Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Part One: The ‘Mental Exercises’: List of Members and Scribes’ Rota
- Members’ Agreement
- On Study
- On Honour
- On Argument
- On Imagination and Judgement
- Hope
- On General Character
- On the Pleasures and Uses of the Imagination
- On Politeness
- Agis
- The Charms of Sleep
- Friendship & Charity
- An Ode to the PASS
- Garreteer's Epistle
- A Mathematical Love Letter
- On seeing a Rose in the Possession of a Lady at the SMHPABNASL
- On Courage
- Irritus to the Manager
- Marriage is Honourable in All
- Friendship
- On Mind and the Duty of Improving It
- A word for Page 73
- On the Early Introduction of Females to Society
- Memoranda
- On prematurely Forming Opinion of Characters
- On the Death of the Princess Charlotte
- Affectation
- On Conscious Approbation
- The Origin of a Critic—A Fable
- Reflections on Death
- On Avarice
- On Tradesmen
- On Laws
- On the Changes of the mind
- On Marriage
- On Calumny
- Letter to the Secretary
- Enigma
- On Marriage
- Effeminacy & Luxury
- A Brother's Letter to Mr. Deeble
- Junius & Tullia
- A Ramble to Melincourt
- On Triflers
- 139th Psalm
- Infancy
- At a Village on the Dunchurch Road
- Part Two: Contexts: Faraday and Self–Education Faraday, from the Correspondence (1812–16)
- Faraday, from Observations on the Means of Obtaining Knowledge (1817)
- Faraday, from ‘Observations on the Inertia of the Mind’ (1818)
- Faraday's indexes to eighteenth-century periodicals
- Faraday, from ‘Observations on Mental Education’ (1854)
- The Improvement of the Mind: Isaac Watts, from The Improvement of the Mind (1741)
- Samuel Johnson, from The Rambler (1751)
- Thomas Williams, from The Moral Tendencies of Knowledge (1815)
- Isaac Taylor, from Self-Cultivation Recommended: Or, Hints to a Youth Leaving School (1817)
- From The Black Dwarf (1819)
- Mary Shelley, from Frankenstein (1818)
- Henry Brougham, from Practical Observations upon the Education of the People (1825)
- The Pleasures of the Imagination: Joseph Addison, from The Spectator (1712)
- Mark Akenside, from The Pleasures of the Imagination (1744)
- Index
The Origin of a Critic—A Fable
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Abbreviations
- Introduction
- Part One: The ‘Mental Exercises’: List of Members and Scribes’ Rota
- Members’ Agreement
- On Study
- On Honour
- On Argument
- On Imagination and Judgement
- Hope
- On General Character
- On the Pleasures and Uses of the Imagination
- On Politeness
- Agis
- The Charms of Sleep
- Friendship & Charity
- An Ode to the PASS
- Garreteer's Epistle
- A Mathematical Love Letter
- On seeing a Rose in the Possession of a Lady at the SMHPABNASL
- On Courage
- Irritus to the Manager
- Marriage is Honourable in All
- Friendship
- On Mind and the Duty of Improving It
- A word for Page 73
- On the Early Introduction of Females to Society
- Memoranda
- On prematurely Forming Opinion of Characters
- On the Death of the Princess Charlotte
- Affectation
- On Conscious Approbation
- The Origin of a Critic—A Fable
- Reflections on Death
- On Avarice
- On Tradesmen
- On Laws
- On the Changes of the mind
- On Marriage
- On Calumny
- Letter to the Secretary
- Enigma
- On Marriage
- Effeminacy & Luxury
- A Brother's Letter to Mr. Deeble
- Junius & Tullia
- A Ramble to Melincourt
- On Triflers
- 139th Psalm
- Infancy
- At a Village on the Dunchurch Road
- Part Two: Contexts: Faraday and Self–Education Faraday, from the Correspondence (1812–16)
- Faraday, from Observations on the Means of Obtaining Knowledge (1817)
- Faraday, from ‘Observations on the Inertia of the Mind’ (1818)
- Faraday's indexes to eighteenth-century periodicals
- Faraday, from ‘Observations on Mental Education’ (1854)
- The Improvement of the Mind: Isaac Watts, from The Improvement of the Mind (1741)
- Samuel Johnson, from The Rambler (1751)
- Thomas Williams, from The Moral Tendencies of Knowledge (1815)
- Isaac Taylor, from Self-Cultivation Recommended: Or, Hints to a Youth Leaving School (1817)
- From The Black Dwarf (1819)
- Mary Shelley, from Frankenstein (1818)
- Henry Brougham, from Practical Observations upon the Education of the People (1825)
- The Pleasures of the Imagination: Joseph Addison, from The Spectator (1712)
- Mark Akenside, from The Pleasures of the Imagination (1744)
- Index
Summary
A little learning is a dangerous thing
Drink deep or taste not the pierian spring.
Pope.
How oft mankind aspiring efforts make!
How oft thro’ fear their flatt'ring prospects shake!
Their Castles built in air confess their base,
For shook by Fancy's breeze they change their place:
At their creator's will, these fabrics are,
With every beauty deck'd and proof to care;
By the same powers, desponding vapours rise,
The prospects intercept & cloud the skies:
’Till Reason's Sun, darts thro’ the mazy gloom,
His powerful rays the brightened Skies illume;
And then no more, deceitful visions play
Which led the wanton mind so far astray.
Perchance inlieu of scenes from fairy land,
Corrected Vision finds a cottage stand;
More humble notions now possess the mind—
With bitters, sweets, with roses thorns we find.
How oft in Youth, the vigorous passions press
To find expression in poetic dress;
And warmth of feeling, then ’tis thought might claim,
A lenient hand to raise the trump of fame.
But only those should try this stormy sea,
Who are well rigg'd with wit and vanity,
Who for their ballast, learning take in store
Their Pilot Prudence, and of Classic lore
A cargo such as good returns will make
Of ample profit for the ventured stake—
Let those who are not fitted out this way
Steal round the shores, or on the rivers play.
In still domestic lakes, their vessel try
Where partial breezes, make a cloudless sky.
For Nature made not all who write in rhyme,
To muse in raptures or to soar sublime
Will each the magic of th'harmonic thrill
Confess he feels or can express at will?
When Nature would their Art will not comply
And Art once gained then Nature oft is shy
Yet some will venture out to meet the storm
Of adverse winds from every Critic form,
Press'd on by Pride they seek the port of Fame
Nor think aught wanting or themselves to blame
Before their reeling bark has found too late
The crowded vortex of a common fate
Thus prove their wants of genius or of art
Oblivion seek—or act a Critic's part.
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- Michael Faraday’s Mental ExercisesAn Artisan Essay-Circle in Regency London, pp. 129 - 132Publisher: Liverpool University PressPrint publication year: 2008