Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-s9k8s Total loading time: 0 Render date: 2024-09-13T23:20:51.263Z Has data issue: false hasContentIssue false

Works cited

Published online by Cambridge University Press:  22 September 2009

David Ellison
Affiliation:
University of Miami
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Ethics and Aesthetics in European Modernist Literature
From the Sublime to the Uncanny
, pp. 265 - 277
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Achebe, Chinua. “An Image of Africa: Ram cism in Conrad's Heart of Darkness.” In Heart of Darkness. Ed. Robert Kimbrough. 3rd edn. Norton Critical Edition. New York: Norton, 1988. Pp. 251–62
Alain-Fournier. Le Grand Meaulnes. Ed. Alain Rivière and Daniel Leuwers. Intro. Jacques Rivière. Paris: Classiques Garnier, 1991
Alain-Fournier. Le Grand Meaulnes. Ed. Claude Herzfeld. Paris: Nizet, 1983
Alain-Fournier. Le Grand Meaulnes. Ed. Daniel Leuwers. Paris: Livre de Poche, 1983
Alter, Robert. Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem. Cambridge: Harvard University Press, 1991
Andersen, Hans Christian. “The Tinder Box.” The Complete Andersen. Trans. Jean Hersholt. New York: The Heritage Press, 1949. Pp. 1–7
Angus, Douglas. “The Existentialist and The Diabolical Machine.”Criticism 6 (Spring 1964): 134–43Google Scholar
Apter, Emily. André Gide and the Codes of Homotextuality. Stanford French and Italian Studies 48. Saratoga: Anma Libri, 1987
Auden, W. H. “Balaam and His Ass.” The Dyer's Hand and Other Essays. New York: Random House, 1962. Pp. 107–45
Bakhtin, M. M. “Forms of Time and Chronotope in the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981
Barthes, Roland. Le Plaisir du texte. Collection “Tel Quel.” Paris: Seuil, 1973
Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang, 1975
Baudelaire, Charles. “Richard Wagner et Tannhäuser à Paris.” Oeuvres complètes. Vol. Ⅱ. Ed. Claude Pichois. Paris: Gallimard-Pléiade, 1976. 779–815
Baudelaire, Charles. “Le Thyrse.” Oeuvres complètes. Vol. Ⅰ. Ed. Claude Pichois. Paris: Gallimard-Pléiade, 1975. 335–36
Baudelaire, Charles. “The Thyrsus.” The Parisian Prowler: ‘Le Spleen de Paris / Les Petits poèmes en prose’ by Charles Baudelaire. Trans. Edward K. Kaplan. Athens and London: The University of Georgia Press, 1989. 86–87
Beharriell, Frederick. “The Hidden Meanings of Goethe's ‘Bekenntnisse einer schönen Seele.’” Lebendige Form: Interpretationen zur deutschen Literatur. Festschrift for Heinrich Henel. Ed. Jeffrey Sammons and Ernst Schürer. Munich: Fink, 1970. Pp. 37–62
Benveniste, Emile. “L'Homme dans le langage.” Problèmes de linguistique générale. Paris: Gallimard, 1966. Pp. 225–88
Bernheimer, Charles. Flaubert and Kafka: Studies in Psychopoetic Structure. New Haven: Yale University Press, 1982
Blackall, Eric. Goethe and the Novel. Ithaca: Cornell University Press, 1976
Blanchot, Maurice. L'Attente l'oubli. Paris: Gallimard, 1962
Blanchot, Maurice. Au moment voulu. Paris: Gallimard, 1951
Blanchot, Maurice. “Le chant des sirènes.” Le Livre à venir. Paris: Folio “Essais,” 1959. Pp. 9–18
Blanchot, Maurice. “Kafka et l'exigence de l'oeuvre.” De Kafka à Kafka. Paris: Gallimard “Idées,” 1981. Pp. 94–131
Blanchot, Maurice. “La voix narrative, le ‘il,’ le neutre.” De Kafka à Kafka. Paris: Gallimard “Idées,” 1981. Pp. 171–84
Bloom, Harold. “Freud and the Sublime: A Catastrophe Theory of Creativity.” Agon: Towards a Theory of Revisionism. New York: Oxford University Press, 1982. Pp. 91–118
Böhme, Hartmut. “‘Mutter Milena’: Zum Narzissismus-Problem bei Kafka.”Germanisch-Romanische Monatschrift. ns 28 (1978): 50–69Google Scholar
Bouraoui, H. A. Structure intentionnelle du ‘Grand Meaulnes’: vers le poème romancé. Paris: Nizet, 1976
Brantlinger, Patrick. “Heart of Darkness; Anti-Imperialism, Racism, or Impressionism?” In Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books. 1996. Pp. 277–98
Brée, Germaine. André Gide, l'Insaisissable Protée. Paris: Les Belles Lettres, 1953
Brod, Max. Franz Kafka: A Biography. Trans. G. Humphreys Roberts. New York: Schocken, 1947
Brod, Max. Franz Kafka, Eine Biographie: Erinnerungen und Dokumente. New York: Schocken, 1946
Brooks, Peter. “Freud's Masterplot.” Reading for the Plot: Design and Intention in Narrative. New York: Random House / Vintage Books, 1985. Pp. 90–112
Brooks, Peter. “An Unreadable Report: Conrad's. Heart of Darkness.” Reading for the Plot: Design and Intention in Narrative. New York: Random House / Vintage Books, 1985. Pp. 238–63
Buisine, Alain. Les Mauvaises Pensées du Grand Meaulnes. Paris: Presses Universitaires de France, 1992
Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. and intro. J. T. Boulton. New York: Columbia University Press, 1958
Cassirer, Ernst. Kant's Life and Thought. Trans. James Haden. Intro. Stephan Körner. New Haven: Yale University Press, 1981
Cellier, Léon. ‘Le Grand Meaulnes’ ou l'initiation manquée. Paris: Minard, 1963
Chai, Leon. Aestheticism: The Religion of Art in Post-Romantic Literature. New York: Columbia University Press, 1990
Chambers, Ross. Mélancolie et opposition: Les débuts du modernisme en France. Paris: Corti, 1987
Cixous, Hélène. “Fiction and its Phantoms: A Reading of Freud's Das Unheimliche (The ‘Uncanny’).”New Literary History 7 (Spring 1976): 525–48Google Scholar
Cohen, Ted. “Why Beauty is a Symbol of Morality.” In Essays in Kant's Aesthetics. Ed. Ted Cohen and Paul Guyer. Chicago: Chicago University Press, 1982. Pp. 221–36
Coleridge, Samuel Taylor. Lecture Ⅶ. Selected Poetry and Prose. 2nd enlarged edn. Ed. and intro. Elisabeth Schneider. San Francisco: Rinehart Press, 1971. Pp. 449–60
Conrad, Joseph. Heart of Darkness. Ed. Robert Kimbrough. 3rd edn. Norton Critical Edition. New York: Norton, 1988
Conrad, Joseph. Heart of Darkness. Ed. Ross C Murfin. 2nd edn. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996
Corngold, Stanley. Franz Kafka: The Necessity of Form. Ithaca: Cornell University Press, 1988
Darras, Jacques. Joseph Conrad and the West: Signs of Empire. Trans. Anne Luyat and Jacques Darras. London: The Macmillan Press, 1982CrossRef
Deleuze, Gilles. Kant's Critical Philosophy: The Doctrine of the Faculties. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1984
Deleuze, Gilles and Félix Guattari. Kafka: Toward a Minor Literature. Trans. Dana Polan. Foreword Réda Bensmaïa. Minneapolis: University of Minnesota Press, 1986
de Man, Paul. Aesthetic Ideology. Ed. and Intro. Andrzej Warminski. Minneapolis: University of Minnesota Press, 1996
de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press, 1979
Derrida, Jacques. Parages. Paris: Galilée, 1986
Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond. Trans. Alan Bass. Chicago: University of Chicago Press, 1987, Pp. 257–409
Derrida, Jacques. “Spéculer – Sur Freud.” La Carte postale: de Socrate à Freud et au-delà. Paris: Flammarion, 1980. Pp. 275–437
Derrida, Jacques. La Ⅴérité en peinture. Paris: Flammarion, 1978
DiBattista, Maria. Virginia Woolf's Major Novels: The Fables of Anon. New Haven: Yale University Press, 1980
Ellison, David. “Blanchot: Commentary, Narration, Reference.”Texte 11 (1991): 215–48Google Scholar
Ellison, David. “Proust's ‘Venice’: The Reinscription of Textual Sources.”Style 22 (Fall 1988): 432–49
Ellison, David. “A Reading of Mallarmé's ‘Hommage’ (A Richard Wagner).”Yearbook of Comparative Literature 42 (1994): 46–56
Ellison, David. The Reading of Proust. Baltimore: The Johns Hopkins University Press, 1984
Ellison, David. “Vertiginous Storytelling: Camus's La Chute.” Of Words and the World: Referential Anxiety in Contemporary French Fiction. Princeton: Princeton University Press, 1993. Pp. 25–43
Ellmann, Richard. James Joyce. Rev. edn. New York: Oxford University Press, 1983
Emery, Mary Lou. “‘Robbed of Meaning’: The Work at the Center of To the Lighthouse.”Modern Fiction Studies 38 (Spring 1992): 217–34CrossRefGoogle Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell University Press, 1990
Ferguson, Frances. Solitude and the Sublime: Romanticism and the Aesthetics of Individuation. New York and London: Routledge, 1992
Fitch, Brian T. Lire les récits de Maurice Blanchot. Amsterdam: Rodopi, 1992
Fortier, Paul A. Décor et dualisme: ‘L'Immoraliste’ d'André Gide. Stanford French and Italian Studies 56. Saratoga: Anma Libri, 1988
Foucault, Michel. “La Pensée du dehors.”Critique 229 (1966): 514–42Google Scholar
