Sovkino was faced with enormous tasks. At the centre it was required on the one hand to increase the quantity of Soviet film production so that the dependence on foreign imports could be first reduced and then eliminated; on the other hand Sovkino was expected to raise the quality of Soviet films which, in the circumstances, meant ensuring that the actual films produced were more closely tied to the ideological needs of the Party than had hitherto been the case. At the same time it was to concentrate on what were, for one reason or another, considered to be ‘priority areas’, the areas that had allegedly been neglected by Goskino and other Soviet film organisations. Sovkino was expected to provide cinema facilities and suitable films for the countryside, the network of workers' clubs, the armed forces and for the younger generation: in other words it was to ensure the allegiance of the pillars upon which the new state and society were supposed to rest. The problem was simply stated: