Presenting music that depends on sound technology beyond microphones and amplification is not something trivial. Where acoustic musicians can perform on stage with relatively little technology beyond microphony and amplification, computer musicians and digital DJs cannot; they are highly dependent on often complex electronic setups. In this chapter I would like to present a number of frequently asked questions regarding that scary step: actually getting people to listen to your music while you tweak, perform, capture and transform or do any other musical interaction with your electronic and digital instruments. This list is compiled from the point of view of the performer as opposed to the sound engineer.