Foucault, Michel and Maurice Blanchot. ‘Maurice Blanchot: The Thought from Outside’ and ‘Michel Foucault as I Imagine Him.’ Trans. Brian Massumi and Jeffrey Mehlman under the general title Foucault/Blanchot. New York: Zone Books, 1990
Freud, Sigmund. “The Antithetical Meaning of Primal Words.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. Ⅺ (1910). London: The Hogarth Press, 1957. Pp. 153–61
Freud, Sigmund. “James J. Putnam.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago, 1947. P. 315
Freud, Sigmund. “James J. Putnam.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 271–72
Freud, Sigmund. “Über den Gegensinn der Urworte.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅷ (1909–13). London: Imago, 1943. Pp. 213–21
Freud, Sigmund. “The Uncanny.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 217–56
Freud, Sigmund. “Das Unheimliche.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago. 1947. Pp. 227–68
Freud, Sigmund. “Victor Tausk.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago, 1947. Pp. 316–18
Freud, Sigmund. “Victor Tausk.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Stracey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 273–75
Friedman, Maurice. “The Problematic of Guilt and the Dialogue with the Absurd: Images of the Irrational in Kafka's Trial.”Review of Existential Psychology and Psychiatry 14 (1975–76): 11–25Google Scholar
Funck, Heinrich. Die Schöne Seele: Bekenntnisse, Schriften und Briefe der Susanna Katharina von Klettenberg. Leipzig: Insel, 1912
Garaudy, Roger. “Kafka und die Entfremdung.” In Franz Kafka: Eine Aufsatzsammlung nach einem Symposium in Philadelphia. Ed. Maria Luise Caputo-Meyr: Berlin: Agora, 1974. Pp. 170–80
Gay, Peter. Freud: A Life for Our Time. New York, Norton, 1988
Genette, Gérard. Figures Ⅲ. Paris: Seuil, 1972. Trans. Jane E. Lewin, under the title Narrative Discourse: An Essay in Method. Ithaca: Cornell University Press, 1980
Gide, André. Les Faux-Monnayeurs. Paris: Gallimard-Folio, 1972
Gide, André. The Immoralist. Trans. Richard Howard. New York: Random House / Vintage Books, 1996
Gide, André. L'Immoraliste; Romans, Récits et Soties; Oeuvres lyriques. Paris: Gallimard-Pléiade, 1958. Pp. 365–472
Gide, André. L'Immoraliste. Ed. Elaine Marks and Richard Tedeschi. Macmillan Modern French Literature Series. New York: Macmillan, 1963
Gide, André. L'Immoraliste. Paris: Gallimard-Folio, 1989
Gide, André. Journal. Vol. Ⅰ (1887–1925). Ed. Eric Marty. Paris: Gallimard-Pléiade, 1996
Ginsburg, Ruth. “A Primal Scene of Reading: Freud and Hoffmann.”Literature and Psychology 38.3 (1992): 24–46Google Scholar
Goethe, Johann Wolfgang von. Wilhelm Meister's Apprenticeship. Ed. and Trans. Eric A. Blackall in cooperation with Victor Lange. New York: Suhrkamp, 1983
Goethe, Johann Wolfgang von. Wilhelm Meisters Lehrjahre. Ed. Hannelore Schlaffer. Munich: Goldmann, 1990
Goozé, Marjanne. “Texts, Textuality, and Silence in Franz Kafka's Das Schloβ.”MLN 98 (1984): 337–50CrossRefGoogle Scholar
Gordimer, Nadine. “Letter from His Father.” Something Out There. New York: The Viking Press, 1979. Pp. 40–56
Green, Ronald M. Kierkegaard and Kant: The Hidden Debt. Albany: State University of New York Press, 1992
Grésillon, Almuth. Eléments de critique génétique. Paris: Presses Universitaires de France, 1994
Grimm brothers. “Von dem Fischer und seiner Frau.” In Deutsche Märchen. Ed. Elisabeth Borchers. Intro. Wolfgang Koeppen. Frankfurt am Main: Insel, 1979. Pp. 158–66
Guerard, Albert J. André Gide. 2nd edn. Cambridge, MA; Harvard University Press, 1969
Guerard, Albert J. Conrad the Novelist. Cambridge, MA; Harvard University Press, 1958
Guiomar, Michel. Inconscient et Imaginaire dans ‘Le Grand Meaulnes.’ Paris: Corti, 1964
Guth, Deborah. “Virginia Woolf: Myth and To the Lighthouse.”College Literature 11 (Fall 1984): 233–49Google Scholar
Guyer, Paul. “Feeling and Freedom: Kant on Aesthetics and Morality.”The Journal of Aesthetics and Art Criticism 48 (Spring 1990): 137–46CrossRefGoogle Scholar
Guyer, Paul. Kant and the Claims of Taste. Cambridge, MA; Harvard University Press, 1979
Guyer, Paul. “Kant's Conception of Fine Art.”The Journal of Aesthetics and Art Criticism 52 (Summer 1994): 275–85CrossRef
Harter, Deborah. “The Artist on Trial: Kafka and Josefine, ‘die Sängerin’.”Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 61 (March 1986): 151–62CrossRefGoogle Scholar
Hawthorne, Nathaniel. “Rappaccini's Daughter.” Mosses from an Old Manse. Centenary Edition. Columbus: Ohio State University Press, 1974. Pp. 91–128
Hay, Louis, ed. La Naissance du texte. Paris: Corti, 1989
Hayman, Ronald. Kafka: A Biography. New York: Oxford University Press, 1982
Hegel, G. W. F. Aesthetics: Lectures on Fine Art. 2 vols. Trans. T. M. Knox. Oxford: Oxford University Press, 1975
Hegel, G. W. F. Phänomenologie des Geistes. Hamburg: Felix Meiner Verlag, 1952
Hegel, G. W. F. La Phénoménologie de l'Esprit. Trans. Jean Hyppolite. 2 vols. Paris: Aubier-Montaigne, n.d
Hegel, G. W. F. Phenomenology of Spirit. Trans. A. V. Miller. Foreword J. N. Findlay. Oxford: Oxford University Press, 1977
Hegel, G. W. F. Vorlesungen über die ästhetik. Vol. Ⅻ of Sämtliche Werke, Jubiläumsausgabe in 20 vols. Ed. Hermann Glockner. Stuttgart: Friedrich Frommann, 1964
Heidegger, Martin. “Letter on Humanism.” Basic Writings. Ed and intro. David Farrell Krell. New York: Harper and Row, 1977. Pp. 193–242
Heilbrun, Carolyn G. Hamlet's Mother and Other Women. New York: Columbia University Press, 1990
Henrich, Dieter. “Beauty and Freedom: Schiller's Struggle with Kant's Aesthetics.” In Essays in Kant's Aesthetics. Ed. Ted Cohen and Paul Guyer. Chicago: The University of Chicago Press, 1982. Pp. 237–57
Hermsdorf, Klaus. “Anfänge der Kafka-Rezeption in der sozialistischen deutschen Literatur.”Weimarer Beiträge: Zeitschrift für Literaturwissenschaft, Ä;sthetik und Kulturtheorie 24 (1978): 45–69Google Scholar
Hertz, Neil. “Freud and the Sandman.” The End of the Line: Essays on Psychoanalysis and the Sublime. New York: Columbia University Press, 1985. Pp. 97–121
Hoffman, Anne Golomb. “Demeter and Poseidon: Fusion and Distance in To the Lighthouse.”Studies in the Novel 16.2 (Summer 1984): 182–96Google Scholar
Hoffmann, E. T. A. “The Sandman.” Tales of Hoffmann. Trans. and intro. R. J. Hollingdale. London: Penguin, 1982. Pp. 85–125
Hoffmann, E. T. A. “Der Sandmann.” Nachtstücke. Werke 1816–20. Vol. Ⅲ of E. T. A. Hoffmann: Sämtliche Werke. Ed. Hartmut Steinecke in collaboration with Gerhard Allroggen. Frankfurt am Main: Deutscher Klassiker Verlag, 1985. Pp. 11–49
Hölderlin, Friedrich. “Brot und Wein.” Werke and Briefe. Vol. Ⅰ. Ed. Friedrich Beiβner and Jochen Schmidt. Frankfurt am Main: Insel, 1969. Pp. 114– 19
Homer. The Odyssey. Trans. Robert Fagles. Intro. and notes Bernard Knox. New York: Penguin, 1996
Honderich, Ted, ed. The Oxford Companion to Philosophy. Oxford: Oxford University Press, 1995
Hughes, Kenneth. “The Marxist Debate, 1963.” In The Kafka Debate: New Perspectives For Our Time. Ed. Angel Flores. New York: Gordian, 1977. Pp. 51–59
Hughes, Kenneth, ed. and trans. Franz Kafka: An Anthology of Marxist Criticism. Hanover: University Press of New England, 1981
Husson, Claudie. Alain-Fournier et la naissance du récit. Paris: Presses Universitaires de France, 1990
Hyppolite, Jean. Genesis and Structure of Hegel's ‘Phenomenology of Spirit.’ Trans. Samuel Cherniak and John Heckman. Evanston: Northwestern University Press, 1974
Jakobson, Roman. “Deux Aspects du langage et deux types d'aphasies.” Essais de linguistique générale. Paris: Minuit, 1963. Pp. 43–67
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981
Johnson, Barbara. Défigurations du langage poétique: la seconde révolution baudelairienne. Paris: Flammarion, 1979
Kafka, Franz. Brief an den Vater. Facsimile edn. Ed. Joachim Unseld. Frankfurt am Main: Fischer Taschenbuch Verlag, 1994
Kafka, Franz. The Castle. Definitive edn. Trans. Willa and Edwin Muir. With an homage by Thomas Mann. New York: Schocken, 1982
Kafka, Franz. Diaires: 1910–1913. Ed. Max Brod. Trans. Joseph Kresh. New York: Schocken, 1965
Kafka, Franz. Diaires: 1914–1923. Ed. Max Brod. Trans. Martin Greenberg with the cooperation of Hannah Arendt. New York: Schocken, 1965
Kafka, Franz. “Forschungen eines Hundes.” Gesammelte Werke. Vol. Ⅴ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 180– 215
