Bibliography
Published online by Cambridge University Press: 05 February 2013
- Type
- Chapter
- Information
- The British Aesthetic TraditionFrom Shaftesbury to Wittgenstein, pp. 325 - 336Publisher: Cambridge University PressPrint publication year: 2013
References
The Mirror and the Lamp: Romantic Theory and Critical Theory (Oxford: Oxford University Press, 1953).Google Scholar
. The Pleasures of the Imagination. In The Poetical Works of Mark Akenside, ed. (Cranbury, NJ: Associated University Presses, 1996).Google Scholar
. Essays on the Nature and Principles of Taste (Dublin: Byrne, Moore, Grueber, McAllister, Jones, and White, 1790).Google Scholar
. The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760–1800 (Stanford, CA:Stanford University Press, 1989).Google Scholar
. Orlando Furioso: Translated from the Italian of Lodovico Ariosto; with notes by John Hoole, 2nd ed., 5 vols. (London: George Nicol, 1785 [1783]).Google Scholar
. Poetics. In The Complete Works of Aristotle, ed. , vol. 2 (Princeton, NJ:Princeton University Press, 1984).Google Scholar
. Art and Visual Perception: A Psychology of the Creative Eye, The New Version (Berkeley: University of California Press, 1974 [1954]).Google Scholar
. On Translating Homer: Three Lectures Given at Oxford (London: Longman, Green, Longman, and Roberts, 1861).Google Scholar
“The Function of Criticism at the Present Time.” In Essays in Criticism (London: Macmillan and Co., 1865), 1–41.Google Scholar
, and , eds. The Sublime: A Reader in Eighteenth-Century Aesthetic Theory (Cambridge: Cambridge University Press, 1996).CrossRef
. Reflections on Poetry: Alexander Gottlieb Baumgarten’s Meditationes philosophicae de nonnullis ad poema pertinentibus, trans. and (Berkeley: University of California Press, 1954 [1735]).Google Scholar
Aesthetica/Ästhetik, Latin text edited with facing German translation by Dagmar Mirbach, 2 vols. (Hamburg: Felix Meiner Verlag, 2007 [1750/1758]).Google Scholar
. Aesthetics: Problems in the Philosophy of Criticism (New York: Harcourt Brace, 1958).Google Scholar
. Dissertations: Moral and Critical (London: W. Strahan and T. Cadell; Edinburgh: W. Creech, 1783).Google Scholar
. “Annotations to the Works of Sir Joshua Reynolds.” In The Complete Poetry and Prose of William Blake, ed. (Garden City, NY: Anchor/Doubleday, 1982), 635–62.Google Scholar
. Nietzsche in Anglosaxony: A Study of Nietzsche’s Impact on English and American Literature (Leicester, UK:Leicester University Press, 1972).Google Scholar
. “One Hundred Years of an Ambiguous Figure: Happy Birthday, Duck/Rabbit!” Perceptual and Motor Skills 89 (1999): 973–7.CrossRefGoogle ScholarPubMed
. A Philosophical Enquiry into the Sublime and Beautiful, ed. (London: Routledge and Kegan Paul, 1958 [1757]).Google Scholar
. Locke, Shaftesbury, and Hutcheson: Contesting Diversity in the Enlightenment and Beyond (Cambridge: Cambridge University Press, 2006).CrossRefGoogle Scholar
. “Aesthetic Problems of Modern Aesthetics.” In Philosophy in America, ed. (Ithaca, NY:Cornell University Press, 1965), 74–97. Reprinted in Stanley Cavell, Must We Mean What We Say? A Book of Essays (Cambridge: Cambridge University Press, 2002 [1969]), 1–43.Google Scholar
. “Aesthetic Explanation and Aesthetic Perplexity.” In Essays on Wittgenstein in Honour of G. H. von Wright, Acta Philosophica Fennica 28 (1976): 417–49.Google Scholar
. “The Possibility of Art: Remarks on a Proposal by Dickie.” Philosophical Review 82, 1 (1973): 69–82.CrossRefGoogle Scholar
