Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Chapter 1 Classical ideology and the pre-history of singing
- Chapter 2 The medieval period: religion, literacy and control
- Chapter 3 The Italian baroque revolution
- Chapter 4 The development of the modern voice
- Chapter 5 Concerts, choirs and music halls
- Chapter 6 Armstrong to Sinatra: swing and sub–text
- Chapter 7 Early music and the avant-garde: twentieth-century fragmentation
- Chapter 8 Elvis Presley to rap: moments of change since the forties
- Chapter 9 Singing and social processes
- Chapter 10 Towards a theory of vocal style
- Notes
- List of references
- Index
Notes
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Chapter 1 Classical ideology and the pre-history of singing
- Chapter 2 The medieval period: religion, literacy and control
- Chapter 3 The Italian baroque revolution
- Chapter 4 The development of the modern voice
- Chapter 5 Concerts, choirs and music halls
- Chapter 6 Armstrong to Sinatra: swing and sub–text
- Chapter 7 Early music and the avant-garde: twentieth-century fragmentation
- Chapter 8 Elvis Presley to rap: moments of change since the forties
- Chapter 9 Singing and social processes
- Chapter 10 Towards a theory of vocal style
- Notes
- List of references
- Index
Summary
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- Type
- Chapter
- Information
- Vocal AuthoritySinging Style and Ideology, pp. 200 - 205Publisher: Cambridge University PressPrint publication year: 1998