Kafka, Franz. “In der Strafkolonie.” Gesammelte Werke. Vol. Ⅳ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 151–77
Kafka, Franz. “In the Penal Colony.” Franz Kafka: The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York, Schocken, 1971. Pp. 140–67
Kafka, Franz. “Investigations of a Dog.” Franz Kafka: The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York: Schocken, 1971. Pp. 278–316
Kafka, Franz. “Josefine, die Sängerin oder das Volk der Mäuse.” Gesammelte Werke. Vol. Ⅳ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 200–16
Kafka, Franz. “Josephine the Singer, or the Mouse Folk.” The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York: Schocken, 1971. Pp. 360–76
Kafka, Franz. Letter to His Father/Brief an den Vater. Bilingual edn. Trans. Ernst Kaiser and Eithne Wilkins. New York: Schocken, 1966
Kafka, Franz. Das Schloβ. In der Fassung der Handschrift. Frankfurt am Main: Fischer Taschenbuch Verlag, 1996
Kafka, Franz. Tagebücher. Ed. Hans-Gerd Koch, Michael Müller and Malcolm Pasley. Frankfurt am Main: S. Fischer Verlag, 1990
Kafka, Franz. Tagebücher 1910–1923. Gesammelte Werke. Vol. Ⅶ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976
Kant, Immanuel. Critique of Judgment. Trans. and intro. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987
Kant, Immanuel. Critique of Practical Reason. Trans. and intro. Lewis White Beck. New York: Macmillan, 1956
Kant, Immanuel. Kritik der praktischen Vernunft. Ed. Karl Vorländer. Hamburg: Felix Meiner Verlag, 1990
Kant, Immanuel. Kritik der Urteilskraft. Ed. Karl Vorländer. Hamburg: Felix Meiner Verlag, 1990
Kant, Immanuel. The Metaphysics of Morals. Trans. and ed. Mary Gregor. Intro. Roger L. Sullivan. Cambridge: Cambridge University Press, 1996
Kaplan, Edward K. Baudelaire's Prose Poems: The Esthetic, The Ethical, and the Religious in ‘The Parisian Prowler.’ Athens and London: The University of Georgia Press, 1990
Kasell, Walter. “The Pilgrimage: Proust Reads Ruskin.” Marcel Proust and the Strategy of Reading. Amsterdam: John Benjamins, 1980. Pp. 18–30
Kierkegaard, Søren. “The Concept of Irony, with Continual Reference to Socrates,” together with “Notes of Schelling's Berlin Lectures”. Ed. and trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1989
Kierkegaard, Søren. Either/Or: Part Ⅰ. Ed. and Trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1987
Kierkegaard, Søren. Either/Or: Part Ⅱ. Ed. and Trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1987
Kierkegaard, Søren. Either/Or. Vol. Ⅰ. Trans. David F. Swenson and Lillian Marvin Swenson. Revisions and foreword Howard A. Johnson. Princeton: Princeton University Press, 1971
Kierkegaard, Søren. Either/Or. Vol. Ⅱ. Trans. Walter Lowrie. Revisions and foreword Howard A. Johnson. Princeton: Princeton University Press, 1971
Kierkegaard, Søren. Enten-Eller: Et Livs-Fragment. Vol. Ⅱ. Copenhagen: H. Hagerup's Forlag, 1950
Kierkegaard, Søren. Philosophical Fragments. Ed. and trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1985
Klein, Richard. “Straight Lines and Arabesques: Metaphors of Metaphor.”Yale French Studies 45 (1970): 64–86CrossRefGoogle Scholar
Kleist, Heinrich von. “über das Marionettentheater.” Sämtliche Werke und Briefe. Vol. Ⅱ. Munich: Carl Hanser Verlag, 1965. Pp. 338–45
Kofman, Sarah. The Childhood of Art: An Interpretation of Freud's Aesthetics. Trans. Winifred Woodhull. New York: Columbia University Press, 1988
Kofman, Sarah. “The Double is/and the Devil.” Freud and Fiction. Trans. Sarah Wykes. Boston: Northeastern University Press, 1991. Pp. 119–62
Kopper, John. “Building Walls and Jumping Over Them: Construction in Franz Kafka's ‘Beim Bau der chinesischen Mauer.’”MLN 98 (1983): 351–65CrossRefGoogle Scholar
Lacoue-Labarthe, Philippe. Musica ficta: Figures de Wagner. Paris: Christian Bourgois, 1991
Lacoue-Labarthe, Philippe. Musica Ficta: Figures of Wagner. Trans. Felicia McCarren. Stanford: Stanford University Press, 1994
Lacoue-Labarthe, Philippe and Jean-Luc Nancy, eds. L'Absolu littéraire: Théorie de la littérature du romantisme allemand. Paris: Seuil “Poétique,” 1978
Lee, Hermione. Virginia Woolf. New York: Knopf, 1997
Le Petit Robert Ⅰ. Paris: Les Dictionnaires Robert, 1984
Liddell and Scott's Greek-English Lexicon. Abridged Version. London: Oxford University Press, 1966
Lubkoll, Christine. “‘Dies ist Kein Pfeifen’: Musik und Negation in Franz Kafkas Erzählung ‘Josefine, die Sängerin oder Das Volk der Mäuse.’”Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 66 (December 1992): 748–64CrossRefGoogle Scholar
Lucey, Michael. Gide's Bent: Sexuality, Politics, Writing. New York: Oxford University Press, 1995
Lund, Roger D.“‘We Perished Each Alone’: ‘The Castaway’ and To the Lighthouse.”Journal of Modern Literature 16.1 (Summer 1989): 75–92Google Scholar
Lydenberg, Robin. “Freud's Uncanny Narratives.”PMLA 112 (October 1997): 1072–86CrossRefGoogle Scholar
Lyotard, Jean-François. The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bowlby. Stanford: Stanford University Press, 1991
Lyotard, Jean-François. Lessons on the Analytic of the Sublime. Trans. Elizabeth Rottenberg. Stanford: Stanford University Press, 1994
Macksey, Richard. “Introduction.” In Marcel Proust on Reading Ruskin. Trans. and ed. Jean Autret, William Burford, and Phillip J. Wolfe. New Haven: Yale University Press, 1987. Pp. ⅹⅲ–ⅼⅲ
Macksey, Richard. “Longinus Reconsidered.”MLN 108 (1993): 913–34CrossRef
Macksey, Richard. “Proust on the Margins of Ruskin.” The John Ruskin Polygon: Essays on the Imagination of John Ruskin. Ed. J. D. Hunt and F. M. Holland. Manchester: Manchester University Press, 1982. Pp. 172–97
Maclean, Marie. Le Jeu suprême: Structure et Thèmes dans ‘Le Grand Meaulnes.’ Paris: Corti, 1973
Mann, Thomas. ‘Death in Venice’ and Seven Other Stories. Trans. H. T. Lowe-Porter. New York: Random House / Vintage Books, 1989
Mann, Thomas. ‘Der Tod in Venedig’ und Andere Erzählungen. Frankfurt am Main: Fischer Taschenbuch Verlag, 1990
Meisel, Perry. The Myth of the Modern: A Study in British Literature and Criticism after 1850. New Haven: Yale University Press, 1987
Miller, Christopher L. “The Discoursing Heart: Conrad's Heart of Darkness.” Blank Darkness: Africanist Discourse in French. Chicago: The University of Chicago Press, 1985. Pp. 169–83
Miller, J. Hillis. “Heart of Darkness Revisited.” Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996. Pp. 206–20
Miner, Margaret. Resonant Gaps: Between Baudelaire and Wagner. Athens and London: The University of Georgia Press, 1995
Mistacco, Vicki. “Reading The Immoralist; The Relevance of Narrative Roles.” In Theories of Reading, Looking and Listening. Ed. Harry R. Garvin. Lewisburg: Bucknell University Press, 1981. Pp. 64–74
Møller, Lis. The Freudian Reading: Analytical and Fictional Constructions. Philadelphia: University of Pennsylvania Press, 1991CrossRef
Nietzsche, Friedrich. The Antichrist. The Portable Nietzsche. Ed. and trans. Walter Kaufmann. New York: Penguin, 1982. Pp. 565–656
Nietzsche, Friedrich. “The Birth of Tragedy” and “The Genealogy of Morals”. Trans. Francis Golffing. New York: Anchor-Doubleday, 1956
Nietzsche, Friedrich. The Case of Wagner. Basic Writings of Nietzsche. Ed. and trans. Walter Kaufmann. New York: The Modern Library, 1992. Pp. 601–48
Nietzsche, Friedrich. Der Fall Wagner, Götzen-Dämmerung, Der Antichrist, Ecce Homo, Dionysos-Dithyramben, Nietzsche contra Wagner. Kritische Studienausgabe. Vol. Ⅵ. Ed. Giorgio Colli and Mazzino Montinari. Munich: dtv/de Gruyter, 1988
Nietzsche, Friedrich. Die Geburt der Tragödie: Unzeitgemäβe Betrachtungen Ⅰ–Ⅳ, Nachgelassene Schriften 1870–1873. Kritische Studienausgabe. Vol. Ⅰ. Ed. Giorgio Colli and Mazzino Montinari. Munich: dtv/de Gruyter, 1988
Nietzsche, Friedrich. Nietzsche Contra Wagner. The Portable Nietzsche. Ed. and trans. Walter Kaufmann. New York: Penguin, 1982. Pp. 661–83
Nietzsche, Friedrich. Twilight of the Idols Or, How One Philosophizes with a Hammer. The Portable Nietzsche. Trans. and ed. Walter Kaufmann. New York: Penguin, 1982. Pp. 463–563
Norris, Margot. “Kafka's ‘Josefine’: The Animal as the Negative Site of Narration.” Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst, and Lawrence. Baltimore: The Johns Hopkins University Press, 1990. Pp. 118–33
