There are numerous elements of reversal, or symbolic inversions, during the possession ritual that are apparent in the singing, dance motions, and ritual paraphernalia of the event. Possession songs begin only after sunset, when restrictions on behavior are relaxed, and when patients usually emerge from their tents (or, more rarely, are brought to the curing site away from their compound). After sundown, the usual roles and relationships in Tuareg society are overturned: affines may interact with less reserve; men and women, regardless of marital status, may flirt; and old women may dance. It is a time of courtship and sociability among different social strata, a time when spirits and the devil are believed to be walking about. Many Kel Ewey place a positive aesthetic value on dark colors and simple styles, but at the evening t∂nde there is, in contrast, an emphasis on colors and textures that glow in the dark, showing up from afar.

Spatial arrangement

The layout of the event and the spatial arrangement of the audience also display a marked contrast to the daily social and ritual patterns among Kel Ewey. Rather than the usual distance and reserve, performers, audience, and trancers all huddle together. Instead of the typical highly stylized and formal greetings, there is an emphasis on spontaneity, camaraderie, and mutual support.