Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction: Challenges of Installation Art
- 1 Key Concepts and Developments in Conservation Theory and Practice
- 2 From Singularity to Multiplicity: Authenticity in Practice
- 3 From Intention to Interaction: Artist’s Intention Reconsidered
- 4 From Object to Collective, from Artists to Actants: Ownership Reframed
- Conclusion: Challenges and Potentialities of Installation Art
- List of Illustrations
- References
- Interviews
- Index
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction: Challenges of Installation Art
- 1 Key Concepts and Developments in Conservation Theory and Practice
- 2 From Singularity to Multiplicity: Authenticity in Practice
- 3 From Intention to Interaction: Artist’s Intention Reconsidered
- 4 From Object to Collective, from Artists to Actants: Ownership Reframed
- Conclusion: Challenges and Potentialities of Installation Art
- List of Illustrations
- References
- Interviews
- Index
Summary
- Type
- Chapter
- Information
- Installation Art and the MuseumPresentation and Conservation of Changing Artworks, pp. 217 - 225Publisher: Amsterdam University PressPrint publication year: 2013