Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-12T11:42:48.931Z Has data issue: false hasContentIssue false

6 - Benjamin Heisenberg: Filming Simply as Resistance

from II - The Second Wave

Published online by Cambridge University Press:  05 December 2013

Get access

Summary

I do not think that one can determine the political relevance of a film according to whether or not it deals with a political topic. For me films are political—independent of theme and its story—if they attempt to describe the world with inexorable incorruptibility, without lulling one's own suspicions or that of the viewer. … This is very political because the filmmaker hides less behind a façade and instead permanently interrogates himself and his worldview and involves the viewer in this process.

—Christoph Hochhäusler, “Interview mit Benjamin Heisenberg zu Schläfer”

Born in tübingen in 1974 into a family whose best-known member, the German theoretical physicist Werner Heisenberg, formulated the famous “uncertainty principle,” Benjamin Heisenberg studied freie Bildhauerei (sculpture) at the Akademie der Bildenden Künste in Munich (1993–99) before enrolling at the HFF München in 1997 to study filmmaking. To this day, Heisenberg sculpts and also paints and creates video installations, and since the mid-1990s he has regularly exhibited his work in German art galleries. He graduated in 2005 with his first feature film, Schläfer, which followed a number of shorts, including Terremoto (1996), Alles wieder still (1998), Am See (2002), and Die Gelegenheit (2004). Schläfer premiered in 2005 together with Hochhäusler's Falscher Bekenner at the Cannes Film Festival in its Un Certain Regard sidebar and subsequently won the director the main prize at the Film Festival Max Ophüls Preis in Saarbrücken—one of Germany's most important film festivals for new talent.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×