Book contents
- Frontmatter
- Contents
- Illustrations
- Preface
- Introduction
- Chapter 1 The Cauldron of God's Wrath
- Chapter 2 Bishops of Rome
- Chapter 3 Conversion of the Wild Men
- Chapter 4 Feudalism emerges
- Chapter 5 Land and Folk
- Chapter 6 The Village (1)
- Chapter 7 The Village (2)
- Chapter 8 Village Dance and Song
- Chapter 9 Nature and Superstition
- Chapter 10 Popes and Prelates
- Chapter 11 Rector and Vicar
- Chapter 12 The Making of a Priest
- Chapter 13 Church statistics
- Chapter 14 The Shepherd
- Chapter 15 The Flock (1)
- Chapter 16 The Flock (2)
- Chapter 17 The Silver Lining
- Chapter 18 Dante's Commedia
- Chapter 19 The Royal Court
- Chapter 20 Chivalry
- Chapter 21 Chaucer and Malory
- Chapter 22 The Monastery
- Chapter 23 Cloister Life
- Chapter 24 The Town
- Chapter 25 Home Life
- Chapter 26 Trade and Travel
- Chapter 27 Just Price and Usury
- Chapter 28 The Ghetto (1)
- Chapter 29 The Ghetto (2)
- Chapter 30 Justice and Police
- Chapter 31 From School to University
- Chapter 32 Scholastics and Bible
- Chapter 33 Science
- Chapter 34 Medicine
- Chapter 35 Freethought and Inquisition
- Chapter 36 The Papal Schism
- Chapter 37 The Lollards
- Chapter 38 The Black Death
- Chapter 39 The Hundred Years' War
- Chapter 40 The Mystics
- Chapter 41 The Peasant Saint
- Chapter 42 Artist Life
- Chapter 43 Literary Life
- Chapter 44 Sports and Theatre
- Chapter 45 Women's Life
- Chapter 46 Marriage and Divorce
- Chapter 47 The Old and the New
- Chapter 48 More and Utopia
- Chapter 49 The Fight for the Bible
- Chapter 50 The Open Bible
- Chapter 51 Peasant and Highbrow
- Chapter 52 The Bursting of the Dykes
- Notes
- Index
- Plate section
Chapter 41 - The Peasant Saint
Published online by Cambridge University Press: 05 July 2011
- Frontmatter
- Contents
- Illustrations
- Preface
- Introduction
- Chapter 1 The Cauldron of God's Wrath
- Chapter 2 Bishops of Rome
- Chapter 3 Conversion of the Wild Men
- Chapter 4 Feudalism emerges
- Chapter 5 Land and Folk
- Chapter 6 The Village (1)
- Chapter 7 The Village (2)
- Chapter 8 Village Dance and Song
- Chapter 9 Nature and Superstition
- Chapter 10 Popes and Prelates
- Chapter 11 Rector and Vicar
- Chapter 12 The Making of a Priest
- Chapter 13 Church statistics
- Chapter 14 The Shepherd
- Chapter 15 The Flock (1)
- Chapter 16 The Flock (2)
- Chapter 17 The Silver Lining
- Chapter 18 Dante's Commedia
- Chapter 19 The Royal Court
- Chapter 20 Chivalry
- Chapter 21 Chaucer and Malory
- Chapter 22 The Monastery
- Chapter 23 Cloister Life
- Chapter 24 The Town
- Chapter 25 Home Life
- Chapter 26 Trade and Travel
- Chapter 27 Just Price and Usury
- Chapter 28 The Ghetto (1)
- Chapter 29 The Ghetto (2)
- Chapter 30 Justice and Police
- Chapter 31 From School to University
- Chapter 32 Scholastics and Bible
- Chapter 33 Science
- Chapter 34 Medicine
- Chapter 35 Freethought and Inquisition
- Chapter 36 The Papal Schism
- Chapter 37 The Lollards
- Chapter 38 The Black Death
- Chapter 39 The Hundred Years' War
- Chapter 40 The Mystics
- Chapter 41 The Peasant Saint
- Chapter 42 Artist Life
- Chapter 43 Literary Life
- Chapter 44 Sports and Theatre
- Chapter 45 Women's Life
- Chapter 46 Marriage and Divorce
- Chapter 47 The Old and the New
- Chapter 48 More and Utopia
- Chapter 49 The Fight for the Bible
- Chapter 50 The Open Bible
- Chapter 51 Peasant and Highbrow
- Chapter 52 The Bursting of the Dykes
- Notes
- Index
- Plate section
Summary
When, on the verge of the Reformation, a German sympathizer with the land-toilers quoted Christ's words in John XV. I: “My Father is [a] husbandman”, he had been anticipated in the spirit of that theme, generations earlier, by our English Langland in his Piers Plowman.
This poem has come down to us in three versions, labelled by scholars as A, B and C. Each can be dated fairly exactly by its historical allusions. A was written not earlier than 1362 or 1363; B was continued, patched and padded out, not earlier than 1377; and C was patched and padded again, possibly as early as 1393, more probably about 1398 or 1399. The manuscripts give no hint of multiple authorship, and there is a strong similarity of style between all three versions. Thus the natural assumption is that all are by the same author; and this is strengthened by the fact that wherever the author speaks of himself these separate allusions are consistent with each other. Moreover, in one manuscript of the fifteenth century the authorship is definitely ascribed to one William Langland; and this manuscript contains the full, or “C” text. Therefore, although distinguished scholars have lately ascribed the poem, in the state in which we have it, to five different authors, the weight of authority is at present in favour of the conservative view; and, in any case, for the purpose of this present chapter it matters little whether we owe the poem to one single man or to such a like-minded group as, for instance, Carlyle, Emerson and Ruskin.
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- Medieval PanoramaThe English Scene from Conquest to Reformation, pp. 534 - 554Publisher: Cambridge University PressPrint publication year: 2010First published in: 1938