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Afterword

Published online by Cambridge University Press:  22 September 2009

Theodore B. Leinwand
Affiliation:
University of Maryland, College Park
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Summary

It has recently been argued that affect largely governed two very important decisions made by the King's Men. In The Shakespearian Playing Companies, Andrew Gurr twice narrates and tries to make sense of the King's sharers' decision, first, to continue to use the Globe after the Burbage brothers had reacquired the Blackfriars lease in 1608 (they could have abandoned the Globe or they could have let out the Blackfriars playhouse – instead, each playhouse was left dark for one half of the year), and second, to rebuild the Globe, at very great expense, after it burned down in 1613. What the sharers were giving up after 1608, according to Gurr, “was the doubled rents they would have obtained if either playhouse had been let to another company” (118). Had they not rebuilt the Globe, “their income would have remained much the same from playing at the Blackfriars all the year round … In fact, by 1613 they must have known that the Blackfriars could bring in consistently higher returns than the Globe” (118). Gurr concludes that although the Burbages and their fellow sharers must have thought that they were making “sound investment[s]” (297), their decisions were “eccentric” (116) and in the “short term, financially … quixotic” (115). To explain such seemingly “uneconomical” choices (297), Gurr again and again recurs to nostalgia, to “substantial,” “quixotic,” and “costly” nostalgia (117 and 297). Theirs was “much more an investment in nostalgia than an investment for profit” (118).

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Publisher: Cambridge University Press
Print publication year: 1999

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  • Afterword
  • Theodore B. Leinwand, University of Maryland, College Park
  • Book: Theatre, Finance and Society in Early Modern England
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483677.006
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  • Afterword
  • Theodore B. Leinwand, University of Maryland, College Park
  • Book: Theatre, Finance and Society in Early Modern England
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483677.006
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Afterword
  • Theodore B. Leinwand, University of Maryland, College Park
  • Book: Theatre, Finance and Society in Early Modern England
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511483677.006
Available formats
×