. The Collected Works of Samuel Taylor Coleridge, 16 vols. (Princeton, NJ:Princeton University Press, 1983).Google Scholar
Collected Letters of Samuel Taylor Coleridge, ed. , 6 vols. (Oxford: Clarendon Press, 2000 [c. 1956–71]).Google Scholar
. “Ethics and Aesthetics Are One.” British Journal of Aesthetics 23, 3 (1985): 266–72.CrossRefGoogle Scholar
, third Earl of Shaftesbury. Characteristicks of Men, Manners, Opinions, Times, 3 vols. (Indianapolis, IN: Liberty Fund, 2001 [1711]).Google Scholar
“Hume’s Aesthetics: The Literature and Directions for Future Research.” Hume Studies 30, 1 (2004): 87–126.CrossRefGoogle Scholar
ed. The Sublime: From Antiquity to the Present (Cambridge: Cambridge University Press, 2012).CrossRef
. L’Estetica come scienza dell’espressione e linguistica generale (Florence, Italy: Sandron, 1902); Aesthetic: As science of expression and general linguistic, rev. ed., trans. Douglas Ainslie (London: Macmillan, 1922 [1909]).Google Scholar
“On the Aesthetics of John Dewey.” Journal of Aesthetics and Art Criticism 6, 1 (1948): 203–7.CrossRefGoogle Scholar
“Dewey’s Aesthetics and Theory of Knowledge.” Journal of Aesthetics and Art Criticism 11, 1 (1952): 1–6.CrossRefGoogle Scholar
. “Ideal Presence: How Kames Solved the Problem of Fiction and Emotion.” Journal of Scottish Philosophy 9, 1 (2011): 115–33.CrossRefGoogle Scholar
. Fictions of Reality in the Age of Johnson and Hume (Madison: University of Wisconsin Press, 1989).Google Scholar
. Humphry Repton: Landscape Gardening and the Geography of Georgian England (New Haven, CT:Yale University Press, 1999).Google Scholar
The Transfiguration of the Commonplace: A Philosophy of Art (Cambridge, MA: Harvard University Press, 1981).Google Scholar
. The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth Century Britain (Stanford, CA:Stanford University Press, 2003).Google Scholar
. “Definition du néo-traditionnisme.” Art et critique (August 1890); reprinted in Théories, 1890–1910, 4th ed. (Paris: Rouart et Watelin, 1920), 1–13.Google Scholar
, and . “Cézanne-I by Maurice Denis, translated by Roger E. Fry.” The Burlington Magazine for Connoisseurs 16, 82 (January 1910): 207–19.Google Scholar
. The Critical Works of John Dennis, ed. , 2 vols. (Baltimore, MD:Johns Hopkins University Press, 1939).Google Scholar
. Meditations on First Philosophy. In The Philosophical Writings of Descartes, vol. 2, trans. , , and (Cambridge: Cambridge University Press, 1984).Google Scholar
. “A Comment on the Foregoing Criticisms.” Journal of Aesthetics and Art Criticism 6, 1 (1948): 207–9.CrossRefGoogle Scholar
Art as Experience. In John Dewey: The Later Works, Volume 10: 1934, ed. and (Carbondale: Southern Illinois University Press, 1987 [1934]).Google Scholar
. Art and the Aesthetic: An Institutional Analysis (Ithaca, NY:Cornell University Press, 1974).Google Scholar
The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century (Oxford: Oxford University Press, 1996).Google Scholar
. An Essay on Original Genius; and its Various Modes of Exertion in Philosophy and the Fine Arts, particularly in Poetry (London: Edward and Charles Dilly, 1767).Google Scholar
“The Place of Pater.” In The Eighteen-Eighties: Essays by Fellows of the Royal Society of Literature, ed. (Cambridge: Cambridge University Press, 1930), 93–106.Google Scholar
, ed. Aesthetics and Language (Oxford: Basil Blackwell, 1959).
