In 1538, in the late summer or autumn, in Chelsea or Smithfield or Tyburn, we can surmise – from both casual remarks recorded at the time and various histories and memoirs some years later – that one or more fires was lit and in it (or them) were burned statues, “images,” of the Virgin Mary, most probably those that had been brought from shrines dedicated to her at Doncaster, Ipswich, Penrhys, and Walsingham. Local records suggest that similar images from Caversham, along with roods from Bermondsey, Boxley, Islington, and others were added to this, or similar, fires elsewhere. In 1537, the reformist bishop Hugh Latimer had announced that in his own diocese there reigned “idolatry, and many kinds of superstition,” and during what Helen Parish terms 1538's “long summer of iconoclasm,” he also named the statue of the Virgin at Worcester a “devil's instrument.” He gloated that the statue, along with “her old sister of Walsingham, her young sister of Ipswich,” and statues from Doncaster and Penrhys, “would make a jolly muster” and, he added for good measure, unlike flesh-and-blood heretics, would not “be all day in burning.”