Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-wxhwt Total loading time: 0 Render date: 2024-07-11T01:22:32.542Z Has data issue: false hasContentIssue false

FAST

Published online by Cambridge University Press:  05 July 2015

Marta García-Matos
Affiliation:
Institut de Ciències Fotòniques (ICFO)
Lluís Torner
Affiliation:
Institut de Ciències Fotòniques (ICFO)
Get access

Summary

Time is measured by changes, e.g. heartbeats count instants, moving shadows over a landscape mark the hours, and the births and deaths of our loved ones evidence the passing of the years. Periods longer than a lifetime are increasingly difficult to properly accommodate in our mental space. Indeed, while we describe art movements in terms of centuries, and millennia might give a framework to the duration of a civilization, a block of hundreds of thousands of years lies beyond the magnitude of our imagination. We need tangible changes to understand (how much) time passes. For this reason, when a paleontologist explains that 3.5 billion years elapsed between the first signs of life on Earth and the appearance of the Homo sapiens, we allow our mind to open to a new unit of time.

Similarly, it is difficult to grasp time blocks that are shorter than a heartbeat. Anything happening in less than a thousandth of a second falls under the wide label of “very fast.” But, how many degrees of “fast” are there? The flapping of a bee's wings, the scattering of the pieces of an exploding balloon, the functioning of modern chips, each of these processes is a thousand times faster than the previous, but all are equally indiscernible to our eye–brain system, which is limited to less than a few dozen images per second. However, there is a way of introducing ourselves as natural observers of the super-fast: splitting the whole process into still pictures. Each shot needs to record the entrance of light during a short-enough lapse of time, otherwise we would get a blurred image. Shots, moreover, should come up at a tuned pace, otherwise we would miss some relevant steps while the light is off. A stroboscopic lamp, for instance, with flashes of microseconds shooting at intervals of hundredths of a second, offers a clear sequence of the trajectory of an object as fast as a flying bullet.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Repneck, J. (2003) The Man who Found Time. Perseus, Cambridge, MAGoogle Scholar
Clegg, B. (2007) The Man who Stopped Time. Joseph Henry Press, WashingtonGoogle Scholar
Eastman House Editors (1964) Seeing the Unseen: The Life and Work of Harold Edgerton. Eastman House, Cambridge, MA
Landes, D. S. (1983) Revolution in Time. Belknap Press of Harvard University Press, Cambridge, MAGoogle Scholar
Smolin, L. (2013) Time Reborn: From the Crisis in Physics to the Future of the Universe. Houghton Mifflin Harcourt, BostonGoogle Scholar
Zewail, A. H. (1999) Nobel Lecture. http://www.nobelprize.org/nobel_prizes/chemistry/laureates/1999

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×