. The Creative Imagination: Enlightenment to Romanticism (Cambridge, MA: Harvard University Press, 1981).CrossRefGoogle Scholar
. Homo Aestheticus: The Invention of Taste in the Democratic Age, trans. (Chicago: Chicago University Press, 1993).Google Scholar
. Introductory Lectures on Psychoanalysis. The Standard Edition (delivered 1915–17), trans. (New York: W. W. Norton, 1989 [1966]).Google Scholar
Transformations: Critical and Speculative Essays on Art (London: Chatto and Windus, 1926).Google Scholar
“A New Theory of Art,” The Nation, March 7, 1914, 937–9. Reprinted in A Roger Fry Reader, ed. (Chicago: University of Chicago Press, 1996), 158–62.Google Scholar
. Edmund Burke’s Aesthetic Ideology. Language, Gender, and Political Economy in Revolution (Cambridge: Cambridge University Press, 1993).CrossRefGoogle Scholar
An Essay on Taste with Three Dissertations on the same subject by Mr. De Voltaire, Mr. D’ Alembert, F.R.S. Mr. Montesquieu (London: A. Millar; Edinburgh: A. Kincaid and J. Bell, 1759).Google Scholar
An Essay on Taste. To Which Is Now Added Part Fourth, Of the Standard of Taste; with Observations Concerning the Imitative Nature of Poetry, 3rd ed. (Edinburgh: J. Bell and W. Creech; London: T. Cadell, 1780).Google Scholar
. Observations, relative chiefly to Picturesque Beauty, Made in the Year 1772, On Several Parts of England; particularly the Mountains, and Lakes of Cumberland, and Westmoreland, 2 vols. (London: R. Blamire, 1786).Google Scholar
Remarks on Forest Scenery, and Other Woodland Views, Relative Chiefly to Picturesque Beauty Illustrated by the Scenes of New Forest in Hampshire. In Three Books (London: R. Blamire, 1791).Google Scholar
Three Essays: On Picturesque Beauty; On Picturesque Travel; and On Sketching Landscape to which is added a poem, On Landscape Painting, 2nd ed. (London: R. Blamire, 1794 [1792]).Google Scholar
Observations on the River Wye and Several Part of South Wales Relative Chiefly to Picturesque Beauty made in the summer of the year 1770, 5th ed. (London: A. Strahan, 1800 [1782]).Google Scholar
“Rethinking Hume’s Standard of Taste.” Journal of Aesthetics and Art Criticism 52, 2 (1994): 169–82.CrossRefGoogle Scholar
“On Reading Collingwood’s Principles of Art.” Journal of Aesthetics and Art Criticism 46, 2 (1987): 239–48.CrossRefGoogle Scholar
The Quarrel of the Age: The Life and Times of William Hazlitt (London: Weidenfeld and Nicolson, 2000).Google Scholar
. “The Origins of Modern Aesthetics: 1711–35.” In The Blackwell Guide to Aesthetics, ed. (Oxford: Blackwell, 2004). Reprinted in Paul Guyer, Values of Beauty. Historical Essays in Aesthetics (Cambridge: Cambridge University Press, 2005), 3–36.Google Scholar
A History of Aesthetics, 3 vols. (Cambridge: Cambridge University Press, forthcoming).
“A Problem in Hume’s Aesthetics.” Journal of Aesthetics and Art Criticism 30, 2 (1971): 209–11.CrossRefGoogle Scholar
. The Poetics of Aristotle: Translation and Commentary (Chapel Hill: University of North Carolina Press, 1985).Google Scholar
. Works of Sir William Hamilton, ed. and , 7 vols. (London: William Blackwood and Sons, 1828–1960).Google Scholar
. The German Aesthetic Tradition (Cambridge: Cambridge University Press, 2002).CrossRefGoogle Scholar
. “Logic and Appreciation.” In Aesthetics and Language, ed. (Oxford: Blackwell, 1959), 161–9.Google Scholar
. Vom Musikalisch-Schönen: Ein Beitrag zur Revision der Ästhetik in der Tonkunst (Leipzig, Germany: Weigel, 1854).Google Scholar
The Selected Writings of William Hazlitt, ed. , 9 vols. (London: Pickering and Chatto, 1998).Google Scholar
. “Longinus and the Ancient Sublime.” In The Sublime: From Antiquity to the Present, ed. (Cambridge: Cambridge University Press, 2012), 11–23.Google Scholar
