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I.1 - Stephen Hawes, The Pastime of Pleasure (1509)

from PART I - The art of memory

Published online by Cambridge University Press:  05 August 2016

William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
Indiana University–Purdue University, Indianapolis
Grant Williams
Affiliation:
Carleton University, Ottawa
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Summary

About the author

Stephen Hawes (b. c. 1474, d. before 1529) was a celebrated court poet and Groom of the Chamber to Henry VII. The English antiquary Anthony à Wood reports that Hawes was ‘highly esteemed by [Henry VII] for his facetious discourse and prodigious memory’ (Athenae Oxonienses, vol. 1 (London, 1691), B2r).

About the text

The Pastime of Pleasure is a long allegorical poem, written in rhyme royal and couplets. It was first composed in 1505–6 and published in 1509. Hawes includes a prefatory dedicatory poem to Henry VII. The poem tells the tale of Graunde Amoure's courtship of La Belle Pucelle. Wood notes that when the text was first printed ‘it is adorned with Wooden Cuts to make the reader understand the story the better and printed in an old English Character’. It certainly attracted a wide readership in the sixteenth century, and was reprinted in 1517, 1554 and 1555. But, Wood laments, ‘such is the fate of poetry, that this book, which in the time of Henry VII and VIII was taken into the hands of all ingenious men, is now thought but worthy of a ballad-monger's stall’ (B2r).

The arts of memory

In preparation for his love quest, Amoure receives instruction in the Seven Liberal Arts at the Tower of Doctrine. Chief among the Arts is rhetoric, and Amoure learns (from Dame Rhetoric) that he must master the five parts of this discipline: invention, disposition, elocution, pronunciation and memorative (see Introduction). He is told that ‘retentive memory…must ever aggregate / All matters thought’ (D1v). In the poem's extended discussion about memory excerpted below, which evidently draws on the pseudo-Ciceronian Rhetorica ad Herennium, Hawes describes how an orator or poet can use a ‘memorial art’ of ordered signifying images to recall and deliver his speech in ‘due order, manner, and reason’. Hawes readily admits that the technique is ‘obtuse’ and suggests that the student of rhetoric ‘exercises’ the technique.

Textual notes

This excerpt is taken from John Wayland's 1554 reprinting. Stephen Hawes, The historie of graunde Amoure and la bell Pucel, called the Pastime of plesure (London, 1554; first published 1509), F2r–F3r.

Type
Chapter
Information
The Memory Arts in Renaissance England
A Critical Anthology
, pp. 39 - 41
Publisher: Cambridge University Press
Print publication year: 2016

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References

Howell, , pp. 81–7.
Plett, , pp. 503–4.
Hasler, Anthony J., Court Poetry in Late Medieval England and Scotland: Allegories of Authority, Cambridge Studies in Medieval Literature 80 (Cambridge University Press, 2011), chapter 5.

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