Norris, Margot. “Sadism and Masochism in Two Kafka Stories: ‘In der Strafkolonie’ and ‘Ein Hungerkünstler.’”MLN 93 (1978): 420–37
Norton, Robert E. The Beautiful Soul: Aesthetic Morality in the Eighteenth Century. Ithaca: Cornell University Press, 1995
Norton, Robert E. Of the Sublime: Presence in Question. Essays by Jean-François Courtine, Michel Deguy, Eliane Escoubas, Philippe Lacoue-Labarthe, Jean-François Lyotard, Louis Marin, Jean-Luc Nancy, Jacob Rogozinski. Translated and with an afterword by Jeffrey S. Librett. Albany: State University of New York Press, 1993
Painter, George D. Marcel Proust: A Biography. 2 vols. New York: Random House, 1959 and 1965
Peyrache-Leborgne, Dominique. La Poétique du sublime de la fin des Lumières au romantisme. Paris: Champion, 1997
Pollard, Patrick. André Gide: Homosexual Moralist. New Haven: Yale University Press, 1991
Proust, Marcel. A la recherche du temps perdu. 3 vols. Paris: Gallimard-Pléiade, 1954
Proust, Marcel. A la recherche du temps perdu. 4 vols. Paris: Gallimard-Pléiade, 1987–1989
Proust, Marcel. “A propos du ‘style’ de Flaubert,” “Journées de pèlerinage,” and “Sainte-Beuve et Baudelaire.” “Contre Sainte-Beuve,” précédé de “Pastiches et mélanges” et suivi de “Essais et articles”. Paris: Gallimard-Pléiade, 1971. Pp. 586–600; 69–105; 243–62
Proust, Marcel. “La Méthode de Sainte-Beuve.” “Contre Sainte-Beuve” suivi de “Nouveaux Mélanges”. Pref. Bernard de Fallois. Paris: Gallimard, 1954
Proust, Marcel. Remembrance of Things Past. 3 vols. Trans. C. K. Scott Moncrieff and Terence Kilmartin. New York: Random House, 1981
Proust, Marcel, trans. La Bible d'Amiens. Paris: Mercure de France, 1904
Proust, Marcel, trans. Sésame et les lys. Paris: Mercure de France, 1906
Putnam, Walter. L'Aventure littéraire de Joseph Conrad et d'André Gide. Stanford French and Italian Studies 67. Saratoga: Anma Libri, 1990
Putnam, Walter. “Marlow, Michel et le silence des sirènes.”Bulletin des Amis d'André Gide 31 (October 1993): 613–29
Rabinowitz, Peter J. “Reader Response, Reader Responsibility: Heart of Darkness and the Politics of Displacement.” Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996. Pp. 131–47
Rapaport, Herman. “An Imperial Message: The Relays of Desire.”MLN 95 (1980): 1333–57CrossRefGoogle Scholar
Rilke, Rainer Maria. “Duino Elegies” and “The Sonnets to Orpheus”. Bilingual edn. Trans. A. Poulin, Jr. Boston: Houghton Mifflin, 1977
Roazen, Paul. Brother Animal: The Story of Freud and Tausk. New York: Knopf, 1969
Rivière, Alain, Jean-Georges Morgenthaler and Françoise Garcia, eds. André L hote, Alain-Fournier, Jacques Rivière: La peinture, le coeur et l'esprit. Correspondance inédite (1907–1914). 2 vols. Bordeaux: William Blake and Co., 1986
Rivière, Alain and Pierre de Gaulmyn, eds. Correspondance Jacques Rivière – Alain-Fournier. Paris: Gallimard, 1991
Robert, Marthe. As Lonely as Franz Kafka. Trans. Ralph Manheim. New York: Harcourt, Brace, Jovanovich, 1982
Robert, Marthe. The Old and the New: From Don Quixote to Kafka. Trans. Carol Cosman. Foreword Robert Alter. Berkeley: University of California Press, 1977
Rousseau, Jean-Jacques. Julie, ou la Nouvelle Héloïse. Paris: Garnier-Flammarion, 1967
Ruskin, John. The Stones of Venice. Vols. Ⅸ, Ⅹ and Ⅺ of The Works of John Ruskin. Ed. E. T. Cook and A. Wedderburn. 39 vols. London: George Allen, 1903
Ryan, Judith. “‘Eigentlich, aber noch eigentlicher’: Some Epistemological Problems in Franz Kafka.” Festschrift for Ralph Farrell. Ed. Anthony Stephens, H. C. Rogers, and Brian Coghlan. Bern: Peter Lang, 1977. Pp. 108–19
Said, Edward. Orientalism. New York: Columbia University Press, 1978
Sartre, Jean-Paul. “Aminadab, ou du fantastique considéré comme un langage.” Situations Ⅰ. Paris: Gallimard, 1947. Pp. 122–42
Schiller, Friedrich. On the Aesthetic Education of Man in a Series of Letters. Trans. and intro. Reginald Snell. New Haven: Yale University Press, 1954
Schiller, Friedrich. “Über Anmut und Würde.” Theoretische Schriften. Vol. Ⅷ of Werke und Briefe. Ed. Rolf-Peter Janz. Frankfurt am Main: Deutscher Klassiker Verlag, 1992. Pp. 330–94
Schiller, Friedrich. “Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen.” Theoretische Schriften. Vol. Ⅷ of Werke und Briefe. Ed. Rolf-Peter Janz. Frankfurt am Main: Deutscher Klassiker Verlag, 1992. Pp. 556–676
Schlegel, Friedrich. Dialogue on Poetry and Literary Aphorisms. Ed. and trans. Ernst Behler and Roman Struc. University Park: The Pennsylvania State University Press, 1968
Sebald, W. G. “The Law of Ignominy: Authority, Messianism and Exile in The Castle.” On Kafka: Semi-Centenary Perspectives. Ed. Franz Kuma. New York: Harper and Row, 1976. Pp. 42–58
Shakespeare, William. Romeo and Juliet. The New Folger Library. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1992
Shelley, Percy Bysshe, and Thomas Love Peacock. “A Defence of Poetry” and “The Four Ages of Poetry”. Ed. and intro. John E. Jordan. New York: Bobbs-Merrill / The Library of Liberal Arts, 1965
Sokel, Walter H. “Freud and the Magic of Kafka's Writing.” In The World of Franz Kafka. Ed. J. P. Stern. New York: Holt, 1979. Pp. 145–58
Sokel, Walter H. “The Programme of K's Court: Oedipal and Existential Meanings of The Trial.” Kafka: Semi-Centenary Perspectives. Ed. Franz Kuma. New York: Harper and Row, 1976. Pp. 1–21
Sophocles. Oedipus the King. The Complete Greek Tragedies. Vol. Ⅱ. Trans. David Grene. Chicago: The University of Chicago Press, 1992. Pp. 9–76
Tadié, Jean-Yves. Marcel Proust: biographie. Paris: Gallimard, 1996
Taminiaux, Jacques. La Nostalgie de la Grèce à l'aube de l'Idéalisme allemand: Kant et les Grecs dans l'itinéraire de Schiller, de Hölderlin et de Hegel. The Hague: Martinus Nijhoff, 1967
Taylor, Charles. Hegel. Cambridge: Cambridge University Press, 1975
Terdiman, Richard. Present Past: Modernity and the Memory Crisis. Ithaca: Cornell University Press, 1993. The Holy Bible, Containing the Old and New Testaments. Cambridge: Cambridge University Press, 1988
Thulstrup, Niels. Kierkegaard's Relation to Hegel. Trans. George L. Stengren. Princeton: Princeton University Press, 1980
Vitzthum, Thomas. “A Revolution in Writing: The Overthrow of Epic Storytelling by Written Narrative in Kafka's Josefine, die Sängerin.”Symposium 47 (Winter 1993): 269–78Google Scholar
von Wiese, Benno. “Das verlorene und wieder zu findende Paradies: Eine Studie über den Begriff der Anmut bei Goethe, Kleist und Schiller.” In Kleists Aufsatz über das Marionettentheater: Studien and Interpretationen. Ed. Walter Müller-Seidel. Berlin: Erich Schmidt Verlag, 1967
Wagner, Richard. Tannhäuser: Grand Romantic Opera in Three Acts. Libretto. New York: Rullman, 1925
Walsh, Sylvia. Living Poetically: Kierkegaard's Existential Aesthetics. University Park: The Pennsylvania State University Press, 1994
Wapnewski, Peter. “Nietzsche und Wagner: Stationen einer Beziehung.”Nietzsche-Studien 18 (1989): 401–23CrossRefGoogle Scholar
Watt, Ian. Conrad in the Nineteenth Century. Berkeley and Los Angeles: University of California Press, 1979
Webster's New Universal Unabridged Dictionary. New York: Simon and Schuster, 1972
Wing, Nathaniel. “The Disruptions of Irony in Gide's L'Immoraliste.”SubStance 26 (1980): 76–85CrossRefGoogle Scholar
Woolf, Virginia. The Diary of Virginia Woolf. 5 vols. Ed. Anne Olivier Bell. Assisted by Andrew McNeillie. New York: Harcourt Brace / Harvest Books, 1977–84
Woolf, Virginia. A Room of One's Own. Foreword Mary Gordon. New York: Harcourt Brace / Harvest Books, 1989
Woolf, Virginia. To the Lighthouse. Intro. Eudora Welty. New York: Harcourt Brace / Harvest Books, 1989
Woolf, Virginia. The Waves. New York: Harcourt Brace / Harvest Books, 1989
Wordsworth, William. Selected Poetry. Ed. and intro. Mark Van Doren. New York: The Modern Library, 1950
Wörner, Karl Heinrich. Schoenberg's “Moses and Aaron”. With the Complete Libretto in German and English. Trans. Paul Hamburger. London: Faber and Faber, 1963
Zuckerman, Elliott. “Nietzsche and Music: The Birth of Tragedy and Nietzsche Contra Wagner.”Symposium 28.1 (Spring 1974): 17–32 Google Scholar
Achebe, Chinua. “An Image of Africa: Ram cism in Conrad's Heart of Darkness.” In Heart of Darkness. Ed. Robert Kimbrough. 3rd edn. Norton Critical Edition. New York: Norton, 1988. Pp. 251–62
Alain-Fournier. Le Grand Meaulnes. Ed. Alain Rivière and Daniel Leuwers. Intro. Jacques Rivière. Paris: Classiques Garnier, 1991
