Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-17T07:24:46.136Z Has data issue: false hasContentIssue false

Editorial

Published online by Cambridge University Press:  17 July 2019

Get access

Summary

This volume testifies to the vitality of the field of early theatre, demonstrating the eclectic range of interests METh engages. A group of essays approach the performance records of civic and community drama. Philip Butterworth takes us back to the founding principles of METh by exploring the technology of pageant-waggon maintenance and manoeuvre in the light of the Chester records – the pageant waggon being the subject of the very first volume of the journal in 1979. Similarly seeking to make sense of fragmentary record evidence, James Stokes investigates the scattered and enigmatic references to ‘camping closes’ and ‘game places’ as potential performance sites in the vicinity of Beccles in Suffolk. Jamie Beckett starts from a puzzling textual reference, the name of the Jew ‘Fergus’ in the lost York Funeral of the Virgin, pursuing local history and tradition to identify a possible hate figure. The perspective is broadened by Tom Pettitt's wide-ranging and suggestive discussion of Gladman's supposed ‘Carnival’ parade in Norwich in 1443, and the revealing analogues of street performance that may be found not in England but in Italy. James McBain pursues not different locations but different types of audience: examining Gascoigne's skilful play on New Comedy in the Supposes, he evaluates how different levels of familiarity with the genre in audiences at the Inns of Court and the University of Oxford suggest different kinds of spectator response. These last three essays all arise from papers given at the 2016 METh meeting at Canterbury, while Diana Wyatt's was delivered at the 2017 event at Glasgow. Based on a family record of a 1526 wedding, this opens up the field of household drama, with the apparently traditional mounting of a ‘maske and play’ as part of the celebrations. Apart from these essays, we are pleased to engage with theatrical productions of the last year, with Peter Happé's review of Elisabeth Dutton's production of the Digby MS The Killing of the Children, mounted on 8 February 2017 in the chapel of New College, Oxford.

The 2017 METh meeting, held in Glasgow with co-hosts Pamela King and Eila Williamson, was a special event, held to honour the life-work of Philip Butterworth, a founder member of METh.

Type
Chapter
Information
Medieval English Theatre
Volume Thirty-Nine (2017)
, pp. 1 - 3
Publisher: Boydell & Brewer
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×