonna of Humility and Crucifixion, attributed to Andrea di Bartolo, c. 1380/90