Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures
- Introduction
- Select Bibliography
- Note on the Text
- Note on the Illustrations
- Sketches of Irish Character
- Dedication
- INTRODUCTION
- CONTENTS, AND LIST OF ILLUSTRATIONS
- 1 LILLY O'BRIEN
- 2 MARY RYAN's DAUGHTER
- 3 THE BANNOW POSTMAN
- 4 “WE'LL SEE ABOUT IT.”
- 5 THE LAST OF THE LINE
- 6 THE WOOING AND WEDDING
- 7 JACK THE SHRIMP
- 8 HOSPITALITY
- 9 “TAKE IT EASY.”
- 10 PETER THE PROPHET
- 11 KATE CONNOR
- 12 FATHER MIKE
- 13 LARRY MOORE
- KELLY THE PIPER
- THE RAPPAREE
- ANNIE LESLIE
- MASTER BEN
- THE WISE THOUGHT
- MABEL O'NEIL'S CURSE
- THE FAIRY OF FORTH
- MARY MACGOHARTY'S PETITION
- OLD FRANK
- LUKE O'BRIAN
- INDEPENDENCE
- BLACK DENNIS
- GERALDINE
- CAPTAIN ANDY
- GOOD SPIRITS AND BAD
- Editorial Notes
- Silent Corrections
- Textual Variants
MARY MACGOHARTY'S PETITION
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures
- Introduction
- Select Bibliography
- Note on the Text
- Note on the Illustrations
- Sketches of Irish Character
- Dedication
- INTRODUCTION
- CONTENTS, AND LIST OF ILLUSTRATIONS
- 1 LILLY O'BRIEN
- 2 MARY RYAN's DAUGHTER
- 3 THE BANNOW POSTMAN
- 4 “WE'LL SEE ABOUT IT.”
- 5 THE LAST OF THE LINE
- 6 THE WOOING AND WEDDING
- 7 JACK THE SHRIMP
- 8 HOSPITALITY
- 9 “TAKE IT EASY.”
- 10 PETER THE PROPHET
- 11 KATE CONNOR
- 12 FATHER MIKE
- 13 LARRY MOORE
- KELLY THE PIPER
- THE RAPPAREE
- ANNIE LESLIE
- MASTER BEN
- THE WISE THOUGHT
- MABEL O'NEIL'S CURSE
- THE FAIRY OF FORTH
- MARY MACGOHARTY'S PETITION
- OLD FRANK
- LUKE O'BRIAN
- INDEPENDENCE
- BLACK DENNIS
- GERALDINE
- CAPTAIN ANDY
- GOOD SPIRITS AND BAD
- Editorial Notes
- Silent Corrections
- Textual Variants
Summary
When first I saw Mary, we resided near London – it may now be some ten years ago (I believe a married lady may “recollect” for a period of ten years, although it is not exactly pleasant to remember for a longer time); she was tall, flat, and bony, exceedingly clean and neat in her dress, and yet attended minutely to the costume of her country: her cloth petticoat was always sufficiently short to display her homely worsted stockings; her gown was not spun out to any useless extension, but was met half way by her blue check apron – the “gown-tail” being always pinned in three-corner fashion by a huge corking-pin; her cap was invariably decorated by a narrow lace border “rale thread” (for she abhored counterfeits), and secured on her head by a broad green riband. But Mary's dress, strange as it was, never took off the attention from the expression of her extraordinary face; it was marvellous to look upon; and, had it been formed of cast-iron, could not have been more firm or immovable. Her forehead was high, and projected over large brown eyes, that wandered about unceasingly from corner to corner; her nose – stiff, tightly cased in its parchment skin; cheek-bones – high and projecting; and such a mouth! She talked unceasingly; but the lips moved directly up and down, like those of an eloquent bull-frog, never relaxing into a simper, much less a smile: even when she shed tears (for poor Mary had been acquainted with sorrow), they did not flow like ordinary tears, but came spouting – spouting – from under her firm-set eyelids, and made their way down her sun-burnt cheeks, without exciting a single symptom of sympathy from the surrounding features. She was a good creature, notwithstanding; sincere – I was going to say, to excess. She prided herself upon being a “blunt, honest, God-fearing, and God-serving woman, as any in the three kingdoms, let t'other be who she might,” and possessed a clan-like attachment to her employers.
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- Sketches of Irish Characterby Mrs S C Hall, pp. 319 - 328Publisher: Pickering & ChattoFirst published in: 2014