Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Introduction: Technique: Dialogue: Saying
- 1 The Movement Poets and the Movement Orthodoxy in the 1950s and 1960s
- 2 The British Poetry Revival 1960–1978
- 3 Starting to Make the World: The Poetry of Roy Fisher in the 1960s and 1970s
- 4 Keeping the Doors Open: the Poetry of Lee Harwood in the 1960s and 1970s
- 5 The Persistence of the Movement Orthodoxy in the 1980s and 1990s
- 6 Linguistically Innovative Poetry 1978–2000
- 7 What Was To One Side or Not Real: The Poetry of Tom Raworth 1970–1991
- 8 Creative Linkage in the Work of Allen Fisher, Adrian Clarke and Ulli Freer during the 1980s and 1990s
- 9 The Ballet of the Speech Organs: The Poetry of Bob Cobbing 1965–2000
- 10 Be come, Be spoke, Be eared: The Poetics of Transformation and Embodied Utterance in the work of Maggie O'Sullivan during the 1980s and 1990s
- Bibliography
- Index
Frontmatter
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Abbreviations
- Introduction: Technique: Dialogue: Saying
- 1 The Movement Poets and the Movement Orthodoxy in the 1950s and 1960s
- 2 The British Poetry Revival 1960–1978
- 3 Starting to Make the World: The Poetry of Roy Fisher in the 1960s and 1970s
- 4 Keeping the Doors Open: the Poetry of Lee Harwood in the 1960s and 1970s
- 5 The Persistence of the Movement Orthodoxy in the 1980s and 1990s
- 6 Linguistically Innovative Poetry 1978–2000
- 7 What Was To One Side or Not Real: The Poetry of Tom Raworth 1970–1991
- 8 Creative Linkage in the Work of Allen Fisher, Adrian Clarke and Ulli Freer during the 1980s and 1990s
- 9 The Ballet of the Speech Organs: The Poetry of Bob Cobbing 1965–2000
- 10 Be come, Be spoke, Be eared: The Poetics of Transformation and Embodied Utterance in the work of Maggie O'Sullivan during the 1980s and 1990s
- Bibliography
- Index
Summary
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- Information
- The Poetry of SayingBritish Poetry and its Discontents, 1950–2000, pp. i - ivPublisher: Liverpool University PressPrint publication year: 2005