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4 - The Expressive Cure: Art as the Recovery of Primal Emotion – Expressionism and Surrealism

Published online by Cambridge University Press:  05 June 2012

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Summary

That which belongs to the spirit of the future can only be realized in feeling, and to this feeling the talent of the artist is the only road.

Wassily Kandinsky

Liberating the elements, subdividing them, simultaneously and on all sides tearing them down and building them up, a pictorial polyphony, peace achieved by harmonizing motions: all these are very important formal issues, crucial to wisdom about form, but not art in the highest sense. In the highest sense an ultimate mystery lies behind all this complexity and in its presence the light of intellect sputters and goes out.

Art plays an ignorant game with ultimate things and yet manages to reach them.

Paul Klee

The day is not far off when a picture will have the value, and only the value, of a simple moral act, and yet this will be the value of a simple unmotivated act.

Salvador Dali

From the expressive point of view, the “ultimate thing,” the “ultimate mystery,” is emotion, but not ordinary emotion: “Emotions such as fear, joy, grief, etc.,” Wassily Kandinsky wrote, “will no longer greatly attract the artist. He will endeavor to awake subtler emotions, as yet unnamed. Living himself a complicated and comparatively subtle life, his work will give to those observers capable of feeling them lofty emotions beyond the reach of words.” Such emotions are “the internal truth which only art can divine, which only art can express by those means of expression which are hers alone,” Without this “internal truth of art,” this “soul” that is “the ‘what’” of art, “the body (i.e., the ‘how’) can never be healthy, whether in an individual or in a whole people.”

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Publisher: Cambridge University Press
Print publication year: 1993

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