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V.8 - John Donne, ‘Sermon, preached at Lincoln's Inn’ (1649)

from PART V - Religion and devotion

Published online by Cambridge University Press:  05 August 2016

William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
Indiana University–Purdue University, Indianapolis
Grant Williams
Affiliation:
Carleton University, Ottawa
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Summary

About the author

John Donne (1572–1631) was a poet and Church of England clergyman. He was born in London, educated at Hart Hall, Oxford (now Hertford College) and received legal training at Lincoln's Inn. Donne found work as a soldier, a secretary, a professional author (seeking patronage) and Member of Parliament, before finally accepting a role in the Church of England, rising to the eminent position of Dean of St Paul's. Although best known now for his dazzlingly inventive ‘metaphysical’ poems, with their extended metaphors and elaborate conceits, in his own day Donne was a celebrated preacher.

About the text

This excerpt derives from Donne's second sermon discussing Psalm 38, in which a penitent David chastises himself for his sins and asks for God's support (‘be not far from me’), for his ‘iniquities’ are ‘too heavy’ a burden for him. The sermon was included in a collection of fifty of Donne's sermons, first printed in 1649, eighteen years after Donne's death. It is not known when the sermon was first preached, but it almost certainly dates from the late 1610s or early 1620s when Donne was employed as preacher by the Lincoln's Inn Society. Potter and Simpson date the series of sermons about Psalm 38 to the spring or summer of 1618, based on a reference to the construction of a new chapel at Lincoln's Inn in the sermon on verse 9 (‘Introduction’, pp. 13–14). Donne's congregation for sermons at the Inns of Court would have largely consisted of members of the Inn, including ‘the benchers (the governing body of the Society), the barristers, and also the students’ (Rhatigan, p. 109).

The arts of memory

Donne often makes recourse to the art of memory in his sermons. For example, in a sermon on Psalm 90:14, preached at St Paul's, Donne compares the distinct words of that verse (and, thus, the order of the sermon) to ‘land-marks that must guide you [i.e. the listener] in this voyage and the places to which you must resort to assist your memory be pleased to take another survey and impression of them’ (Zzz2v).

Type
Chapter
Information
The Memory Arts in Renaissance England
A Critical Anthology
, pp. 260 - 264
Publisher: Cambridge University Press
Print publication year: 2016

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References

Donne, John, The Sermons, ed. Potter, George R. and meSimpson, Evelyn M, vol. 2 (Berkeley: University of California Press, 1953–62).
Hickey, Robert L, ‘Donne's Art of Memory’, Tennessee Studies in Literature, 3 (1958), 29–36.Google Scholar
Guibbory, Achsah, ‘John Donne and Memory as “the Art of Salvation”’, The Huntington Library Quarterly, 63 (1980), 261–74.Google Scholar
Guite, A. M., ‘The Art of Memory and the Art of Salvation: The Centrality of Memory in the Sermons of John Donne and Lancelot Andrewes’, The Seventeenth Century, 4.1 (1989), 1–17.Google Scholar
Masselink, Noralyn, ‘Memory in John Donne's Sermons: “Readie”? or Not?’, South Atlantic Review, 63.2 (1998), 99–107.Google Scholar
Rhatigan, Emma, ‘Preaching Venues: Architecture and Auditories’, in The Oxford Handbook of the Early Modern Sermon, ed. McCullough, Peter,Adlington, Hugh and Rhatigan, Emma (Oxford University Press, 2011), pp. 87–119.

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