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Introduction

Published online by Cambridge University Press:  27 March 2010

Alan Paskow
Affiliation:
St Mary's College, Maryland
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Summary

QUESTIONS

What is a painting? I am not posing a question of definition. Rather, I am interested in discovering what a painting means to us, why it can matter in our lives. Nor am I assuming that a particular painting has a meaning awaiting our discovery, for I know well that different people have different responses regarding the significance of the same painting and that people sometimes bring special agendas to an artwork, perhaps unconcerned with what “it means.” Still, most of us do seek some sort of meaning or significance in viewing a painting; ordinarily, we do not simply stare at its colors or shapes and ask no more of it. No, I claim that we wish to feel its presence, to discover what it has to say to us and often what it has to say to other people as well. In short, we desire to make at least some sense of it.

Now if I am right that when contemplating a painting we normally care about its meaning, why do we engage in this activity? After all, a painting is, from one point of view, simply a created image, and what is so special about that? If one is inclined to reply that some images are “well executed” or “pleasing to the eye” or “beautiful,” this is certainly true, but the same can be said of many things, such as a superbly designed woodstove or an automobile fuel injector.

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Chapter
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The Paradoxes of Art
A Phenomenological Investigation
, pp. 1 - 39
Publisher: Cambridge University Press
Print publication year: 2004

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  • Introduction
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.001
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  • Introduction
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.001
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Alan Paskow, St Mary's College, Maryland
  • Book: The Paradoxes of Art
  • Online publication: 27 March 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511616280.001
Available formats
×