Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-txr5j Total loading time: 0 Render date: 2024-08-07T00:20:51.450Z Has data issue: false hasContentIssue false

8 - Digital piracy and copyright infringement

Published online by Cambridge University Press:  05 July 2013

Gráinne Kirwan
Affiliation:
Dun Laoghaire Institute of Art, Design and Technology, Dublin
Andrew Power
Affiliation:
Dun Laoghaire Institute of Art, Design and Technology, Dublin
Get access

Summary

Case studies

Brenda loves to listen to upcoming bands online. When she finds a new band that she likes, she joins their fan pages on social networking sites, downloads images of them to use as backgrounds on her phone and laptop, and writes positive reviews about them on her blog. However, as she has limited income, she doesn’t actually buy their music, either on CD or as a download – instead she finds their music on file-sharing websites and downloads it for free. While she knows this is wrong, she justifies it by telling herself that she introduces the artists to a new group of fans via her blog, and that in the long run, they’ll make money from her actions.

Greg enjoys films and the latest television shows. Rather than pay for a subscription to a television service, or buy box-sets, he prefers to download the content from the internet. While he knows that this is illegal, he feels that it's unlikely that he’ll be caught. Even if he is, he thinks that he probably won’t be punished because all of his friends also download copyrighted work from the internet, and he feels that they can’t all be prosecuted. He thinks that anyone who pays for a television service, and then watches the programmes with advertisements, is an idiot, as he can download an ad-free version from the internet within hours of the programme first being aired.

Type
Chapter
Information
Cybercrime
The Psychology of Online Offenders
, pp. 169 - 188
Publisher: Cambridge University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×