Alain-Fournier. Le Grand Meaulnes. Ed. Claude Herzfeld. Paris: Nizet, 1983
Alain-Fournier. Le Grand Meaulnes. Ed. Daniel Leuwers. Paris: Livre de Poche, 1983
Alter, Robert. Necessary Angels: Tradition and Modernity in Kafka, Benjamin, and Scholem. Cambridge: Harvard University Press, 1991
Andersen, Hans Christian. “The Tinder Box.” The Complete Andersen. Trans. Jean Hersholt. New York: The Heritage Press, 1949. Pp. 1–7
Angus, Douglas. “The Existentialist and The Diabolical Machine.”Criticism 6 (Spring 1964): 134–43Google Scholar
Apter, Emily. André Gide and the Codes of Homotextuality. Stanford French and Italian Studies 48. Saratoga: Anma Libri, 1987
Auden, W. H. “Balaam and His Ass.” The Dyer's Hand and Other Essays. New York: Random House, 1962. Pp. 107–45
Bakhtin, M. M. “Forms of Time and Chronotope in the Novel.” The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981
Barthes, Roland. Le Plaisir du texte. Collection “Tel Quel.” Paris: Seuil, 1973
Barthes, Roland. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang, 1975
Baudelaire, Charles. “Richard Wagner et Tannhäuser à Paris.” Oeuvres complètes. Vol. Ⅱ. Ed. Claude Pichois. Paris: Gallimard-Pléiade, 1976. 779–815
Baudelaire, Charles. “Le Thyrse.” Oeuvres complètes. Vol. Ⅰ. Ed. Claude Pichois. Paris: Gallimard-Pléiade, 1975. 335–36
Baudelaire, Charles. “The Thyrsus.” The Parisian Prowler: ‘Le Spleen de Paris / Les Petits poèmes en prose’ by Charles Baudelaire. Trans. Edward K. Kaplan. Athens and London: The University of Georgia Press, 1989. 86–87
Beharriell, Frederick. “The Hidden Meanings of Goethe's ‘Bekenntnisse einer schönen Seele.’” Lebendige Form: Interpretationen zur deutschen Literatur. Festschrift for Heinrich Henel. Ed. Jeffrey Sammons and Ernst Schürer. Munich: Fink, 1970. Pp. 37–62
Benveniste, Emile. “L'Homme dans le langage.” Problèmes de linguistique générale. Paris: Gallimard, 1966. Pp. 225–88
Bernheimer, Charles. Flaubert and Kafka: Studies in Psychopoetic Structure. New Haven: Yale University Press, 1982
Blackall, Eric. Goethe and the Novel. Ithaca: Cornell University Press, 1976
Blanchot, Maurice. L'Attente l'oubli. Paris: Gallimard, 1962
Blanchot, Maurice. Au moment voulu. Paris: Gallimard, 1951
Blanchot, Maurice. “Le chant des sirènes.” Le Livre à venir. Paris: Folio “Essais,” 1959. Pp. 9–18
Blanchot, Maurice. “Kafka et l'exigence de l'oeuvre.” De Kafka à Kafka. Paris: Gallimard “Idées,” 1981. Pp. 94–131
Blanchot, Maurice. “La voix narrative, le ‘il,’ le neutre.” De Kafka à Kafka. Paris: Gallimard “Idées,” 1981. Pp. 171–84
Bloom, Harold. “Freud and the Sublime: A Catastrophe Theory of Creativity.” Agon: Towards a Theory of Revisionism. New York: Oxford University Press, 1982. Pp. 91–118
Böhme, Hartmut. “‘Mutter Milena’: Zum Narzissismus-Problem bei Kafka.”Germanisch-Romanische Monatschrift. ns 28 (1978): 50–69Google Scholar
Bouraoui, H. A. Structure intentionnelle du ‘Grand Meaulnes’: vers le poème romancé. Paris: Nizet, 1976
Brantlinger, Patrick. “Heart of Darkness; Anti-Imperialism, Racism, or Impressionism?” In Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books. 1996. Pp. 277–98
Brée, Germaine. André Gide, l'Insaisissable Protée. Paris: Les Belles Lettres, 1953
Brod, Max. Franz Kafka: A Biography. Trans. G. Humphreys Roberts. New York: Schocken, 1947
Brod, Max. Franz Kafka, Eine Biographie: Erinnerungen und Dokumente. New York: Schocken, 1946
Brooks, Peter. “Freud's Masterplot.” Reading for the Plot: Design and Intention in Narrative. New York: Random House / Vintage Books, 1985. Pp. 90–112
Brooks, Peter. “An Unreadable Report: Conrad's. Heart of Darkness.” Reading for the Plot: Design and Intention in Narrative. New York: Random House / Vintage Books, 1985. Pp. 238–63
Buisine, Alain. Les Mauvaises Pensées du Grand Meaulnes. Paris: Presses Universitaires de France, 1992
Burke, Edmund. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. Ed. and intro. J. T. Boulton. New York: Columbia University Press, 1958
Cassirer, Ernst. Kant's Life and Thought. Trans. James Haden. Intro. Stephan Körner. New Haven: Yale University Press, 1981
Cellier, Léon. ‘Le Grand Meaulnes’ ou l'initiation manquée. Paris: Minard, 1963
Chai, Leon. Aestheticism: The Religion of Art in Post-Romantic Literature. New York: Columbia University Press, 1990
Chambers, Ross. Mélancolie et opposition: Les débuts du modernisme en France. Paris: Corti, 1987
Cixous, Hélène. “Fiction and its Phantoms: A Reading of Freud's Das Unheimliche (The ‘Uncanny’).”New Literary History 7 (Spring 1976): 525–48Google Scholar
Cohen, Ted. “Why Beauty is a Symbol of Morality.” In Essays in Kant's Aesthetics. Ed. Ted Cohen and Paul Guyer. Chicago: Chicago University Press, 1982. Pp. 221–36
Coleridge, Samuel Taylor. Lecture Ⅶ. Selected Poetry and Prose. 2nd enlarged edn. Ed. and intro. Elisabeth Schneider. San Francisco: Rinehart Press, 1971. Pp. 449–60
Conrad, Joseph. Heart of Darkness. Ed. Robert Kimbrough. 3rd edn. Norton Critical Edition. New York: Norton, 1988
Conrad, Joseph. Heart of Darkness. Ed. Ross C Murfin. 2nd edn. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996
Corngold, Stanley. Franz Kafka: The Necessity of Form. Ithaca: Cornell University Press, 1988
Darras, Jacques. Joseph Conrad and the West: Signs of Empire. Trans. Anne Luyat and Jacques Darras. London: The Macmillan Press, 1982CrossRef
Deleuze, Gilles. Kant's Critical Philosophy: The Doctrine of the Faculties. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1984
Deleuze, Gilles and Félix Guattari. Kafka: Toward a Minor Literature. Trans. Dana Polan. Foreword Réda Bensmaïa. Minneapolis: University of Minnesota Press, 1986
de Man, Paul. Aesthetic Ideology. Ed. and Intro. Andrzej Warminski. Minneapolis: University of Minnesota Press, 1996
de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven: Yale University Press, 1979
Derrida, Jacques. Parages. Paris: Galilée, 1986
Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond. Trans. Alan Bass. Chicago: University of Chicago Press, 1987, Pp. 257–409
Derrida, Jacques. “Spéculer – Sur Freud.” La Carte postale: de Socrate à Freud et au-delà. Paris: Flammarion, 1980. Pp. 275–437
Derrida, Jacques. La Ⅴérité en peinture. Paris: Flammarion, 1978
DiBattista, Maria. Virginia Woolf's Major Novels: The Fables of Anon. New Haven: Yale University Press, 1980
Ellison, David. “Blanchot: Commentary, Narration, Reference.”Texte 11 (1991): 215–48Google Scholar
Ellison, David. “Proust's ‘Venice’: The Reinscription of Textual Sources.”Style 22 (Fall 1988): 432–49
Ellison, David. “A Reading of Mallarmé's ‘Hommage’ (A Richard Wagner).”Yearbook of Comparative Literature 42 (1994): 46–56
Ellison, David. The Reading of Proust. Baltimore: The Johns Hopkins University Press, 1984
Ellison, David. “Vertiginous Storytelling: Camus's La Chute.” Of Words and the World: Referential Anxiety in Contemporary French Fiction. Princeton: Princeton University Press, 1993. Pp. 25–43
Ellmann, Richard. James Joyce. Rev. edn. New York: Oxford University Press, 1983
Emery, Mary Lou. “‘Robbed of Meaning’: The Work at the Center of To the Lighthouse.”Modern Fiction Studies 38 (Spring 1992): 217–34CrossRefGoogle Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell University Press, 1990
Ferguson, Frances. Solitude and the Sublime: Romanticism and the Aesthetics of Individuation. New York and London: Routledge, 1992
Fitch, Brian T. Lire les récits de Maurice Blanchot. Amsterdam: Rodopi, 1992
Fortier, Paul A. Décor et dualisme: ‘L'Immoraliste’ d'André Gide. Stanford French and Italian Studies 56. Saratoga: Anma Libri, 1988
Foucault, Michel. “La Pensée du dehors.”Critique 229 (1966): 514–42Google Scholar
Foucault, Michel and Maurice Blanchot. ‘Maurice Blanchot: The Thought from Outside’ and ‘Michel Foucault as I Imagine Him.’ Trans. Brian Massumi and Jeffrey Mehlman under the general title Foucault/Blanchot. New York: Zone Books, 1990
Freud, Sigmund. “The Antithetical Meaning of Primal Words.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. Ⅺ (1910). London: The Hogarth Press, 1957. Pp. 153–61
Freud, Sigmund. “James J. Putnam.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago, 1947. P. 315
Freud, Sigmund. “James J. Putnam.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 271–72
Freud, Sigmund. “Über den Gegensinn der Urworte.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅷ (1909–13). London: Imago, 1943. Pp. 213–21