, Jr. The Beautiful, The Sublime, & The Picturesque in Eighteenth-Century British Aesthetic Theory (Carbondale: Southern Illinois University Press, 1957).Google Scholar
. Elements of Criticism. The Sixth Edition. With the Author’s Last Corrections and Additions, 2 vols. (Indianapolis, IN: Liberty Fund, 2005 [1785; 1st ed. 1762]).Google Scholar
Essays on the Principles of Morality and Natural Religion. Corrected and Improved, in a Third Edition. Several Essays Added Concerning the Proof of a Deity (Indianapolis, IN: Liberty Fund, 2005 [1779; 1st ed. 1751]).Google Scholar
. “General and Invariable Ideas of Nature: Joshua Reynolds and His Critical Descendants.” English 54 (2005): 1–13.Google Scholar
The History of England, From the Invasion of Julius Caesar to the Revolution in 1688, with the author’s last corrections and improvements, 6 vols. (Indianapolis, IN: Liberty Fund, 1983).Google Scholar
An Enquiry Concerning the Principles of Morals, ed. (Oxford: Oxford University Press, 1998).Google Scholar
. The Picturesque: Studies in a Point of View (London: Putnam, 1927; repr., Hamden, CT: Archon, 1967).Google Scholar
. An Essay on the Nature and Conduct of the Passions and Affections, with Illustrations on the Moral Sense (Indianapolis, IN: Liberty Fund, 2002 [1728]).Google Scholar
An Inquiry into the Original of Our Ideas of Beauty and Virtue in Two Treatises, 2nd ed. (Indianapolis, IN: Liberty Fund, 2004 [1726]).Google Scholar
. The Yale Edition of the Works of Samuel Johnson, 18 vols. (New Haven, CT:Yale University Press, 1958–2004).Google Scholar
. Kants gesammelte Schriften. Königlichen Preussischen (later Deutschen) Akademie der Wissenschaften, 29 vols. (Berlin: Reimer [later de Gruyter], 1900–).Google Scholar
Critique of Pure Reason, trans. and (Cambridge: Cambridge University Press, 1999 [1781/1787]).Google Scholar
Critique of the Power of Judgment, ed. , trans. and (Cambridge: Cambridge University Press, 2000 [1790]).CrossRefGoogle Scholar
Notes and Fragments, ed. , trans. , , and (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
. The Poetical and Other Writings of John Keats, ed. , rev. , 8 vols. (New York: Phaeton Press, 1970).Google Scholar
. “The Croce-Collingwood Theory as Theory.” Journal of Aesthetics and Art Criticism 61, 2 (2003): 171–93.CrossRefGoogle Scholar
“Does Traditional Aesthetics Rest on a Mistake?” Mind, New Series 67, 267 (1958): 317–34.CrossRefGoogle Scholar
. “Hume’s Neighbour’s Wife: An Essay on the Evolution of Hume’s Aesthetics.” British Journal of Aesthetics 23, 3 (1983): 195–208.CrossRefGoogle Scholar
The Seventh Sense: Francis Hutcheson and Eighteenth Century British Aesthetics, 2nd ed. (Oxford: Oxford University Press, 2003 [1976]).CrossRefGoogle Scholar
“Introduction: Aesthetics Today.” In The Blackwell Guide to Aesthetics, ed. (Oxford: Blackwell, 2004), 1–11.CrossRefGoogle Scholar
“Reid’s Philosophy of Art.” In The Cambridge Companion to Thomas Reid, ed. and (Cambridge: Cambridge University Press, 2004), 267–88.Google Scholar
. The Landscape, a Didactic Poem in Three Books. Addressed to Uvedale Price, Esq., 2nd ed. (London: G. Nicol, 1795 [1794]).Google Scholar
An Analytic Inquiry into the Principles of Taste, 4th ed. (London: T. Payne and J. White, 1808 [1805]).Google Scholar
“The Modern System of the Arts: A Study in the History of Aesthetics Part I.” Journal of the History of Ideas 12, 4 (1951): 496–527.CrossRefGoogle Scholar
“The Modern System of the Arts: A Study in the History of Aesthetics Part II.” Journal of the History of Ideas 13, 1 (1952): 17–46.CrossRefGoogle Scholar
. The Structure of Scientific Revolutions (Chicago: University of Chicago Press, 1962).Google Scholar
The Aesthetic and Critical Theories of John Ruskin (Princeton, NJ:Princeton University Press, 1971).Google Scholar
Le Trésor de la Lange français informatisé, atilf.atilf.fr/tlf.htm, accessed July 12, 2011.
