Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-pkt8n Total loading time: 0 Render date: 2024-08-16T22:22:07.590Z Has data issue: false hasContentIssue false

H

Published online by Cambridge University Press:  05 October 2010

Get access

Summary

HAIR SPACE.—The thinnest of the spaces. On an average ten hair spaces equal one cm, but occasionally they are made thicker, and sometimes thinner than this according to the body of the fount. There are seldom less than seven or more than ten hair spaces to the em.

HALF-CASE.—A case whose width is about half that of an ordinary upper case. The space between the uprights of a whole frame is usually equal to the breadth of one and a half cases. If a rack be fitted up within it there remains a space unoccupied, and this is sometimes filled by a board or galley rack, or left vacant, with only a shelf at the bottom. Half-cases are made in order to utilise this space, and by fixing up a small rack for them, about ten may be conveniently accommodated. They are exceedingly useful for holding titling letters or fancy founts. They contain forty-nine boxes.

HALF-FRAME.—A frame adapted to hold not more than one pair of cases without a rack.—See Frames.

HALF-MACHINE.—This is a term which has come into use since the small jobbing machines were invented. A person is said to work “half-machine” when he works the treadle, takes off and feeds at the same time.

HALF-PRESS.—When one man both rolls and pulls, he is said to work “half-press.”

HALF-SHEET.—When a forme is imposed in such a manner as to perfect itself, making two copies of a sheet, it is called a half-sheet.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1875

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • H
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • H
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • H
  • John Southward
  • Book: Dictionary of Typography and its Accessory Arts
  • Online publication: 05 October 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511707209.010
Available formats
×