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3 - Biblical Images of the Turk: The Apocalyptic and the Exotic

Charlotte Colding Smith
Affiliation:
The University of Mannheim
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Summary

Here, now the devil's final wrath gets to work: there in the East is the second woe, Muhammad and the Saracens, here in the West are papacy and empire with the third woe. To these is added for good measure the Turk, Gog and Magog … Thus Christendom is plagued most terribly and miserably, everywhere and on all sides, with false doctrines and with wars, with scroll and with sword.

Introduction

Biblical texts and their accompanying illustrations had been linked with Islam and the Near East within Christian European theological scholarship even before Martin Luther's translation of the Bible into the German vernacular. Earlier manuscript traditions, specifically those dating from Islamic contact in the Crusades which began in the eleventh century, had strongly influenced incunabula Bible illustrations. This intensified with the Ottoman conquest of Constantinople in 1453 and the further expansion into Christian European territory. Sixteenth-century printed images built on medieval illuminated manuscript interpretations but specifically referenced Turkish costume as the Ottoman army drew even closer to German-speaking Europe. The Ottoman victory in the 1526 Battle of Mohačs and their 1529 Siege of Vienna highlighted the direct military threat. As theologians analysed their own times through biblical events, the expansion of the sultan and his armies took on heightened significance. This was enhanced by the religious upheavals in the Holy Roman Empire, which were to lead to the German Reformation.

Type
Chapter
Information
Images of Islam, 1453–1600
Turks in Germany and Central Europe
, pp. 69 - 98
Publisher: Pickering & Chatto
First published in: 2014

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