. An Essay Concerning Human Understanding, ed. (Oxford: Oxford University Press, 1975 [1689]).Google Scholar
. “Family Resemblances and Generalization Concerning the Arts.” American Philosophical Quarterly 2, 3 (1965): 219–28.Google Scholar
. The Fable of the Bees or Private Vices, Publick Benefits, 2 vols. (Indianapolis, IN: Liberty Fund, 1988 [1732; 1st ed. 1714]).Google Scholar
. “Mr. Weitz and the Definition of Art.” Philosophical Studies 9, 5/6 (1958): 88–95.CrossRefGoogle Scholar
. Collected Works of John Stuart Mill, ed. and , 33 vols. (Toronto: University of Toronto Press, 1963–).Google Scholar
The Sublime: A Study of Critical Theories in XVIII-Century England (New York: Modern Language Association of American, 1935).Google Scholar
“Wittgenstein’s Lectures in 1930–33.” Mind 64, 253 (1955): 1–27. Reprinted in G. E. Moore, Philosophical Papers (London: Allen and Unwin, 1959), 252–324.CrossRefGoogle Scholar
“Wordsworth’s Guide to the Lakes and the Picturesque Tradition.” Modern Philology 61, 4 (1964): 288–97.CrossRefGoogle Scholar
. “Yanal and Others on Hume and Tragedy.” Journal of Aesthetics and Art Criticism 50, 2 (1992): 151–4.CrossRefGoogle Scholar
“Hume’s Singular Phænomenon.” British Journal of Aesthetics 39, 2 (1999): 112–25.CrossRefGoogle Scholar
Oxford English Dictionary ().
. “Dissolving the Paradox of Tragedy.” Journal of Aesthetics and Art Criticism 47, 3 (1989): 211–19.CrossRefGoogle Scholar
“The Dreariness of Aesthetics.” In Aesthetics and Language, ed. (Oxford: Blackwell, 1959), 36–55.Google Scholar
. The Renaissance; Studies in Art and Poetry. The 1893 Text, ed. (Berkeley: University of California Press, 1980).Google Scholar
The Renaissance; Studies in Art and Poetry, ed. (Oxford: Oxford University Press, 1986 [1873]).Google Scholar
. The Works of Thomas Love Peacock, ed. and , 10 vols. (London: Constable and Co., 1934).Google Scholar
. “Some Questions on Dewey’s Aesthetics.” In The Philosophy of John Dewey, ed. (Evanston, IL: Northwestern University Press, 1939), 369–90.Google Scholar
. “On Beauty.” In Plotinus, Greek text with English translation by A. H. Armstrong, 7 vols. (Cambridge, MA: Harvard University Press; Loeb Classical Library, 1968–88), vol. 1.Google Scholar
. The Twickenham Edition of the Poems of Alexander Pope, 6 vols. (London: Methuen, 1951).Google Scholar
. The Story of Joy: From the Bible to Late Romanticism (Cambridge: Cambridge University Press, 2007).Google Scholar
“Wordsworth and the Ethics of Things.” Proceedings of the Modern Language Association 123, 2 (2008): 390–404.CrossRefGoogle Scholar
. Essays on the Picturesque, As Compared with the Sublime and the Beautiful, and On the Use of Studying Pictures, for the Purpose of Improving Real Landscape, 3 vols. (London: J. Mawman, 1810).Google Scholar
. “Main Trends in Recent Philosophy: Two Dogmas of Empiricism.” Philosophical Review 60, 1 (1951): 20–43. Reprinted in From a Logical Point of View: Nine Logical-Philosophical Essays, 2nd rev. ed. (Cambridge, MA: Harvard University Press, 1980 [1953]), 20–46.CrossRefGoogle Scholar
. “Aesthetic Value, Moral Value, and Naturalism.” In Aesthetics and Ethics: Essays at the Intersection, ed. (Cambridge: Cambridge University Press, 1998), 59–105.Google Scholar
“The Impartial Spectator.” In Essays on Adam Smith, ed. and (Oxford: Clarendon Press, 1975), 83–99.Google Scholar
. Thomas Reid’s Lectures on the Fine Arts: Transcribed from the Original Manuscript with an Introduction and Notes, ed. (The Hague: Martinus Nijhoff, 1973).Google Scholar
