Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Special Effects and the Techno-Romantic Paradigm
- 1 Imagining Technological Art: Early German Film Theory
- 2 Modern Magicians: Guido Seeber and Eugen Schüfftan
- 3 The Uncanny Mirror: Der Student von Prag (1913)
- 4 Visualizing the Occult: Nosferatu (1922)
- 5 The Technological Sublime: Metropolis (1927)
- 6 “German Technique” and Hollywood
- Conclusion: Techno-Romantic Cinema from the Silent to the Digital Era
- Bibliography
- Index
- Frontmatter
- Contents
- Acknowledgements
- Introduction: Special Effects and the Techno-Romantic Paradigm
- 1 Imagining Technological Art: Early German Film Theory
- 2 Modern Magicians: Guido Seeber and Eugen Schüfftan
- 3 The Uncanny Mirror: Der Student von Prag (1913)
- 4 Visualizing the Occult: Nosferatu (1922)
- 5 The Technological Sublime: Metropolis (1927)
- 6 “German Technique” and Hollywood
- Conclusion: Techno-Romantic Cinema from the Silent to the Digital Era
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Special Effects and German Silent FilmTechno-Romantic Cinema, pp. 309 - 320Publisher: Amsterdam University PressPrint publication year: 2021