Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-tdptf Total loading time: 0 Render date: 2024-08-20T03:18:13.851Z Has data issue: false hasContentIssue false

4 - Rearranging the furniture of Our Mutual Friend

Published online by Cambridge University Press:  17 August 2009

Andrew H. Miller
Affiliation:
Indiana University
Get access

Summary

“Keep things in their places,” Charles Dickens wrote to his wife, Catherine; “I can't bear to picture them otherwise.” The quotidian world of the Dickens household appears to have progressed on principles opposed to those characterizing Cranford. Instead of communal practices and everyday characters, the life of the Dickens household seems to have been dominated largely by Charles' solitary will. “If it is the property of a domestic nature to be personally interested in every detail,” writes John Forster,

the smallest as the greatest, of the four walls within which one lives, then no man had it so essentially as Dickens, no man was so inclined naturally to derive his happiness from home concerns. Even the kind of interest in a house which is commonly confined to women, he was full of. Not to speak of changes of importance, there was not an additional hook put up wherever he inhabited, without his knowledge, or otherwise than as part of some small ingenuity of his own. Nothing was too minute for his personal superintendence.

Forster's phrase, “even the kind of interest in a house which is commonly confined to women, he was full of,” seen along with Dickens' injunction to his wife, supports the idea that the routines of the Dickens household proceeded according to Charles' dictates rather than Catherine's. This was not transgressive gender-bending – none of Peter Jenkyns' hoaxing here; Dickens mans this home like a fort. For Catherine to have managed their home, she would have had to manage Charles as well, to collaborate with his “domestic nature,” and to check with him before placing new hooks on the wall.

Type
Chapter
Information
Novels behind Glass
Commodity Culture and Victorian Narrative
, pp. 119 - 158
Publisher: Cambridge University Press
Print publication year: 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×