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Introduction

Published online by Cambridge University Press:  28 April 2017

Dagmar C. G. Lorenz
Affiliation:
Professor of Germanic Studies at the University of Illinois at Chicago
Irene Stocksiecker Di Maio
Affiliation:
Associate Professor of German at Louisiana State University and A & M College
William Collins Donahue
Affiliation:
Duke University
Anne Fuchs
Affiliation:
Professor of modern German literature and culture at University College Dublin.
Helga W. Kraft
Affiliation:
Professor and Head of the Department of Germanic Studies at the University of Illinois at Chicago.
Wolfgang Mieder
Affiliation:
University of Vermont, Department of German and Russian
Harriet Murphy
Affiliation:
Department of German Studies, University of Warwick, Coventry, England
Johannes Pankau
Affiliation:
Carl von Ossietzky Universität Oldenburg
Julian Preece
Affiliation:
University of Kent, Canterbury, UK
Ritchie Robertson
Affiliation:
Professor of German and a Fellow of St. John's College at the University of Oxford.
Sigurd Paul Scheichl
Affiliation:
University Innsbruck
Dagmar C.G. Lorenz
Affiliation:
Dagmar C. G. Lorenz is Professor of German at the University of Illinois, Chicago
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Summary

Elias Canetti was a witness to the most cataclysmic events of the twentieth century; he was their analyst and their chronicler. A Sephardic Jew, born on the fringes of Europe in Roustchouk, Bulgaria, in 1905, he identified himself through European classical literature and the German language without forgetting his cultural roots. In his magnum opus Masse und Macht (1960), one of his prime examples of the survivor is the Jewish historian Flavius Josephus (37–ca. 100 A.D.), who became a Roman citizen and assistant to the Roman commander Titus. In Die Stimmen von Marrakesch (1967) Canetti's visit in the Jewish quarter is the highlight of his narrative. Finally, Canetti's analysis about Franz Kafka's troubling relationship with his fiancée Felice Bauer is no less a chapter of Central European Jewish cultural history than it is the account of a prominent writer torn by his duties, desires, and sense of integrity.

As was the case with Flavius Josephus and Franz Kafka, in Canetti's life, past and present, tradition and innovation, occidental and oriental influences represented equally strong forces. Faced by war and genocide perpetrated by those who spoke the language of his choice and were members of the culture he had come to love, Canetti did not disavow the German language and culture. Even while in exile in England he remained aloof, a cosmopolitan, and a critic of those who supported violence, regardless under which circumstances. “In Kriegen geht es ums Töten,” he writes. “‘Die Reihen der Feinde wurden gelichtet.’ Es geht um ein Töten in Haufen. Möglichst viele Feinde werden niedergeschlagen; aus der gefährlichen Masse von lebenden Gegnern soll ein Haufen von Toten werden” (MM, 77). Identifying with more than one society, Canetti remained impartial to causes, programs, and ideologies. He took sides only against death itself, the misguided who killed on behalf of demagogues, and others who killed for the sheer pleasure of it.

Canetti was the oldest of three sons and the member of a minority among European minorities. He grew up a polyglot and a student of world cultures, including nations and groups that received little or no attention except perhaps from anthropologists and ethnographers — the Lele of Kasai, the Jivaros, the Pueblo Indians, the Shi'ites in Karbala, and the Xosas (MM, 151–58, 173–81, and 226–35).

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Publisher: Boydell & Brewer
Print publication year: 2004

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  • Introduction
  • Edited by Dagmar C.G. Lorenz, Dagmar C. G. Lorenz is Professor of German at the University of Illinois, Chicago
  • Book: A Companion to the Works of Elias Canetti
  • Online publication: 28 April 2017
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  • Introduction
  • Edited by Dagmar C.G. Lorenz, Dagmar C. G. Lorenz is Professor of German at the University of Illinois, Chicago
  • Book: A Companion to the Works of Elias Canetti
  • Online publication: 28 April 2017
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Edited by Dagmar C.G. Lorenz, Dagmar C. G. Lorenz is Professor of German at the University of Illinois, Chicago
  • Book: A Companion to the Works of Elias Canetti
  • Online publication: 28 April 2017
Available formats
×