The focus of this book is to address the relationship between performance and local activism in the service of human rights and social justice. The purpose is to present the often neglected yet compelling and important story of local activism in Africa, specifically Ghana, West Africa, and how particular individuals who take up the charge of activists are making notable and lasting contributions for equity and rights in their home country. The philosophical expressions of these men and women, their body-to-body activities on the ground, and how performance becomes integral to their work are presented in three case studies or three acts of activism.

Since 1998, I have witnessed courageous interventions by men and women who have faced great risks in the defense of human rights and social justice. I have also witnessed how they employ performance as a means of communication and as a subversive tactic to win hearts and minds in their efforts toward a more humane and democratic society. I have, in turn, adapted these interventions and tactical performances for the stage, in the United States and Ghana, while also staging the implications of my own positionality – my own split identity and gendered body – as an African American and as a woman living and teaching in Ghana.