Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-s9k8s Total loading time: 0 Render date: 2024-09-08T20:26:02.269Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

10 - Victims and Memoir–Writing: Leaving the Troubles Behind?

Get access

Summary

This chapter investigates a distinctive dimension of the recent growth in memoir-writing by concentrating upon the publications of some of those victims/ survivors who were intimately affected by the violence of the Troubles. Perhaps counter-intuitively, some victims, despite the fact that they have suffered intensely as a result of the conflict (whether in terms of physical injury and/or psychological trauma, or bereavement), have been less concerned than some other categories of memoirists with shaping the wider political and historical narrative of conflict. We can hypothesise that very often victims’ memoirs reflect a personal desire to come to terms with a traumatic past event and to gain public recognition of the suffering endured, but the scope of such an endeavour is usually relatively circumscribed. Unlike those (ex-)protagonists who were intimately involved in the political and violent conflict, it might be speculated that at least some of these victims/survivors can look back at the past through a less ideological prism, without the same filter of organisational commitment and loyalty felt by political representatives or paramilitary actors. Many such victims’ memoirs are based more closely on the individual experience of conflict, and its legacies; these ‘humanising’ stories of the costs of violent conflict may have resonance with wider society, in part because these individuals are perceived as very ordinary and as reluctant protagonists thrust into the spotlight, in contrast to political leaders, and even paramilitary figures (who whilst operating in clandestinity, nonetheless often traded upon their notoriety). If it is possible, though unusual, for republicans or loyalists to engage in genuinely self-critical remembrance of their part in the conflict, nonetheless the act of self-writing by these authors often tempts them onto the path of ‘vindication, exculpation and the byways of personal interest’. For victims/survivors, especially those around whom can be formed a consensus regarding their status as ‘innocent’, this may be less problematic. Marie Breen Smyth has recognised the paradoxical potential power of the stereotypical victim, viewed as ‘innocent, passive, suffering, bereft, powerless, helpless, dependent, absolved from responsibility, needy and morally entitled to help.’ She goes on to cite L. M. Thomas’ idea of the victim as a ‘moral beacon’, an individual for whom ‘great suffering carries in its wake deep moral knowledge.’

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×