Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m8s7h Total loading time: 0 Render date: 2024-07-18T09:02:07.310Z Has data issue: false hasContentIssue false

13 - Proust and posterity

Published online by Cambridge University Press:  28 May 2006

Richard Bales
Affiliation:
Queen's University Belfast
Get access

Summary

As we turn the page from the twentieth to the twenty-first century, the literary reputation of Marcel Proust is clearly on the rise. Not only does he continue to be considered a primary figure in European Modernism occupying the same rarefied aesthetic atmosphere as James Joyce, Franz Kafka and Thomas Mann, but increasingly, within the field of French Studies, he is being singled out as the twentieth-century writer, or even, the French writer of all time. Thus Jean-Yves Tadié, the author of the most comprehensive biographical study on Proust to date and also the general editor of the 1987–9 Pléiade edition of A la recherche du temps perdu, does not hesitate to assert:

[A la recherche du temps perdu] recapitulates the entire literary tradition, from the Bible to Flaubert and Tolstoy, and all literary genres. Proust’s novel also espouses the romantic and symbolist dream, shared by Mallarmé and Wagner, of a synthesis of all the arts, painting, music and architecture. Thus are born works which escape the constraints of their time period, their country, their author, and whose glory continues to grow. It has often been said that, if England has Shakespeare, Germany Goethe, Italy Dante, France had no one writer to equal them. The number of critical works devoted to the author of the Recherche suggests that France now has, and will have tomorrow, Marcel Proust.

(1, x-xi; my translation.)
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×