Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-qs9v7 Total loading time: 0 Render date: 2024-07-10T03:40:37.312Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Appendix I - The ‘Poisonous Pen’ of John Gibson Lockhart

Get access

Summary

It would be hard to understand the strong feelings that John Gibson Lockhart's name produced in London literary circles in the year 1825, if we did not know a few facts about his reckless behaviour as literary critic in Edinburgh. The name of John Gibson Lockhart appears closely linked to that of Benjamin Disraeli's, but more closely still to that of his father-in-law, Sir Walter Scott, for whom he felt a profound devotion.

Lockhart's is a complex personality marked by conflicting attitudes, almost as if two different beings coexisted within his person; one, a faithful and loving family man, and the other, an incarnation of insolence, sarcasm, and cruelty. Notably, this last trait was evident only in his writings, because he invariably seemed shy or aloof when in society. He was a man of few words, and to prove it we have Sir Walter Scott expressing misgivings in his private journal about his son-in-law's lack of social skills: ‘But notwithstanding a handsome exterior and face, I am not sure he will succeed in London Society; he sometimes […] withdraws his attention from the company, or attaches himself to some individual, gets into a corner, and seems to be quizzing the rest’. In his memoir, Charles Knight defines Lockhart as ‘cold and proud’, although it may have been shyness that made him appear so. The famous circle of John Murray's friends would have appeared intimidating to any newcomer.

Lockhart's life-story is also troubled, and his actions, character, and personal connections had a major impact on the story of the Representative. All through his life he exerted great influence as a literary critic, but also caused soul-shattering damage to authors not of his liking. In the warning letter Canning received about a newspaper about to be set up to fight his policies, Lockhart was already named as one of the editors probably because he was a Tory and a well-known and influential literary critic, although not universally liked. His presence as editor of the Representative at first, and later his disengagement with the newspaper, certainly contributed to its failure. The following account can tell us why this is so.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×