TACHINARDI, (N.) a tenor singer at the Italian opera in Paris, in the year 1811.

TADEI, (Alessandro) a celebrated composer of the seventeenth century. Several motets of his composition may be found in the Parnassus Musicus Ferdinandeus.

TAEUBER, TEIBER, TEUBER, or TEYBER, (Anton.) chapel-master at Vienna in 1798. Amongst his works we can name “La Passione di Jesu Christo,” oratorio, in manuscript, Vienna, 1790; “3 Quat. p. 2 V., A., et B.” Op. 1, Vienna, 1788; “Die Einnahme von Belgrad,” Dresden, 1792; “6 Mürsche and eine Retirade,” Dresden, 1792; “12 Menuetten und 12 Allemanden,” Dresden, 1798; “Gesünge beym Klavier,” Dresden, 1798; “Xermes and Mirabella,” melodrame, in manuscript; and “Gr. Sinfon. à plus. In strum.” Op. 1, Offenbach, 1799.

TAG, (Christian Gotthilf) music director at Hoenstein, in Saxcny, about the year 1783, was considered in Germany as an excellent church composer. His works, consisting of masses, motets, &c., and several theatrical pieces, bear date from the year 1783 to 1803.

TAGLIA, (Pietro) an Italian composer of the middle of the sixteenth century, of whose works have been published “Madrigali à 4 voci,” Mailand, 1555.

TAGLIETTI, (Giulio) a voluminous composer to the Collegio de Nobili di St. Antonio, at Brescia, towards the year 1700.

TAGLIETTI, (luigiluigi) an Italian instrumental composer, published, in 1750, at Amsterdam, his Op. 6, consisting of concertos and symphonies for Violins, &c.