Freud, Sigmund. “The Uncanny.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Strachey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 217–56
Freud, Sigmund. “Das Unheimliche.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago. 1947. Pp. 227–68
Freud, Sigmund. “Victor Tausk.” Gesammelte Werke Chronologisch Geordnet. Vol. Ⅻ (1917–20). London: Imago, 1947. Pp. 316–18
Freud, Sigmund. “Victor Tausk.” The Standard Edition of the Complete Psychological Works of Sigmund Freud. Trans. James Strachey in collaboration with Anna Freud. Assisted by Alix Stracey and Alan Tyson. Vol. ⅩⅦ (1917–19). London: The Hogarth Press, 1955. Pp. 273–75
Friedman, Maurice. “The Problematic of Guilt and the Dialogue with the Absurd: Images of the Irrational in Kafka's Trial.”Review of Existential Psychology and Psychiatry 14 (1975–76): 11–25Google Scholar
Funck, Heinrich. Die Schöne Seele: Bekenntnisse, Schriften und Briefe der Susanna Katharina von Klettenberg. Leipzig: Insel, 1912
Garaudy, Roger. “Kafka und die Entfremdung.” In Franz Kafka: Eine Aufsatzsammlung nach einem Symposium in Philadelphia. Ed. Maria Luise Caputo-Meyr: Berlin: Agora, 1974. Pp. 170–80
Gay, Peter. Freud: A Life for Our Time. New York, Norton, 1988
Genette, Gérard. Figures Ⅲ. Paris: Seuil, 1972. Trans. Jane E. Lewin, under the title Narrative Discourse: An Essay in Method. Ithaca: Cornell University Press, 1980
Gide, André. Les Faux-Monnayeurs. Paris: Gallimard-Folio, 1972
Gide, André. The Immoralist. Trans. Richard Howard. New York: Random House / Vintage Books, 1996
Gide, André. L'Immoraliste; Romans, Récits et Soties; Oeuvres lyriques. Paris: Gallimard-Pléiade, 1958. Pp. 365–472
Gide, André. L'Immoraliste. Ed. Elaine Marks and Richard Tedeschi. Macmillan Modern French Literature Series. New York: Macmillan, 1963
Gide, André. L'Immoraliste. Paris: Gallimard-Folio, 1989
Gide, André. Journal. Vol. Ⅰ (1887–1925). Ed. Eric Marty. Paris: Gallimard-Pléiade, 1996
Ginsburg, Ruth. “A Primal Scene of Reading: Freud and Hoffmann.”Literature and Psychology 38.3 (1992): 24–46Google Scholar
Goethe, Johann Wolfgang von. Wilhelm Meister's Apprenticeship. Ed. and Trans. Eric A. Blackall in cooperation with Victor Lange. New York: Suhrkamp, 1983
Goethe, Johann Wolfgang von. Wilhelm Meisters Lehrjahre. Ed. Hannelore Schlaffer. Munich: Goldmann, 1990
Goozé, Marjanne. “Texts, Textuality, and Silence in Franz Kafka's Das Schloβ.”MLN 98 (1984): 337–50CrossRefGoogle Scholar
Gordimer, Nadine. “Letter from His Father.” Something Out There. New York: The Viking Press, 1979. Pp. 40–56
Green, Ronald M. Kierkegaard and Kant: The Hidden Debt. Albany: State University of New York Press, 1992
Grésillon, Almuth. Eléments de critique génétique. Paris: Presses Universitaires de France, 1994
Grimm brothers. “Von dem Fischer und seiner Frau.” In Deutsche Märchen. Ed. Elisabeth Borchers. Intro. Wolfgang Koeppen. Frankfurt am Main: Insel, 1979. Pp. 158–66
Guerard, Albert J. André Gide. 2nd edn. Cambridge, MA; Harvard University Press, 1969
Guerard, Albert J. Conrad the Novelist. Cambridge, MA; Harvard University Press, 1958
Guiomar, Michel. Inconscient et Imaginaire dans ‘Le Grand Meaulnes.’ Paris: Corti, 1964
Guth, Deborah. “Virginia Woolf: Myth and To the Lighthouse.”College Literature 11 (Fall 1984): 233–49Google Scholar
Guyer, Paul. “Feeling and Freedom: Kant on Aesthetics and Morality.”The Journal of Aesthetics and Art Criticism 48 (Spring 1990): 137–46CrossRefGoogle Scholar
Guyer, Paul. Kant and the Claims of Taste. Cambridge, MA; Harvard University Press, 1979
Guyer, Paul. “Kant's Conception of Fine Art.”The Journal of Aesthetics and Art Criticism 52 (Summer 1994): 275–85CrossRef
Harter, Deborah. “The Artist on Trial: Kafka and Josefine, ‘die Sängerin’.”Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 61 (March 1986): 151–62CrossRefGoogle Scholar
Hawthorne, Nathaniel. “Rappaccini's Daughter.” Mosses from an Old Manse. Centenary Edition. Columbus: Ohio State University Press, 1974. Pp. 91–128
Hay, Louis, ed. La Naissance du texte. Paris: Corti, 1989
Hayman, Ronald. Kafka: A Biography. New York: Oxford University Press, 1982
Hegel, G. W. F. Aesthetics: Lectures on Fine Art. 2 vols. Trans. T. M. Knox. Oxford: Oxford University Press, 1975
Hegel, G. W. F. Phänomenologie des Geistes. Hamburg: Felix Meiner Verlag, 1952
Hegel, G. W. F. La Phénoménologie de l'Esprit. Trans. Jean Hyppolite. 2 vols. Paris: Aubier-Montaigne, n.d
Hegel, G. W. F. Phenomenology of Spirit. Trans. A. V. Miller. Foreword J. N. Findlay. Oxford: Oxford University Press, 1977
Hegel, G. W. F. Vorlesungen über die ästhetik. Vol. Ⅻ of Sämtliche Werke, Jubiläumsausgabe in 20 vols. Ed. Hermann Glockner. Stuttgart: Friedrich Frommann, 1964
Heidegger, Martin. “Letter on Humanism.” Basic Writings. Ed and intro. David Farrell Krell. New York: Harper and Row, 1977. Pp. 193–242
Heilbrun, Carolyn G. Hamlet's Mother and Other Women. New York: Columbia University Press, 1990
Henrich, Dieter. “Beauty and Freedom: Schiller's Struggle with Kant's Aesthetics.” In Essays in Kant's Aesthetics. Ed. Ted Cohen and Paul Guyer. Chicago: The University of Chicago Press, 1982. Pp. 237–57
Hermsdorf, Klaus. “Anfänge der Kafka-Rezeption in der sozialistischen deutschen Literatur.”Weimarer Beiträge: Zeitschrift für Literaturwissenschaft, Ä;sthetik und Kulturtheorie 24 (1978): 45–69Google Scholar
Hertz, Neil. “Freud and the Sandman.” The End of the Line: Essays on Psychoanalysis and the Sublime. New York: Columbia University Press, 1985. Pp. 97–121
Hoffman, Anne Golomb. “Demeter and Poseidon: Fusion and Distance in To the Lighthouse.”Studies in the Novel 16.2 (Summer 1984): 182–96Google Scholar
Hoffmann, E. T. A. “The Sandman.” Tales of Hoffmann. Trans. and intro. R. J. Hollingdale. London: Penguin, 1982. Pp. 85–125
Hoffmann, E. T. A. “Der Sandmann.” Nachtstücke. Werke 1816–20. Vol. Ⅲ of E. T. A. Hoffmann: Sämtliche Werke. Ed. Hartmut Steinecke in collaboration with Gerhard Allroggen. Frankfurt am Main: Deutscher Klassiker Verlag, 1985. Pp. 11–49
Hölderlin, Friedrich. “Brot und Wein.” Werke and Briefe. Vol. Ⅰ. Ed. Friedrich Beiβner and Jochen Schmidt. Frankfurt am Main: Insel, 1969. Pp. 114– 19
Homer. The Odyssey. Trans. Robert Fagles. Intro. and notes Bernard Knox. New York: Penguin, 1996
Honderich, Ted, ed. The Oxford Companion to Philosophy. Oxford: Oxford University Press, 1995
Hughes, Kenneth. “The Marxist Debate, 1963.” In The Kafka Debate: New Perspectives For Our Time. Ed. Angel Flores. New York: Gordian, 1977. Pp. 51–59
Hughes, Kenneth, ed. and trans. Franz Kafka: An Anthology of Marxist Criticism. Hanover: University Press of New England, 1981
Husson, Claudie. Alain-Fournier et la naissance du récit. Paris: Presses Universitaires de France, 1990
Hyppolite, Jean. Genesis and Structure of Hegel's ‘Phenomenology of Spirit.’ Trans. Samuel Cherniak and John Heckman. Evanston: Northwestern University Press, 1974
Jakobson, Roman. “Deux Aspects du langage et deux types d'aphasies.” Essais de linguistique générale. Paris: Minuit, 1963. Pp. 43–67
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca: Cornell University Press, 1981
Johnson, Barbara. Défigurations du langage poétique: la seconde révolution baudelairienne. Paris: Flammarion, 1979
Kafka, Franz. Brief an den Vater. Facsimile edn. Ed. Joachim Unseld. Frankfurt am Main: Fischer Taschenbuch Verlag, 1994
Kafka, Franz. The Castle. Definitive edn. Trans. Willa and Edwin Muir. With an homage by Thomas Mann. New York: Schocken, 1982
Kafka, Franz. Diaires: 1910–1913. Ed. Max Brod. Trans. Joseph Kresh. New York: Schocken, 1965
Kafka, Franz. Diaires: 1914–1923. Ed. Max Brod. Trans. Martin Greenberg with the cooperation of Hannah Arendt. New York: Schocken, 1965
Kafka, Franz. “Forschungen eines Hundes.” Gesammelte Werke. Vol. Ⅴ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 180– 215
Kafka, Franz. “In der Strafkolonie.” Gesammelte Werke. Vol. Ⅳ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 151–77
Kafka, Franz. “In the Penal Colony.” Franz Kafka: The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York, Schocken, 1971. Pp. 140–67
Kafka, Franz. “Investigations of a Dog.” Franz Kafka: The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York: Schocken, 1971. Pp. 278–316
Kafka, Franz. “Josefine, die Sängerin oder das Volk der Mäuse.” Gesammelte Werke. Vol. Ⅳ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976. Pp. 200–16
