Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Riot, Sodomy, and Minions: The Ambiguous Discourse of Sexual Transgression
- 2 From Goats to Ganymedes: The Development of Edward II’s Sexual Reputation
- 3 Edward II and Piers Gaveston: Brothers, Friends, Lovers
- 4 ‘Is it not strange that he is thus bewitch’d?’: Edward II’s Agency and Culpability
- 5 Edward II as Political Exemplum
- 6 ‘No escape now from a life full of suffering’: Edward II’s Sensational Fall
- 7 Beyond Sexual Mimesis: The Penetrative Murder of Edward II
- Conclusion: The Literary Transformation of History
- Appendix: Accounts of and allusions to Edward II’s reign, composed 1305–1697
- Index
2 - From Goats to Ganymedes: The Development of Edward II’s Sexual Reputation
Published online by Cambridge University Press: 20 November 2020
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Riot, Sodomy, and Minions: The Ambiguous Discourse of Sexual Transgression
- 2 From Goats to Ganymedes: The Development of Edward II’s Sexual Reputation
- 3 Edward II and Piers Gaveston: Brothers, Friends, Lovers
- 4 ‘Is it not strange that he is thus bewitch’d?’: Edward II’s Agency and Culpability
- 5 Edward II as Political Exemplum
- 6 ‘No escape now from a life full of suffering’: Edward II’s Sensational Fall
- 7 Beyond Sexual Mimesis: The Penetrative Murder of Edward II
- Conclusion: The Literary Transformation of History
- Appendix: Accounts of and allusions to Edward II’s reign, composed 1305–1697
- Index
Summary
Abstract
This chapter provides the first scholarly assessment of how Edward II developed a reputation for having engaged in sexual relationships with his male favourites. Edward's reputation for non-specific sexually transgressive behaviour developed during his reign; however, the first writer to explicitly state that this transgression constituted sex with men was Christopher Marlowe. Following the publication of Marlowe's Edward II, discourse concerning Edward and his favourites in texts of all genres shifted towards consensus that their relationships were sexual. As well as documenting the cumulative process by which narratives of sexual transgression were shaped, this chapter provides new insights into the significance of Marlowe's work, and into the ways in which drama as a genre enabled his historiographical innovation.
Keywords: Beast allegory, Christopher Marlowe, chronicles, homosexuality, prose Brut
Introduction
How did Edward II develop his sexual reputation? Despite repeated statements from scholars about what the nature of that reputation was, this question has been surprisingly seldom asked. When it has been, investigation has largely focused on chronicle accounts written in Edward's lifetime or shortly afterwards. This chapter makes the case for the important role played by texts of other genres. Focusing exclusively on historical texts or contemporary political documents means that we miss what was ultimately the most influential development during Edward's lifetime: the attribution of ‘lechery’ to his allegorical character in the prophetic text The Prophecy of the Six Kings to Follow John. Moreover, the ongoing process of constructing Edward's reputation did not end in the immediate aftermath of his reign: it took nearly three centuries for it to crystallize as a narrative involving love and sex between men. Building on Chapter 1's discussion of how narratives of Edward II reveal the strategic use of ambiguous sexual vocabulary, this chapter focuses on the vocabulary which shaped Edward's reputation, and the terms and texts which constitute milestones in that process. Through this, it traces the means by which hints of sexual transgression became a consensus that Edward's relationships with his favourites were sexual and romantic: by which the sexual connotations of allegorical goats became the unequivocal accusations of allusions to Ganymede, the cupbearer of Jupiter in classical mythology.
- Type
- Chapter
- Information
- Reputation of Edward II, 1305–1697A Literary Transformation of History, pp. 69 - 100Publisher: Amsterdam University PressPrint publication year: 2020