Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of abbreviations
- Note on translation and citation
- Chapter 1 Introduction
- Chapter 2 Fall and Incarnation in ‘Towards a Philosophy of the Act’
- Chapter 3 The aesthetic gospel of ‘Author and Hero in Aesthetic Activity’
- Chapter 4 Was Bakhtin a Marxist?: The work of the Bakhtin Circle, 1924–1929
- Chapter 5 Falling silent: the critical aesthetic of Problems of Dostoevsky's Creative Work
- Chapter 6 The exiled author: ‘Discourse in the Novel’ and beyond
- Chapter 7 Christian motifs in Bakhtin's carnival writings
- Chapter 8 The fate of Christian motifs in Bakhtin's work
- Notes
- Bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Chapter 1 - Introduction
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Acknowledgements
- List of abbreviations
- Note on translation and citation
- Chapter 1 Introduction
- Chapter 2 Fall and Incarnation in ‘Towards a Philosophy of the Act’
- Chapter 3 The aesthetic gospel of ‘Author and Hero in Aesthetic Activity’
- Chapter 4 Was Bakhtin a Marxist?: The work of the Bakhtin Circle, 1924–1929
- Chapter 5 Falling silent: the critical aesthetic of Problems of Dostoevsky's Creative Work
- Chapter 6 The exiled author: ‘Discourse in the Novel’ and beyond
- Chapter 7 Christian motifs in Bakhtin's carnival writings
- Chapter 8 The fate of Christian motifs in Bakhtin's work
- Notes
- Bibliography
- Index
- CAMBRIDGE STUDIES IN RUSSIAN LITERATURE
Summary
This book is about Christian motifs in the writings of the philosopher Mikhail Mikhailovich Bakhtin (1895–1975). As such it is already contentious if one is to judge by the way in which this writer's work has been received, especially in the West. For although Bakhtin has been appropriated for a wide variety of critical and literary theoretical positions, ranging from Marxism to post-structuralism, it has been generally assumed that he is a secular thinker even where it has been accepted that he was a religious man. I believe that this assumption stands in need of some correction. If at first critical neglect of Christian motifs in Bakhtin was due to pardonable ignorance – certain crucial, early and late, texts being made available only by the mid 1980s (in Russia) and the early 1990s (in the West) – it now seems attributable to a certain, uncanny ‘blindness’, at least among Slavists, who have had time enough to respond to this particular voice among the many that contend for attention in Bakhtin's work. By focusing on the Christian voice in Bakhtin to the exclusion of all others, I hope to provide what I believe to be a necessary counterbalance to extant readings, and something of an ‘eye-opener’ for those who would dismiss the idea of a religious dimension in his work as unfounded, irrelevant or naive.
- Type
- Chapter
- Information
- Christianity in BakhtinGod and the Exiled Author, pp. 1 - 24Publisher: Cambridge University PressPrint publication year: 1999