Kafka, Franz. “Josephine the Singer, or the Mouse Folk.” The Complete Stories. Ed. Nahum N. Glatzer. Trans. Willa and Edwin Muir. New York: Schocken, 1971. Pp. 360–76
Kafka, Franz. Letter to His Father/Brief an den Vater. Bilingual edn. Trans. Ernst Kaiser and Eithne Wilkins. New York: Schocken, 1966
Kafka, Franz. Das Schloβ. In der Fassung der Handschrift. Frankfurt am Main: Fischer Taschenbuch Verlag, 1996
Kafka, Franz. Tagebücher. Ed. Hans-Gerd Koch, Michael Müller and Malcolm Pasley. Frankfurt am Main: S. Fischer Verlag, 1990
Kafka, Franz. Tagebücher 1910–1923. Gesammelte Werke. Vol. Ⅶ. Ed. Max Brod. Frankfurt am Main: Fischer Taschenbuch Verlag, 1976
Kant, Immanuel. Critique of Judgment. Trans. and intro. Werner S. Pluhar. Foreword Mary J. Gregor. Indianapolis: Hackett, 1987
Kant, Immanuel. Critique of Practical Reason. Trans. and intro. Lewis White Beck. New York: Macmillan, 1956
Kant, Immanuel. Kritik der praktischen Vernunft. Ed. Karl Vorländer. Hamburg: Felix Meiner Verlag, 1990
Kant, Immanuel. Kritik der Urteilskraft. Ed. Karl Vorländer. Hamburg: Felix Meiner Verlag, 1990
Kant, Immanuel. The Metaphysics of Morals. Trans. and ed. Mary Gregor. Intro. Roger L. Sullivan. Cambridge: Cambridge University Press, 1996
Kaplan, Edward K. Baudelaire's Prose Poems: The Esthetic, The Ethical, and the Religious in ‘The Parisian Prowler.’ Athens and London: The University of Georgia Press, 1990
Kasell, Walter. “The Pilgrimage: Proust Reads Ruskin.” Marcel Proust and the Strategy of Reading. Amsterdam: John Benjamins, 1980. Pp. 18–30
Kierkegaard, Søren. “The Concept of Irony, with Continual Reference to Socrates,” together with “Notes of Schelling's Berlin Lectures”. Ed. and trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1989
Kierkegaard, Søren. Either/Or: Part Ⅰ. Ed. and Trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1987
Kierkegaard, Søren. Either/Or: Part Ⅱ. Ed. and Trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1987
Kierkegaard, Søren. Either/Or. Vol. Ⅰ. Trans. David F. Swenson and Lillian Marvin Swenson. Revisions and foreword Howard A. Johnson. Princeton: Princeton University Press, 1971
Kierkegaard, Søren. Either/Or. Vol. Ⅱ. Trans. Walter Lowrie. Revisions and foreword Howard A. Johnson. Princeton: Princeton University Press, 1971
Kierkegaard, Søren. Enten-Eller: Et Livs-Fragment. Vol. Ⅱ. Copenhagen: H. Hagerup's Forlag, 1950
Kierkegaard, Søren. Philosophical Fragments. Ed. and trans. Howard V. Hong and Edna H. Hong. Princeton: Princeton University Press, 1985
Klein, Richard. “Straight Lines and Arabesques: Metaphors of Metaphor.”Yale French Studies 45 (1970): 64–86CrossRefGoogle Scholar
Kleist, Heinrich von. “über das Marionettentheater.” Sämtliche Werke und Briefe. Vol. Ⅱ. Munich: Carl Hanser Verlag, 1965. Pp. 338–45
Kofman, Sarah. The Childhood of Art: An Interpretation of Freud's Aesthetics. Trans. Winifred Woodhull. New York: Columbia University Press, 1988
Kofman, Sarah. “The Double is/and the Devil.” Freud and Fiction. Trans. Sarah Wykes. Boston: Northeastern University Press, 1991. Pp. 119–62
Kopper, John. “Building Walls and Jumping Over Them: Construction in Franz Kafka's ‘Beim Bau der chinesischen Mauer.’”MLN 98 (1983): 351–65CrossRefGoogle Scholar
Lacoue-Labarthe, Philippe. Musica ficta: Figures de Wagner. Paris: Christian Bourgois, 1991
Lacoue-Labarthe, Philippe. Musica Ficta: Figures of Wagner. Trans. Felicia McCarren. Stanford: Stanford University Press, 1994
Lacoue-Labarthe, Philippe and Jean-Luc Nancy, eds. L'Absolu littéraire: Théorie de la littérature du romantisme allemand. Paris: Seuil “Poétique,” 1978
Lee, Hermione. Virginia Woolf. New York: Knopf, 1997
Le Petit Robert Ⅰ. Paris: Les Dictionnaires Robert, 1984
Liddell and Scott's Greek-English Lexicon. Abridged Version. London: Oxford University Press, 1966
Lubkoll, Christine. “‘Dies ist Kein Pfeifen’: Musik und Negation in Franz Kafkas Erzählung ‘Josefine, die Sängerin oder Das Volk der Mäuse.’”Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 66 (December 1992): 748–64CrossRefGoogle Scholar
Lucey, Michael. Gide's Bent: Sexuality, Politics, Writing. New York: Oxford University Press, 1995
Lund, Roger D.“‘We Perished Each Alone’: ‘The Castaway’ and To the Lighthouse.”Journal of Modern Literature 16.1 (Summer 1989): 75–92Google Scholar
Lydenberg, Robin. “Freud's Uncanny Narratives.”PMLA 112 (October 1997): 1072–86CrossRefGoogle Scholar
Lyotard, Jean-François. The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bowlby. Stanford: Stanford University Press, 1991
Lyotard, Jean-François. Lessons on the Analytic of the Sublime. Trans. Elizabeth Rottenberg. Stanford: Stanford University Press, 1994
Macksey, Richard. “Introduction.” In Marcel Proust on Reading Ruskin. Trans. and ed. Jean Autret, William Burford, and Phillip J. Wolfe. New Haven: Yale University Press, 1987. Pp. ⅹⅲ–ⅼⅲ
Macksey, Richard. “Longinus Reconsidered.”MLN 108 (1993): 913–34CrossRef
Macksey, Richard. “Proust on the Margins of Ruskin.” The John Ruskin Polygon: Essays on the Imagination of John Ruskin. Ed. J. D. Hunt and F. M. Holland. Manchester: Manchester University Press, 1982. Pp. 172–97
Maclean, Marie. Le Jeu suprême: Structure et Thèmes dans ‘Le Grand Meaulnes.’ Paris: Corti, 1973
Mann, Thomas. ‘Death in Venice’ and Seven Other Stories. Trans. H. T. Lowe-Porter. New York: Random House / Vintage Books, 1989
Mann, Thomas. ‘Der Tod in Venedig’ und Andere Erzählungen. Frankfurt am Main: Fischer Taschenbuch Verlag, 1990
Meisel, Perry. The Myth of the Modern: A Study in British Literature and Criticism after 1850. New Haven: Yale University Press, 1987
Miller, Christopher L. “The Discoursing Heart: Conrad's Heart of Darkness.” Blank Darkness: Africanist Discourse in French. Chicago: The University of Chicago Press, 1985. Pp. 169–83
Miller, J. Hillis. “Heart of Darkness Revisited.” Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996. Pp. 206–20
Miner, Margaret. Resonant Gaps: Between Baudelaire and Wagner. Athens and London: The University of Georgia Press, 1995
Mistacco, Vicki. “Reading The Immoralist; The Relevance of Narrative Roles.” In Theories of Reading, Looking and Listening. Ed. Harry R. Garvin. Lewisburg: Bucknell University Press, 1981. Pp. 64–74
Møller, Lis. The Freudian Reading: Analytical and Fictional Constructions. Philadelphia: University of Pennsylvania Press, 1991CrossRef
Nietzsche, Friedrich. The Antichrist. The Portable Nietzsche. Ed. and trans. Walter Kaufmann. New York: Penguin, 1982. Pp. 565–656
Nietzsche, Friedrich. “The Birth of Tragedy” and “The Genealogy of Morals”. Trans. Francis Golffing. New York: Anchor-Doubleday, 1956
Nietzsche, Friedrich. The Case of Wagner. Basic Writings of Nietzsche. Ed. and trans. Walter Kaufmann. New York: The Modern Library, 1992. Pp. 601–48
Nietzsche, Friedrich. Der Fall Wagner, Götzen-Dämmerung, Der Antichrist, Ecce Homo, Dionysos-Dithyramben, Nietzsche contra Wagner. Kritische Studienausgabe. Vol. Ⅵ. Ed. Giorgio Colli and Mazzino Montinari. Munich: dtv/de Gruyter, 1988
Nietzsche, Friedrich. Die Geburt der Tragödie: Unzeitgemäβe Betrachtungen Ⅰ–Ⅳ, Nachgelassene Schriften 1870–1873. Kritische Studienausgabe. Vol. Ⅰ. Ed. Giorgio Colli and Mazzino Montinari. Munich: dtv/de Gruyter, 1988
Nietzsche, Friedrich. Nietzsche Contra Wagner. The Portable Nietzsche. Ed. and trans. Walter Kaufmann. New York: Penguin, 1982. Pp. 661–83
Nietzsche, Friedrich. Twilight of the Idols Or, How One Philosophizes with a Hammer. The Portable Nietzsche. Trans. and ed. Walter Kaufmann. New York: Penguin, 1982. Pp. 463–563
Norris, Margot. “Kafka's ‘Josefine’: The Animal as the Negative Site of Narration.” Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst, and Lawrence. Baltimore: The Johns Hopkins University Press, 1990. Pp. 118–33
Norris, Margot. “Sadism and Masochism in Two Kafka Stories: ‘In der Strafkolonie’ and ‘Ein Hungerkünstler.’”MLN 93 (1978): 420–37
Norton, Robert E. The Beautiful Soul: Aesthetic Morality in the Eighteenth Century. Ithaca: Cornell University Press, 1995
Norton, Robert E. Of the Sublime: Presence in Question. Essays by Jean-François Courtine, Michel Deguy, Eliane Escoubas, Philippe Lacoue-Labarthe, Jean-François Lyotard, Louis Marin, Jean-Luc Nancy, Jacob Rogozinski. Translated and with an afterword by Jeffrey S. Librett. Albany: State University of New York Press, 1993
