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7 - Descent and sexual selection: women in narrative

Published online by Cambridge University Press:  04 August 2010

Gillian Beer
Affiliation:
University of Cambridge
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Summary

During the 1870s and 1880s some of the further implications of evolutionary theory became apparent, particularly the social and psychological implications of Darwin's theories and their bearing on relations between men and women. One crucial and recurrent metaphor in The Origin is the heraldic record of great families: ‘all true classification is genealogical’ (404). Succession and inheritance form the ‘hidden bond’ which knits all nature past and present together, just as succession and inheritance organise society and sustain hegemony. Darwin emphasised the egalitarian potential of succession within the natural order: ‘We have no written pedigrees; we have to make our community of descent by resemblances of any kind’ (408). Variations in nature are not within the control of will; they are random and unwilled and may happen to advantage or disadvantage an individual and his progeny in any particular environment.

But in his two major works of the 1870s, The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872), Darwin brought humankind openly into the evolutionary debate and emphasised not only natural – that is, unwilled – selection, but also sexual selection. Both the individual will and the internalised values of a community play their part in the processes of sexual selection.

The intersection of evolutionary theory and social, psychological and medical theory therefore became newly important. The bonds between biology and sociology are drawn close in the concept of sexual selection.

Type
Chapter
Information
Darwin's Plots
Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction
, pp. 196 - 219
Publisher: Cambridge University Press
Print publication year: 2009

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