It is quite clear which color is a hundred times more important for a genealogist than blue: namely grey, which is to say, that which can be documented, which can actually be confirmed and has actually existed, in short, the whole, long, hard–to–decipher hieroglyphic script of man's moral past!

Genealogy does not oppose itself to history as the lofty and profound gaze of the philosopher might compare to the molelike perspective of the scholar; on the contrary, it rejects the metahistorical deployment of ideal significations and indefinite teleologies. It opposes itself to the search for “origins.”

I have found it useful here to employ Michel Foucault's notion of a discourse, as described by him in The Archaeology of Knowledge and in Discipline and Punish, to identify Orientalism. My contention is that without examining Orientalism as a discourse one cannot possibly understand the enormously systematic discipline by which European culture was able to manage – and even produce – the Orient politically, sociologically, militarily, ideologically, scientifically, and imaginatively during the post-Enlightenment period.