Book contents
- Frontmatter
- Contents
- Acknowledgments
- Note on the text
- Introduction: remembering Britain
- 1 Spenser's spark: British blood and British nationalism in the Tudor era
- 2 Bale's books and Aske's abbeys: nostalgia and the aesthetics of nationhood
- 3 “Awake, lovely Wales”: national identity and cultural memory
- 4 Ghosts of a nation: A Mirror For Magistrates and the poetry of spectral complaint
- 5 “I am Welsh, you know”: the nation in Henry V
- 6 “Is this the promised end?” James I, King Lear, and the strange death of Tudor Britain
- Bibliography
- Index
4 - Ghosts of a nation: A Mirror For Magistrates and the poetry of spectral complaint
Published online by Cambridge University Press: 07 December 2009
- Frontmatter
- Contents
- Acknowledgments
- Note on the text
- Introduction: remembering Britain
- 1 Spenser's spark: British blood and British nationalism in the Tudor era
- 2 Bale's books and Aske's abbeys: nostalgia and the aesthetics of nationhood
- 3 “Awake, lovely Wales”: national identity and cultural memory
- 4 Ghosts of a nation: A Mirror For Magistrates and the poetry of spectral complaint
- 5 “I am Welsh, you know”: the nation in Henry V
- 6 “Is this the promised end?” James I, King Lear, and the strange death of Tudor Britain
- Bibliography
- Index
Summary
In the last week of 1915, the Irish poet and nationalist Patrick Pearse issued a pamphlet, Ghosts, in which he summoned the shades of Ireland's dead patriots to his side.
Here be ghosts that I have raised this Christmastide, ghosts of dead men that have bequeathed a trust to us living men … There is only one way to appease a ghost. You must do the thing it asks you. The ghosts of a nation sometimes ask very big things; and they must be appeased, whatever the cost.
Four months later, on Easter Monday, Pearse and a contingent of rebels seized control of the Dublin General Post Office and proclaimed the rebirth of Ireland “in the name of God and of the dead generations from which she receives her old tradition of nationhood.” Appropriate to its date, the Easter Rising witnessed a blurring of the boundaries between this world and the next, with spirits crossing over in both directions. For a few days under English bombardment, a mundane public building played host to an eerie gathering of living men on the threshold of death and dead men – Wolfe Tone, Parnell, Cuchulainn – who on that day of national resurrection had duly risen.
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- Publisher: Cambridge University PressPrint publication year: 2004