Essays on the Intellectual Powers of Man (University Park: Pennsylvania State University Press, 2002 [1785]).Google Scholar
. Works: The Landscape Gardening and Landscape Architecture of the Late Humphry Repton, Esq. Being His Entire Works on These Subjects. A New Edition: with an Historical and Scientific Introduction, a Systematic Analysis, a Biographical Notice, Notes, and a Copious Alphabetical Index. By J. C. Loudon, F.L.S. (London: Longman & Co.; Edinburgh: A. & C. Black, 1840).Google Scholar
. Discourses Delivered to the Students of the Royal Academy by Sir Joshua Reynolds, with Introduction and Notes by Roger Fry (London: Seely, 1905).Google Scholar
The Darkening Glass: A Portrait of Ruskin’s Genius (New York: Columbia University Press, 1986).Google Scholar
. The Complete Works of John Ruskin (Library Edition), ed. and , 39 vols. (London: George Allen, 1903–12).Google Scholar
“The Physiological Sublime: Burke’s Critique of Reason.” Journal of the History of Ideas 62, 2 (2001): 265–79.CrossRefGoogle Scholar
. Persons and Places: Fragments of Autobiography, ed. and Jr., The Critical Edition of the Works of George Santayana, vol. 1 (Cambridge, MA: MIT Press, 1986 [1944–53]).Google Scholar
. The Sense of Beauty: Being the Outlines of Aesthetic Theory, ed. and Jr., The Critical Edition of the Works of George Santayana, vol. 2 (Cambridge, MA: MIT Press, 1988 [1896]).Google Scholar
. The Aesthetics of William Hazlitt: A Study of the Philosophical Basis of His Criticism (New York: Octagon, 1969 [1933]).Google Scholar
. “‘Art’ and Artifactuality.” Southwestern Journal of Philosophy 1 (1970): 103–10.CrossRefGoogle Scholar
. “The Pragmatic Picturesque: The Philosophy of Central Park.” In Gardening: Philosophy for Everyone. Cultivating Wisdom, ed. (Oxford: Wiley-Blackwell, 2010), 148–60.Google Scholar
. A Dissertation upon Genius: or, an attempt to shew, that the several instances of distinction, and degrees of superiority in the human genius are not fundamentally, the result of nature, but the effect of acquisition (London: C. Bathurst, 1755).Google Scholar
. “Wordsworth and Coleridge Marginalia in a Copy of Richard Payne Knight’s Analytic Inquiry into the Principles of Taste.” Huntington Library Quarterly 1, 1 (1937): 63–99.CrossRefGoogle Scholar
. “Hume’s Double Standard of Taste.” Journal of Aesthetics and Art Criticism 52, 4 (1994): 437–45.CrossRefGoogle Scholar
“Rule and Verdict.” Journal of Aesthetics and Art Criticism 53, 3 (1995): 319–20.CrossRefGoogle Scholar
“British Aesthetics in the Eighteenth Century.” Stanford Encyclopedia of Philosophy, ed. Edward N. Zalta, plato.stanford.edu/entries/aesthetics-18th-british (2006; rev. 2010), accessed May 15, 2007.
. The Complete Works of Percey Bysshe Shelley, ed. and , 10 vols. (New York: Gordain Press, 1965).Google Scholar
. “Wittgenstein on the Beautiful, the Good and the Tremendous.” British Journal of Aesthetics 14, 3 (1974): 258–71.CrossRefGoogle Scholar
Miscellaneous Prose of Sir Philip Sidney, ed. and (Oxford: Clarendon Press, 1973).CrossRefGoogle Scholar
“Benedetto Croce: A Case of International Misunderstanding.” Journal of Aesthetics and Art Criticism 11, 1 (1952): 7–14.CrossRefGoogle Scholar
. Essays on Philosophical Subjects, with Dugald Stewart’s “Account of Adam Smith,” ed. , , and (Oxford: Oxford University Press, 1980). In The Glasgow Edition of the Works and Correspondence of Adam Smith, ed. J. C. Bryce et al., 7 vols. (Oxford: Oxford University Press, 1978–), vol. 3.Google Scholar
. The Works of Edmund Spenser, ed. et al., 9 vols. (Baltimore, MD:Johns Hopkins University Press).
