Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-21T11:33:04.702Z Has data issue: false hasContentIssue false

Notes

Published online by Cambridge University Press:  05 July 2014

David Roberts
Affiliation:
Birmingham City University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Thomas Betterton
The Greatest Actor of the Restoration Stage
, pp. 184 - 231
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Benedetti, Jean, David Garrick and the Birth of Modern Theatre (London: Methuen, 2001)Google Scholar
Winchester Stone, George and Kahrl, George M., David Garrick: A Critical Biography (Carbondale: Southern Illinois University Press, 1979)Google Scholar
Kahan, Jeffrey, The Cult of Kean (Aldershot: Ashgate, 2006)Google Scholar
Clay Baker, Herschel, John Philip Kemble: The Actor in His Theatre (London and New York: Greenwood Press, 1970)Google Scholar
Downer, Alan S., The Eminent Tragedian: William Charles Macready (Cambridge, Mass.: Harvard University Press, 1966)CrossRefGoogle Scholar
Richards, Jeffrey, Sir Henry Irving: A Victorian Actor and His World (London: Continuum, 2006)Google Scholar
Lewis, Roger, The Secret Life of Laurence Olivier (New York and London: Applause Books, 1997)Google Scholar
Lowe, R.W., Thomas Betterton (London, 1891)Google Scholar
Milhous, Judith, Thomas Betterton and the Management of Lincoln’s Inn Fields 1695–1708 (Carbondale: Southern Illinois University Press, 1979)Google Scholar
Milling, Jane, ‘Thomas Betterton and the Art of Acting’, in Banham, Martin and Milling, Jane, eds., Extraordinary Actors: Essays on Popular Performers (Exeter: University of Exeter Press, 2004)Google Scholar
Roach, Joseph, ‘Betterton’s Funeral’, in his Cities of the Dead. Circum-Atlantic Performance (New York: Columbia University Press, 1996)Google Scholar
Van Lennep, William, ed., The London Stage Part 1. 1660–1700 (Carbondale: Southern Illinois University Press, 1963)
Avery, Emmett L., ed., The London Stage Part 2. 1700–1729 (Carbondale: Southern Illinois University Press, 1961)
Highfill, Philip H. Jr, Burnim, Kalman A. and Langhans, Edward A., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Stage Personnel in London, 1660–1800, 16 vols. (Carbondale and Edwardsville: Southern Illinois University Press, 1973)Google Scholar
Hume, Robert D. and Milhous, Judith, A Register of English Theatrical Documents, 1660–1737, 2 vols. (Carbondale and Edwardsville: Southern Illinois University Press, 1991)Google Scholar
Benjamin, Walter, ‘The Work of Art in the Age of its Technological Reproducibility’, in Eiland, Howard and Jennings, Michael W., eds., Walter Benjamin. Selected Writings, 3 vols. (Cambridge, Mass.: Belknap Press, 2002)Google Scholar
Griffin, Dustin, Literary Patronage in England, 1650–1800 (Cambridge: Cambridge University Press, 1996)CrossRefGoogle Scholar
Stone Peters, Julie, Congreve, the Drama and the Printed Word (Stanford: Stanford University Press, 1990)Google Scholar
Zunshine, Lisa, ed., Acting Theory and the English Stage, 1700–1830, 5 vols. (London: Pickering & Chatto, 2008)
Wright’s, ThomasThe Passions of the Mind (London, 1604)Google Scholar
Bulwer’s, JohnChirologia, or the Natural Language of the Hand (London, 1644)Google Scholar
Etherege, Sir George, The Man of Mode (London, 1676)Google Scholar
Shadwell, Thomas, The Libertine (London, 1675)Google Scholar
Collier, Jeremy, A Short View of the Immorality and Profaneness of the English Stage (London, 1698)Google Scholar
Kaneko, Yuji, The Restoration Stage Controversy, 6 vols. (London: Routledge Thoemmes, 1996)Google Scholar
Wood Krutch, Joseph, Comedy and Conscience after the Restoration (New York, 1924)Google Scholar
Le Neve, John, The Lives and Characters of the Most Illustrious Persons British and Foreign (London, 1713)Google Scholar
Jordan, Robert, ‘Richard Norton and the Theatre at Southwick’, Theatre Notebook, vol. 38 (1984), 105–15.Google Scholar
Burling, William J., Summer Theatre in London, 1661–1820 (Madison and London: Fairleigh Dickinson University Press, 2000)Google Scholar
Winn, James A., John Dryden and His World (New Haven and London: Yale University Press, 1987)CrossRefGoogle Scholar
Brown, Thomas, A Collection of All the Dialogues Written by Mr Thomas Brown (London, 1704)Google Scholar
Dennis, John, Postscript to An Essay on the Opera’s after the Italian Manner (London, 1706)Google Scholar
Hooke, Jacob, Bibliopolii Husseyani, pars prima (London, 1707)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Notes
  • David Roberts, Birmingham City University
  • Book: Thomas Betterton
  • Online publication: 05 July 2014
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Notes
  • David Roberts, Birmingham City University
  • Book: Thomas Betterton
  • Online publication: 05 July 2014
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Notes
  • David Roberts, Birmingham City University
  • Book: Thomas Betterton
  • Online publication: 05 July 2014
Available formats
×