Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-n9wrp Total loading time: 0 Render date: 2024-07-17T13:42:38.030Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

4 - Oscar Wilde

Get access

Summary

Forty to fifty years ago Oscar Wilde's reputation in Britain depended largely on his dazzling wit, dandyism and brilliant plays. Since then the movement for and the attainment of homosexual liberation in Western Europe and North America have led, particularly given the brutality of his two years’ imprisonment with hard labour, to his canonization as a gay ‘icon’; but the same period has additionally seen his acceptance as a major all-round writer. This second process began with the publication in 1962 of Rupert Hart-Davis's magisterial edition of Wilde's correspondence, not only printing for the first time the full text of one of his masterpieces, De Profundis, but also revealing him as a superb letter-writer; continued in 1969 with Richard Ellmann's selection of the essays in The Artist as Critic; and concluded with Ellmann's magnificent critical biography in 1987, it being very relevant that Ellmann's two previous subjects had been W.B. Yeats and James Joyce and that his James Joyce was recognized as one of the great achievements of contemporary literary biography. So the centenary of Wilde's death was in part marked in 2000 by the inauguration of a nine-volume Oxford English Texts edition of The Complete Works of Oscar Wilde, indicative of the full, albeit belated, acceptance of his oeuvre by the academic establishment. For some twenty years twin industries, one gay, the other academic, and frequently both, have been generating publications on Wilde with ever more furious intensity. The lack of verbal elegance and the contorted thinking displayed by many of these is markedly at odds with Wilde's own aphoristic lucidity.

In all of this a notable absence has been informed discussion of Wilde's politics – other than sexual – given that one of his most celebrated and widely read works is his political essay, ‘The Soul of Man under Socialism’. His advocacy of both socialism and individualism has tended to be viewed as a prime Wildean paradox and misconceptions of this basic anarchist formulation and the anarchist position he advocated abound.

Type
Chapter
Information
Anarchist Seeds Beneath the Snow
Left-Libertarian Thought and British Writers from William Morris to Colin Ward
, pp. 62 - 92
Publisher: Liverpool University Press
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×