The consideration of the motives which influenced Virgil to undertake the composition of the Georgics, of the form of art adopted by him, of the national interest attaching to his subject, of the materials used by him and the sources from which he derived them, of the author who most influenced him in speculative idea and in the general manner of treating his subject, leads to the conclusion that, in its essential characteristics, the poem is a genuine work of Italian art and inspiration. If the original motive influencing him was the ambition to treat of rural life in the serious spirit of Hesiod, as he had done in the lighter vein of Theocritus, that motive was soon lost in the strong impulse to invest with charm and dignity that kind of life in which the Italian mind placed its ideal of worth and happiness. By thus identifying himself with a great national object Virgil raised himself to a higher level of art than that attained by poets whose interests are purely personal and literary.

Next to satire, there was no form of poetry which had more of a Roman character than didactic poetry. By becoming a province of Roman art, this form acquired all its dignity and capacity of greatness.