Painter, George D. Marcel Proust: A Biography. 2 vols. New York: Random House, 1959 and 1965
Peyrache-Leborgne, Dominique. La Poétique du sublime de la fin des Lumières au romantisme. Paris: Champion, 1997
Pollard, Patrick. André Gide: Homosexual Moralist. New Haven: Yale University Press, 1991
Proust, Marcel. A la recherche du temps perdu. 3 vols. Paris: Gallimard-Pléiade, 1954
Proust, Marcel. A la recherche du temps perdu. 4 vols. Paris: Gallimard-Pléiade, 1987–1989
Proust, Marcel. “A propos du ‘style’ de Flaubert,” “Journées de pèlerinage,” and “Sainte-Beuve et Baudelaire.” “Contre Sainte-Beuve,” précédé de “Pastiches et mélanges” et suivi de “Essais et articles”. Paris: Gallimard-Pléiade, 1971. Pp. 586–600; 69–105; 243–62
Proust, Marcel. “La Méthode de Sainte-Beuve.” “Contre Sainte-Beuve” suivi de “Nouveaux Mélanges”. Pref. Bernard de Fallois. Paris: Gallimard, 1954
Proust, Marcel. Remembrance of Things Past. 3 vols. Trans. C. K. Scott Moncrieff and Terence Kilmartin. New York: Random House, 1981
Proust, Marcel, trans. La Bible d'Amiens. Paris: Mercure de France, 1904
Proust, Marcel, trans. Sésame et les lys. Paris: Mercure de France, 1906
Putnam, Walter. L'Aventure littéraire de Joseph Conrad et d'André Gide. Stanford French and Italian Studies 67. Saratoga: Anma Libri, 1990
Putnam, Walter. “Marlow, Michel et le silence des sirènes.”Bulletin des Amis d'André Gide 31 (October 1993): 613–29
Rabinowitz, Peter J. “Reader Response, Reader Responsibility: Heart of Darkness and the Politics of Displacement.” Heart of Darkness. 2nd edn. Ed. Ross C Murfin. Case Studies in Contemporary Criticism. Boston and New York: St. Martin's Press / Bedford Books, 1996. Pp. 131–47
Rapaport, Herman. “An Imperial Message: The Relays of Desire.”MLN 95 (1980): 1333–57CrossRefGoogle Scholar
Rilke, Rainer Maria. “Duino Elegies” and “The Sonnets to Orpheus”. Bilingual edn. Trans. A. Poulin, Jr. Boston: Houghton Mifflin, 1977
Roazen, Paul. Brother Animal: The Story of Freud and Tausk. New York: Knopf, 1969
Rivière, Alain, Jean-Georges Morgenthaler and Françoise Garcia, eds. André L hote, Alain-Fournier, Jacques Rivière: La peinture, le coeur et l'esprit. Correspondance inédite (1907–1914). 2 vols. Bordeaux: William Blake and Co., 1986
Rivière, Alain and Pierre de Gaulmyn, eds. Correspondance Jacques Rivière – Alain-Fournier. Paris: Gallimard, 1991
Robert, Marthe. As Lonely as Franz Kafka. Trans. Ralph Manheim. New York: Harcourt, Brace, Jovanovich, 1982
Robert, Marthe. The Old and the New: From Don Quixote to Kafka. Trans. Carol Cosman. Foreword Robert Alter. Berkeley: University of California Press, 1977
Rousseau, Jean-Jacques. Julie, ou la Nouvelle Héloïse. Paris: Garnier-Flammarion, 1967
Ruskin, John. The Stones of Venice. Vols. Ⅸ, Ⅹ and Ⅺ of The Works of John Ruskin. Ed. E. T. Cook and A. Wedderburn. 39 vols. London: George Allen, 1903
Ryan, Judith. “‘Eigentlich, aber noch eigentlicher’: Some Epistemological Problems in Franz Kafka.” Festschrift for Ralph Farrell. Ed. Anthony Stephens, H. C. Rogers, and Brian Coghlan. Bern: Peter Lang, 1977. Pp. 108–19
Said, Edward. Orientalism. New York: Columbia University Press, 1978
Sartre, Jean-Paul. “Aminadab, ou du fantastique considéré comme un langage.” Situations Ⅰ. Paris: Gallimard, 1947. Pp. 122–42
Schiller, Friedrich. On the Aesthetic Education of Man in a Series of Letters. Trans. and intro. Reginald Snell. New Haven: Yale University Press, 1954
Schiller, Friedrich. “Über Anmut und Würde.” Theoretische Schriften. Vol. Ⅷ of Werke und Briefe. Ed. Rolf-Peter Janz. Frankfurt am Main: Deutscher Klassiker Verlag, 1992. Pp. 330–94
Schiller, Friedrich. “Über die ästhetische Erziehung des Menschen in einer Reihe von Briefen.” Theoretische Schriften. Vol. Ⅷ of Werke und Briefe. Ed. Rolf-Peter Janz. Frankfurt am Main: Deutscher Klassiker Verlag, 1992. Pp. 556–676
Schlegel, Friedrich. Dialogue on Poetry and Literary Aphorisms. Ed. and trans. Ernst Behler and Roman Struc. University Park: The Pennsylvania State University Press, 1968
Sebald, W. G. “The Law of Ignominy: Authority, Messianism and Exile in The Castle.” On Kafka: Semi-Centenary Perspectives. Ed. Franz Kuma. New York: Harper and Row, 1976. Pp. 42–58
Shakespeare, William. Romeo and Juliet. The New Folger Library. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 1992
Shelley, Percy Bysshe, and Thomas Love Peacock. “A Defence of Poetry” and “The Four Ages of Poetry”. Ed. and intro. John E. Jordan. New York: Bobbs-Merrill / The Library of Liberal Arts, 1965
Sokel, Walter H. “Freud and the Magic of Kafka's Writing.” In The World of Franz Kafka. Ed. J. P. Stern. New York: Holt, 1979. Pp. 145–58
Sokel, Walter H. “The Programme of K's Court: Oedipal and Existential Meanings of The Trial.” Kafka: Semi-Centenary Perspectives. Ed. Franz Kuma. New York: Harper and Row, 1976. Pp. 1–21
Sophocles. Oedipus the King. The Complete Greek Tragedies. Vol. Ⅱ. Trans. David Grene. Chicago: The University of Chicago Press, 1992. Pp. 9–76
Tadié, Jean-Yves. Marcel Proust: biographie. Paris: Gallimard, 1996
Taminiaux, Jacques. La Nostalgie de la Grèce à l'aube de l'Idéalisme allemand: Kant et les Grecs dans l'itinéraire de Schiller, de Hölderlin et de Hegel. The Hague: Martinus Nijhoff, 1967
Taylor, Charles. Hegel. Cambridge: Cambridge University Press, 1975
Terdiman, Richard. Present Past: Modernity and the Memory Crisis. Ithaca: Cornell University Press, 1993. The Holy Bible, Containing the Old and New Testaments. Cambridge: Cambridge University Press, 1988
Thulstrup, Niels. Kierkegaard's Relation to Hegel. Trans. George L. Stengren. Princeton: Princeton University Press, 1980
Vitzthum, Thomas. “A Revolution in Writing: The Overthrow of Epic Storytelling by Written Narrative in Kafka's Josefine, die Sängerin.”Symposium 47 (Winter 1993): 269–78Google Scholar
von Wiese, Benno. “Das verlorene und wieder zu findende Paradies: Eine Studie über den Begriff der Anmut bei Goethe, Kleist und Schiller.” In Kleists Aufsatz über das Marionettentheater: Studien and Interpretationen. Ed. Walter Müller-Seidel. Berlin: Erich Schmidt Verlag, 1967
Wagner, Richard. Tannhäuser: Grand Romantic Opera in Three Acts. Libretto. New York: Rullman, 1925
Walsh, Sylvia. Living Poetically: Kierkegaard's Existential Aesthetics. University Park: The Pennsylvania State University Press, 1994
Wapnewski, Peter. “Nietzsche und Wagner: Stationen einer Beziehung.”Nietzsche-Studien 18 (1989): 401–23CrossRefGoogle Scholar
Watt, Ian. Conrad in the Nineteenth Century. Berkeley and Los Angeles: University of California Press, 1979
Webster's New Universal Unabridged Dictionary. New York: Simon and Schuster, 1972
Wing, Nathaniel. “The Disruptions of Irony in Gide's L'Immoraliste.”SubStance 26 (1980): 76–85CrossRefGoogle Scholar
Woolf, Virginia. The Diary of Virginia Woolf. 5 vols. Ed. Anne Olivier Bell. Assisted by Andrew McNeillie. New York: Harcourt Brace / Harvest Books, 1977–84
Woolf, Virginia. A Room of One's Own. Foreword Mary Gordon. New York: Harcourt Brace / Harvest Books, 1989
Woolf, Virginia. To the Lighthouse. Intro. Eudora Welty. New York: Harcourt Brace / Harvest Books, 1989
Woolf, Virginia. The Waves. New York: Harcourt Brace / Harvest Books, 1989
Wordsworth, William. Selected Poetry. Ed. and intro. Mark Van Doren. New York: The Modern Library, 1950
Wörner, Karl Heinrich. Schoenberg's “Moses and Aaron”. With the Complete Libretto in German and English. Trans. Paul Hamburger. London: Faber and Faber, 1963
Zuckerman, Elliott. “Nietzsche and Music: The Birth of Tragedy and Nietzsche Contra Wagner.”Symposium 28.1 (Spring 1974): 17–32 Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works cited
  • David Ellison, University of Miami
  • Book: Ethics and Aesthetics in European Modernist Literature
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485749.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works cited
  • David Ellison, University of Miami
  • Book: Ethics and Aesthetics in European Modernist Literature
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485749.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works cited
  • David Ellison, University of Miami
  • Book: Ethics and Aesthetics in European Modernist Literature
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511485749.012
Available formats
×