Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 From Mikhail Bakhtin to Maryse Condé: the Problems of Literary Polyphony
- 2 Edward Said and Assia Djebar: Counterpoint and the Practice of Comparative Literature
- 3 Glenn Gould and the Birth of the Author: Variation and Performance in Nancy Huston's Les variations Goldberg
- 4 Opera and the Limits of Representation in J. M. Coetzee's Disgrace
- Conclusion
- Notes
- Works Cited
- Index
Notes
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 From Mikhail Bakhtin to Maryse Condé: the Problems of Literary Polyphony
- 2 Edward Said and Assia Djebar: Counterpoint and the Practice of Comparative Literature
- 3 Glenn Gould and the Birth of the Author: Variation and Performance in Nancy Huston's Les variations Goldberg
- 4 Opera and the Limits of Representation in J. M. Coetzee's Disgrace
- Conclusion
- Notes
- Works Cited
- Index
Summary
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- Type
- Chapter
- Information
- Borrowed FormsThe Music and Ethics of Transnational Fiction, pp. 147 - 174Publisher: Liverpool University PressPrint publication year: 2014