Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-17T00:45:59.191Z Has data issue: false hasContentIssue false

7 - The Seventeenth Century

Published online by Cambridge University Press:  03 March 2023

Stephen Parkinson
Affiliation:
University of Oxford
Cláudia Pazos Alonso
Affiliation:
University of Oxford
T. F. Earle
Affiliation:
University of Oxford
Get access

Summary

In the seventeenth century, Portugal no longer had a place at the forefront of Modern Europe, but lagged behind emerging powers like France, England and the Low Countries. To better understand this situation, and its implications for Portuguese literature, it is necessary to trace its antecedents.

In Portugal, the seventeenth century was dominated by the Iberian Dual Monarchy and its aftermath. For sixty years, from 1580 to 1640, Portugal and Spain shared the same sovereign. This period was not too dissimilar from the ‘Union of the Crowns’ in Britain, which took place when James VI of Scotland inherited the English crown from his cousin, Elizabeth I of England, in 1603. In the same way, when Philip II of Spain claimed the Portuguese crown as Philip I, Portugal and Spain became two nation states ruled by the same king.

It is undeniable that a feeling of animosity permeated Portuguese literature through the duration of the Dual Monarchy. Supporters of D. António, the Prior of Crato, in 1580 the only other serious contender for the Portuguese throne, resented Philip deeply, and there are many examples of literature against Philip's rule. However, after Philip had taken the throne (partly by right, partly by force and influence), Portugal continued to enjoy some degree of autonomy, a factor that contributed to a fair degree of acceptance of the Dual Monarchy. We find signs of opposition and resistance alongside the eulogies of Spanish rule. On the one hand, there is sorrow for Portugal's loss of complete independence, on the other hand there is celebration of the return of Portugal to a ‘United Iberia’ (a historical sense of national identity reminiscent of the Roman Empire's single Province of Hispania in the Iberian Peninsula). In a poem to Santa Isabel (St Elizabeth), Queen of Portugal, Vasco Mousinho de Quevedo, a lesser-known poet from the turn of the century, first laments the loss of Portuguese independence and then praises the final return of Portugal to her rightful origins, with a simile of a river (Portugal) flowing to its rightful place, the sea (Castile). This ambivalent historical perspective on the Dual Monarchy has largely been absent from Portuguese historiography.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×