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Appendix 1 - A Checklist of Black Harlem in Poetry

Published online by Cambridge University Press:  05 February 2012

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Summary

Ackerman, Avotcja. “God.” In Thoughts. New York: n.p., 1971, unpaginated.

Allen, Bob. “Musical Vietnams.” In The Writing on the Wall, ed. Walter Lowenfels. Garden City, N.Y.: Doubleday, 1969, p. 40.

Anderson, S. E. “A New Dance.” In The New Black Poetry, ed. Clarence Major. New York: International Publishers, 1969, pp. 23–4.

Angelou, Maya. “Harlem Hopscotch.” In Just Give Me a Cool Drink of Water ‘fore I Diiie. New York: Random House, 1971, p. 48.

Baraka, Amiri / LeRoi Jones. “Return of the Native.” In Selected Poetry of Amiri Baraka / LeRoi Jones. New York: Morrow, 1979, p. 101.

Benford, Lawrence. “The Beginning of a Long Poem on Why I Burned the City.” In The New Black Poetry, ed. Clarence Major. New York: International Publishers, 1969, pp. 26–7.

Benson, Oscar Jerome. “This Is Harlem.” Vertical File, Schomburg Center for Research in Black Culture.

Bethune, Lebert. “Apollo at the Apollo.” In A Juju of My Own. N.p.: An Afro-American Production, 1965, p. 45.

“Harlem Freeze Frame.” In A Juju of My Own. N.p.: An Afro-American Production, 1965, p. 13.

Blanding, Don. “Blue Belle Blues: Harlem.” In “Point-Black: Poems on The Negro, 1633–1970,” typescript, ed. Al Cartusciello. Schomburg Center for Research in Black Culture, p. 303.

Type
Chapter
Information
Vicious Modernism
Black Harlem and the Literary Imagination
, pp. 218 - 243
Publisher: Cambridge University Press
Print publication year: 1990

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