Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-18T13:00:06.523Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  05 February 2013

Larson Powell
Affiliation:
University of Missouri, Kansas City
Get access

Summary

OUR CURRENT HORIZON of ecological disaster has made catastrophe theory into something far more immediate than a mathematical problem. After decades of cyberfashion and grandiose claims for virtual reality and post-history, Nature has returned to History in a form as apocalyptic as was the Cold War threat of nuclear destruction. Even in commercial cinema, the sublime fantasy of disaster films now includes the destructive effects of global warming (in Roland Emmerich's 2004 The Day After Tomorrow). Theories of a supposed “clash of civilizations” must then coexist with theories of the perishability of all human civilization as such. So Jared Diamond, the same biogeographer and psychologist who, less than a decade ago, wrote a bestselling environmentalist narrative of Why The West Won, has recently published a more sobering consideration of Collapse: How Societies Choose to Fail or Succeed. Implicit in Diamond's account of the failure of Easter Island civilization is the possibility that the skyscrapers of the American metropolis may suffer the same fate as Easter Island's famous stone statues. Bertolt Brecht already described this prospect from the vantage point of 1920s Germany: “Von diesen Städten wird bleiben, der durch sie hindurchging, der Wind!” (Of these cities will remain what passed through them, the wind!)

The horizon of apocalypse has been central to modernism for over a century, at least since Rimbaud's “ça ne peut être que la fin du monde, en avant” (from Les Illuminations). It has, however, become harder to respond with Brecht’s concluding stanza, in which the poet hopes he will not let his cigar go out “in the earthquakes that will come,” given that such natural disasters are no longer metaphorical or imaginary. Books like Diamond’s accordingly want to help us understand the historical lesson of failed civilizations in hopes that we may not repeat their fate. Others, such as Richard Posner’s Catastrophe: Risk and Response, look for prognostications and offer calculations of how current civilization might avert the risk of ecological catastrophe.

Type
Chapter
Information
The Technological Unconscious in German Modernist Literature
Nature in Rilke, Benn, Brecht, and Döblin
, pp. 1 - 19
Publisher: Boydell & Brewer
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Larson Powell, University of Missouri, Kansas City
  • Book: The Technological Unconscious in German Modernist Literature
  • Online publication: 05 February 2013
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Larson Powell, University of Missouri, Kansas City
  • Book: The Technological Unconscious in German Modernist Literature
  • Online publication: 05 February 2013
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Larson Powell, University of Missouri, Kansas City
  • Book: The Technological Unconscious in German Modernist Literature
  • Online publication: 05 February 2013
Available formats
×