. The Collected Works of Dugald Stewart, ed. , 11 vols. (Edinburgh: Thomas Constable and Co.; London: Hamilton, Adams and Co., 1854–60).Google Scholar
. “Notes on Analytic Philosophy and Aesthetics.” British Journal of Aesthetics 3, 3 (1961): 210–22.CrossRefGoogle Scholar
“On the Origins of ‘Aesthetic Disinterestedness.’” Journal of Aesthetics and Art Criticism 20, 2 (1961): 131–44.CrossRefGoogle Scholar
“On the Significance of Lord Shaftesbury in Modern Aesthetic Theory.” Philosophical Quarterly 11, 43 (1961): 97–113.CrossRefGoogle Scholar
. The Works of Sir William Temple, to which is prefixed, the life and character of the author, considerably enlarged, 4 vols. (London: F. C. and J. Rivington, 1814 [1754]).Google Scholar
“Sir Joshua Reynolds on the Picturesque.” Modern Language Notes 47, 7 (1932): 446–8.CrossRefGoogle Scholar
. Capability Brown and the Eighteenth-Century English Landscape (New York: Rizzoli International, 1985).Google Scholar
. Austen’s Oughts: Judgment after Locke and Shaftesbury (Newark: University of Delaware Press, 2010).Google Scholar
. The “New Science” of Giambattista Vico, unabridged translation of the third edition (1744) with the addition of “Practic of the New Science,” trans. and (Ithaca, NY:Cornell University Press, 1984).Google Scholar
. The Romantic Sublime: Studies in the Structure and Psychology of Transcendence (Baltimore, MD:Johns Hopkins University Press, 1976).Google Scholar
. “The Role of Theory in Aesthetics.” Journal of Aesthetics and Art Criticism 15, 1 (1956): 27–35.CrossRefGoogle Scholar
. “Hume’s Two Standards of Taste.” Philosophical Quarterly 34, 135 (1984): 129–42.CrossRefGoogle Scholar
“Hume’s True Judges.” Journal of Aesthetics and Art Criticism 53 (1995): 318–19.CrossRefGoogle Scholar
. Select Sermons, with a preface by Anthony Ashley Cooper, Third Earl of Shaftesbury (London: Awnsham and Churchill, 1698).Google Scholar
. Whistler on Art: Selected Letters and Writings 1849–1903 of James McNeill Whistler, ed. (Manchester, UK: Carcanet Press, 1994).Google Scholar
. Charles Bridgeman and the English Landscape Garden (Newcastle-upon-Tyne, UK: Elysium Press, 2002 [1977]).Google Scholar
. Philosophische Untersuchungen/Philosophical Investigations, trans. (Oxford: Basil Blackwell, 1958 [1953]).Google Scholar
The Blue and Brown Books. Preliminary Studies for the Philosophical Investigations (Oxford: Basil Blackwell, 1958).Google Scholar
Lectures and Conversations on Aesthetics, Psychology, and Religious Belief. Compiled from Notes taken by Yorrick Smythies, Rush Rhees and James Taylor, ed. (Berkeley: University of Californian Press, 1967).Google Scholar
Tractatus Logico-Philosophicus, trans. and (London: Routledge and Kegan Paul, 1974 [1961]).Google Scholar
Vermischte Bermerkungen/Culture and Value, ed. , trans. (Oxford: Basil Blackwell, 1977).Google Scholar
. “The New Sublimity in ‘Tintern Abbey.’” In The Evidence of the Imagination: Studies in the Interaction between Life and Art in English Romantic Literature, ed. , , and (New York: New York University Press, 1978). Reprinted in Critical Essays on William Wordsworth, ed. George H. Gilpin (Boston: G. K. Hall, 1990), 11–23.Google Scholar
The Prose Works of William Wordsworth, ed. and , 3 vols. (Oxford: Clarendon Press, 1974).Google Scholar
William Wordsworth, The Prelude 1799, 1805, 1850, ed. , , and (New York: W. W. Norton, 1979).Google Scholar
Descriptive Sketches, by William Wordsworth, ed. and (Ithaca, NY: Cornell University Press, 1984).Google Scholar
Lyrical Ballads and Other Poems, 1797–1800 by William Wordsworth, ed. and (Ithaca, NY: Cornell University Press, 1993).Google Scholar
The Excursion, by William Wordsworth, ed. , , , and (Ithaca, NY: Cornell University Press, 2001), 157.Google Scholar
, and . The Letters of William and Dorothy Wordsworth, 8 vols. (Oxford: Clarendon Press, 1967–93).Google Scholar
. “Agrarians against the Picturesque: Ultra-radicalism and the Revolutionary Politics of Land.” In The Politics of the Picturesque, ed. and (Cambridge: Cambridge University Press, 1994), 240–60.Google Scholar
. Wordsworth’s Reading 1770–1799 (Cambridge: Cambridge University Press, 1993).CrossRefGoogle Scholar
. Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison (London: A Millar, and R. and J. Dodsley, 1759).Google Scholar
Signifying Woman. Culture and Chaos in Rousseau, Burke, and Mill (Ithaca, NY:Cornell University Press, 1994).Google Scholar
. “The Task of Defining a Work of Art.” Philosophical Review 62, 1 (1953): 58–78.CrossRefGoogle Scholar
. “The Associative Sublime: Gerard, Kames, Alison, and Stewart.” In The Sublime: From Antiquity to the Present, ed. (Cambridge: Cambridge University Press, 2012), 64–76.Google Scholar