Literature is everywhere in Jacques Derrida's writing. It is there from one end to the other of his work, even in essays or books that superficially do not seem to involve “literature.” If Derek Attridge had not already invented or borrowed the phrase “Acts of Literature” as the title for his fine anthology of Derrida's writings about literature I might have called this chapter “Derrida's Acts of Literature.” The phrase “acts of literature” is a double genitive, subjective and objective at once. It names acts performed by literature, and at the same time acts that create or comment on literature. In what sense can literature, or writing about literature, or writing literature, or reading literature be an “act”? That is one of my main questions here.

Derrida, along with all the other things he is (as this volume testifies), is one of the great literary critics of the twentieth century.